Cairo Cosmopolitan


Book Description

Bringing together a distinguished interdisciplinary group of scholars, this volume explores what happens when new forms of privatization meet collectivist pasts, public space is sold off to satisfy investor needs and tourist gazes, and the state plans for Egypt's future in desert cities while stigmatizing and neglecting Cairo's popular neighborhoods. These dynamics produce surprising contradictions and juxtapositions that are coming to define today's Middle East. The original publication of this volume launched the Cairo School of Urban Studies, committed to fusing political-economy and ethnographic methods and sensitive to ambivalence and contingency, to reveal the new contours and patterns of modern power emerging in the urban frame. Contributors: Mona Abaza, Nezar AlSayyad, Paul Amar, Walter Armbrust, Vincent Battesti, Fanny Colonna, Eric Denis, Dalila ElKerdany, Yasser Elsheshtawy, Farha Ghannam, Galila El Kadi, Anouk de Koning, Petra Kuppinger, Anna Madoeuf, Catherine Miller, Nicolas Puig, Said Sadek, Omnia El Shakry, Diane Singerman, Elizabeth A. Smith, Leïla Vignal, Caroline Williams.




Connected in Cairo


Book Description

For members of Cairo's upper classes, cosmopolitanism is a form of social capital, deployed whenever they acquire or consume transnational commodities, or goods that are linked in the popular imagination to other, more "modern" places. In a series of thickly described and carefully contextualized case studies—of Arabic children's magazines, Pokémon, private schools and popular films, coffee shops and fast-food restaurants—Mark Allen Peterson describes the social practices that create class identities. He traces these processes from childhood into adulthood, examining how taste and style intersect with a changing educational system and economic liberalization. Peterson reveals how uneasy many cosmopolitan Cairenes are with their new global identities, and describes their efforts to root themselves in the local through religious, nationalist, or linguistic practices.




A Cosmopolitan City


Book Description

This companion volume to the exhibit examines the multicultural city of Fustat, capital of medieval Egypt and predecessor to modern Cairo. It explores the interactions of Muslim, Christian, and Jewish communities within urban city life. These three communities practiced their own beliefs and enacted communal self-government, but they also intermingled on a daily basis and practiced shared traditions of life. Essays by leading scholars examine the different religions and languages found at Fustat, as well as cultural aspects of daily life such as food, industry, and education. The lavishly illustrated catalog highlights a new analysis of the Oriental Institute's collection of artifacts and textual materials from 7th through 12th-century Egypt. Highlights include documents from the Cairo Genizah (a document repository) of the Ben Ezra Synagogue as well as never-before-published artifacts from archaeological excavations conducted at Fustat by George Scanlon on behalf of the American Research Center in Egypt. The volume encourages discussion on the challenges of understanding religion through objects of daily life.




Midnight in Cairo: The Divas of Egypt's Roaring '20s


Book Description

A vibrant portrait of the talented and entrepreneurial women who defined an era in Cairo. One of the world’s most multicultural cities, twentieth-century Cairo was a magnet for the ambitious and talented. During the 1920s and ’30s, a vibrant music, theater, film, and cabaret scene flourished, defining what it meant to be a “modern” Egyptian. Women came to dominate the Egyptian entertainment industry—as stars of the stage and screen but also as impresarias, entrepreneurs, owners, and promoters of a new and strikingly modern entertainment industry. Raphael Cormack unveils the rich histories of independent, enterprising women like vaudeville star Rose al-Youssef (who launched one of Cairo’s most important newspapers); nightclub singer Mounira al-Mahdiyya (the first woman to lead an Egyptian theater company) and her great rival, Oum Kalthoum (still venerated for her soulful lyrics); and other fabulous female stars of the interwar period, a time marked by excess and unheard-of freedom of expression. Buffeted by crosswinds of colonialism and nationalism, conservatism and liberalism, “religious” and “secular” values, patriarchy and feminism, this new generation of celebrities offered a new vision for women in Egypt and throughout the Middle East.




Making Cairo Medieval


Book Description

During the nineteenth century, Cairo witnessed once of its most dramatic periods of transformation. Well on its way to becoming a modern and cosmopolitan city, by the end of the century, a 'medieval' Cairo had somehow come into being. While many Europeans in the nineteenth century viewed Cairo as a fundamentally dual city—physically and psychically split between East/West and modern/medieval—the contributors to the provocative collection demonstrate that, in fact, this process of inscription was the result of restoration practices, museology, and tourism initiated by colonial occupiers. The first edited volume to address nineteenth-century Cairo both in terms of its history and the perception of its achievements, this book will be an essential text for courses in architectural and art history dealing with the Islamic world.




Cosmopolitan Radicalism


Book Description

Exploring visual culture, design and politics in 1960s Beirut, this compelling interdisciplinary study examines a critical period in Lebanon's history.




Cairo in the War 1939-1945


Book Description

This is an account of life, attitudes and events in Cairo during World War II. It describes the historical background of the events of the Desert War, as well as stories and descriptions of personalities gleaned from the Ambassador's diaries and those of her grandparents, Duff and Diana Cooper.




Unfinished Places: The Politics of (Re)making Cairo’s Old Quarters


Book Description

The Emerging Politics of (Re) making Cairo's Old Quarters examines postcolonial planning practices that aimed to modernise Cairo’s urban spaces. The author examines the expanding field of postcolonial urbanism by linking the state’s political ideologies and systems of governance with methods of spatial representations that aimed to transform the urban realm in Cairo. Adopting an interdisciplinary approach, the study draws on planning, history and politics to develop a distinctive account of postcolonial planning in Cairo following Egypt’s 1952 revolution. The book widely connects the ideological role of a different type of politicised urbanism practised during the days of Nasser, Sadat and Mubarak and the overarching policies, institutions and attitudes involved in the visions for (re) building a new nation in Egypt. By examining the notion of remaking urban spaces, the study interprets the ambitions and powers of state policies for improving the spatial qualities of Cairo’s old districts since the early 20th century. These acts are situated in their spatial, political and historical contexts of Cairo’s heterogeneous old quarters and urban spaces particularly the remaking of one of the city’s older quarts named Bulaq Abul Ela established during the Ottoman rule in the thirteenth century. It therefore writes, in a chronological sequence, a narrative through time and space connecting various layers of historical and contemporary political phases for remaking Bulaq. The endeavor is to explain this process from a spatial perspective in terms of the implications and consequences not only on places, but also on the people’s everyday practices. By deeply investigating the problems and consequences; the strengths and weaknesses; and the state’s reliability to achieve the remaking objectives, the book reveals evidence that shifting forms of governance had anchored planning practices into a narrow path of creativity and responsive planning.




Beer in the Snooker Club


Book Description

Waguih Ghali was raised in Cairo but spent much of his adult life studying and working in Europe. In Beer in the Snooker Club, Ghali chronicles the lives of Cairo's upper crust who, after the fall of King Farouk, are thoroughly unprepared to change its neo-feudal ways. Beer in the Snooker Club was the only book written by Ghali before his suicide in 1968. "Ghali's novel reproduces a cultural state of shock with great accuracy and great humor."–James Marcus of The Nation




Olivia Manning


Book Description

Olivia Manning: A Woman at War is the first literary biography of the twentieth-century novelist Olivia Manning. It tells the story of a writer whose life and work were shaped by her own fierce ambition, and, like many of her generation, the events and aftermath of the Second World War. From the time she left Portsmouth for London in the mid-1930s determined to become a famous writer, through her wartime years in the Balkans and the Middle East, and until her death in London in 1980, Olivia Manning was a dedicated and hard-working author. Married to a British Council lecturer stationed in Bucharest, Olivia Manning arrived in Romania on the 3rd September 1939, the fateful day when Allied forces declared war on Germany. For the duration of World War Two, she kept one step ahead of invading German forces as she and her husband fled Romania for Greece, and then Greece for the Middle East, where they stayed until the end of the war. These tumultuous wartime years are the subject of her best-known and most transparently autobiographical novels, The Balkan Trilogy and The Levant Trilogy. Olivia Manning refused to be labelled a 'feminist,' but her novels depict with cutting insight and sardonic wit the marginal position of women striving for independent identity in arenas frequently controlled by men, whether on the frontlines of war or in the publishing world of the 1950s. However, she did not just write about World War Two and women's lives. Amongst other things, Manning published fiction about making do in Britain's post-war Age of Austerity, about desecration of the environment through uncontrolled development, and about the painful adjustment to post-war British life for young men. As the author of thirteen published novels, two volumes of short stories, several works of non-fiction, and a regular reviewer of contemporary fiction, she was a visible presence on the British literary scene throughout her life and her work provides a detailed insight into the period. Grounded in thorough research and enriched by discussion of previously unexamined manuscripts and letters, Olivia Manning: A Woman at War is a timely study of Olivia Manning's remarkable life. Deirdre David integrates incisive critical analysis of Manning's writing with extensive discussion of the historical contexts of her fiction.