In Search of a Model for African-American Drama


Book Description

In Search of a Model for African-American Drama, is a comparative study of how these three dramatists seek and devise new models to address the specific conditions of Blacks in America. Each writer relies on a different approach, each powerful, yet apparently contradictory. The author examines the dramatists' work in detail, exploring common and contrasting themes and models.




Caleb, the Degenerate


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A History of African American Theatre


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Table of contents







Black World/Negro Digest


Book Description

Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement.




The History of Southern Drama


Book Description

Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias. Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South—from sensitive analysis to outraged indictment—in response to the Civil Rights Movement. Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces. With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.




The A to Z of African American Theater


Book Description

African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The A to Z of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards.




Caleb's Eye: a Spy's Journey Through Genesis


Book Description

This book is a commentary in the form of a journal. It is meant to be something like a diary kept by a tourist or a spy of his travels in a strange land, recording questions and observations and opinions on everything he sees for other travelers on the same road. It could be also called a dialogue because the author records the conversation that he has with Genesis as he moves along, and the conversation he has with himself in the privacy of his motel room. In both ways it is the account of a journey with the idea that it may be of some use to others traveling the same road. The author is writing as an amateur to other amateurs. He is not a professional theologian nor a biblical scholar, and while his intent is to think as deeply and truly as he can, he is not doing so as a professional. There are several advantages that an amateur may have over a professional in a case like this. First the amateur can be much bolder in what he questions and in the answers he considers. The professional always has something on the line, always something at risk, namely his reputation. He cannot venture far off the beaten path without being in some danger of losing his respectability. The amateur, on the other hand, has little respectability to lose and little reputation to risk. What Dr. Boswell would not be able to risk in mathematical writing he can be quite at liberty to risk in this project. It can be exhilarating. Secondly the amateur has a much friendlier connection with the average reader. The amateur is something of an equal with the average reader, though presumably with something to say worth the hearing. Since they are introduced as equals, the reader can feel safer, less threatened, more entitled to join in the conversation that the author is trying to create. With a professional author there is always the sense of obligation that one should not argue back with the scholar; only another scholar has the credentials to join in their conversation, and the rest of us must sort it all out as best we can. But with this book there is no need of restraint; anyone can be drawn in to the discussion, anyone can feel entitled to disagree, with impunity. It can be exhilarating. This book is not meant to be a "Bible made simple" book. It is written by someone who loves to think and is written for others who love to think. It is written by someone who is not timid about difficult questions and is written for others who have no fear of such things. But most of all it is a book written for the pure joy of the thing and for those who might share that joy.