Poems


Book Description

Translations (from both Galician and Spanish) of more than 100 poems by one of the outstanding poets of 19th-century Spain. De Castro's (1837-1885) poetry, often compared to that of Emily Dickinson, is characterized by an intimate lyricism, simple diction, and innovative prosody. Includes a critical introduction, notes to the translations, and two of the poet's own autobiographical prologues. Paper edition (unseen), $16.95. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com)




Rosalia de Castro


Book Description




Rerouting Galician Studies


Book Description

This book—aimed at both the general reader and the specialist—offers a transatlantic, transnational, and multidisciplinary cartography of the rapidly expanding intellectual field of Galician Studies. In the twenty-one essays that comprise the volume, leading scholars based in the United States, Canada, the United Kingdom, and New Zealand engage with this field from the perspectives of queer theory, Atlantic and diasporic thought, political ecology, hydropoetics, theories of space, trauma and memory studies, exile, national/postnational approaches, linguistic ideologies, ethnographic poetry and photography, Galician language in the US academic curriculum, the politics of children’s books, film and visual studies, the interrelation of painting and literature, and material culture. Structured around five organizational categories (Frames, Routes, Readings, Teachings, and Visualities), and adopting a pluricentric view of Galicia as an analytical subject of study, the book brings cutting-edge debates in Galician Studies to a broad international readership.




The Radical Insufficiency of Human Life


Book Description

The postromantic works of the Spaniard Rosalía de Castro and the Colombian José Asunción Silva are indispensable in any anthology of 19th century Spanish and Latin American poetry. However, they found few appreciative readers during their lifetimes, even while displaying two of the most sincere voices of the day. Dever's book is unique: it is the first comparison of Castro's and Silva's poetry. Their works have meaningful differences but share remarkable likenesses in theme, tone, and style, though it is doubtful that either was aware of the other's existence. Of interest to feminist critics is an interpretation of Castro's literary vocation within a patriarchal society. Using the ideas of three 20th century Spanish thinkers, José Ortega y Gasset, Xavier Zubiri, and Pedro Laín Entralgo, Dever applies the concept of radical insufficiency to a comparison of the poets' works. Radical insufficiency holds that humans lack a determined being and fixed course for life, thus norms are not available to make the world intelligible. Humans experience feelings of uncertainty and emptiness, which inevitably lead to anxiety. Confronted by the mystery and pathos of human life, Castro and Silva both describe futile attempts to overcome this insufficiency through creation and contemplation of art, human relationships, and religion. The significance of these writers has transcended their own time; when examined in the context of Spanish and Latin American authors and thinkers who succeeded them, the importance of their works will continue to grow.




Writing Galicia Into the World


Book Description

Writing Galicia explores a part of Europe’s cultural and social landscape that has until now remained largely unmapped—the exciting body of creative work that, since the 1970s, has emerged as a result of contact between the small Atlantic nation of Galicia and the Anglophone world. Paying particular attention to the community of London Galicians and their descendants, this book traces representations of Galician cultural history through art and close, critical readings of literary works by, among others, Carlos Durán, Manuel Rivas, Xesús Fraga, and Ramiro Fonte. Too often neglected in literary studies, Galician culture is strongly evident throughout Europe’s cultural landscape, and this book allows us to reframe this small Atlantic culture.




Between the Maternal Aegis and the Abyss


Book Description

Rosalia de Castro (1837-85) wrote five volumes of poetry before succumbing to cancer of the uterus at the age of forty-eight. While she is perhaps best known for her more introspective and intimate poetry, Castro's mature works are also highly feminist and political in thematic orientation. This book examines the fascinating system of poetic techniques Castro employs in her works to link the compelling issues surrounding femaleness and identity- both national and individual- to the construction of a system of gendered symbolic language that has been vastly understudied by contemporary scholars.




Spanish Women's Writing 1849-1996


Book Description

Traces the tradition of Spanish women's writing from the end of the Romantic period until the present day. Professor Davies places the major authors within the changing political, cultural and economic context of women's lives over the past century-and-a-half -- with particular attention to women's accounts of female subjectivity in relation to the Spanish nation-state, government politics, and the women's liberation movement.







From Romanticism to Surrealism


Book Description

The book offers an in-depth, critical appreciation of seven major Spanish poets. Emphasis is on the modern period, with five of the poets being twentieth-century poets. It is argued that the roots of modern poetry are to be found in Romanticism's anguished search for meaning. The seven Spanish poets include Becquer, Rosalia de Castro, Antonio Machado, Jorge Guillen, Pedro Salinas, Garcia Lorca and Rafael Alberti.




Galicia, A Sentimental Nation


Book Description

Galicia, a non-state nation in north-west Spain, has often been portrayed as a sentimental nation, a misty land of poets and legends. This book offers the first study of this trope as a feminizing, colonial stereotype that has marked Galician cultural history since the late nineteenth century. Through a close reading of the main texts of Galician literary history, the author shows how this trope has helped sustain the unequal power relation between Galicia and the Spanish State. As a consequence, questions of masculinity, morality and respectability have played an essential role in Galicia's national construction, thereby enforcing a masculine definition and limiting the role of women. This book argues for a revision of the main texts of Galician cultural nationalism through a gender and postcolonial perspective, showing that contemporary portrayals of Galician history are dependent on the politically debilitating trope of Galician sentimentality.