Cartooning China


Book Description

This book explores the series of cartoons of China and the Chinese that were published in the popular British satirical magazine Punch over a sixty-year period from 1841 to 1901. Filled with political metaphors and racial stereotypes, these illustrations served as a powerful tool in both reflecting and shaping notions and attitudes towards China at a tumultuous time in Sino-British history. A close reading of both the visual and textual satires in Punch reveals how a section of British society visualised and negotiated with China as well as Britain’s position in the global community. By contextualising Punch’s cartoons within the broader frameworks of British socio-cultural and political discourse, the author engages in a critical enquiry of popular culture and its engagements with race, geopolitical propaganda, and public consciousness. With a wide array of illustrations, this book in the Global Perspectives in Comics Studies series will be an important resource for scholars and researchers of cultural studies, political history and Empire, Chinese studies, popular culture, Victoriana, as well as media studies. It will also be of interest to readers who want to learn more about Punch, its history, and Sino-British relations.




Comics Art in China


Book Description

International Convention of Asia Scholars 2019 Book Prize – Best Art Publication In the most comprehensive and authoritative source on this subject, Comics Art in China covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present as well as perspectives on both the industry and the art form. This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor magazines to cartoons as wartime propaganda and comics art in the reform. Coupling a comprehensive review of secondary materials (histories, anthologies, biographies, memoirs, and more) in English and Chinese with the artists’ actual works, the result spans more than two centuries of Chinese animation. Structured chronologically, the study begins with precursors in early China and proceeds through the Republican, wartime, Communist, and market economy periods. Based primarily on interviews senior scholar John A. Lent and Xu Ying conducted with over one hundred cartoonists, animators, and other comics art figures, Comics Art in China sheds light on tumult and triumphs. Meticulously, Lent and Xu describe the evolution of Chinese comics within a global context, probing the often-tense relationship between expression and government, as well as proving that art can be a powerful force for revolution. Indeed, the authors explore Chinese comics art as it continues to grow and adapt in the twenty-first century. Enhanced with over one hundred black-and-white and color illustrations, this book stands out as not only the first such survey in English, but perhaps the most complete one in any language.




A Modern Miscellany


Book Description

In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.










China's Intrepid Muse


Book Description

This illustrated study presents the life and work of China's most famous living cartoonist and caricaturist, Ding Cong.




AIEEYAAA! Learn Chinese the Hard Way


Book Description

Don't be fooled by books which promise you that learning Chinese is "easy", "easier", "simple", or "instant". Learning Chinese is a pain in the pìgu! AIEEYAAA! is the first book since China invented paper which offers Chinese language learners some well-deserved laughs amidst the suffering. Featuring 150 topical cartoons about life, love and culture clash in China, this affectionately satirical dictionary sends up many of the ironies, delights, and cultural and linguistic mix-ups that are immediately recognizable to anyone who has spent any time at all in the Middle Kingdom. Mandarin and Cantonese translations for every word. Traditional and Simplified Chinese characters. Cartoon scenarios to make sure you never forget a word. Extended introduction which dares to tell the truth about the trials and tribulations of learning Chinese. Humorous tips about cross-cultural miscommunication. And much more! Over 100,000 copies sold since first release, this new edition offers something for everyone when it comes to learning Chinese, whether you’re a seasoned Asia hand or traveling to China for the first time. Don’t despair about learning Chinese. Just say AIEEYAAA!




当代中国漫画集


Book Description

本书辑录了中国大陆著名画家和一百多位美术家的300多幅漫画,作品反映了中国的组织机构、行政管理、婚姻家庭、文化娱乐等社会生活。




The History of Chinese Animation I


Book Description

China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future. This book describes the history, present and future of China’s animation industry. The author divides the business’s 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works; themes; directions; artistic styles; techniques; industrial development; government support policies; business models; the nurturing of education and talent; broadcasting systems and animation. Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies.




My Beijing


Book Description

"Four short stories set in a hutong, or residential alleyway, of Beijing, China. Yu'er, her grandfather, and their eccentric neighbors experience the magic of everyday life."--