Carving Out a Living on the Land


Book Description

"A thorough and generous guide to shaping your world not only to your own happiness, but the world’s as well.”—John Hodgman, host of Judge John Hodgman; author of Vacationland Carving Out a Living on the Land tells the story of how author Emmet Van Driesche navigated changing life circumstances, took advantage of unexpected opportunities, and leveraged new and old skills to piece together an economically viable living on marginal farmland, while at the same time respecting the land’s complex ecological relationships. Van Driesche’s adventure began when he recognized that he could do much more with his land than simply tend rows of perfectly sheared Christmas trees. From spoon carving to scything, coppicing to wreath-making, Carving Out a Living on the Land proves that you don’t need acres of expensive bottomland to start your land-based venture, but rather the creativity and vision to see what might be done with that rocky section or ditch or patch of trees too small to log. You can lease instead of buy; build flexible, temporary structures rather than sink money into permanent ones; and take over an existing operation rather than start from scratch. What matters are your unique circumstances, talents, and interests, which when combined with what the land is capable of producing, can create a fulfilling and meaningful farming life.




Carving Out a Living on the Land


Book Description

When he first envisioned becoming a farmer, author Emmet Van Driesche never imagined his main crop would be Christmas trees, nor that such a tree farm could be more of a managed forest than the conventional grid of perfectly sheared trees. Carving Out a Living on the Land tells the story of how Van Driesche navigated changing life circumstances, took advantage of unexpected opportunities, and leveraged new and old skills to piece together an economically viable living, while at the same time respecting the land's complex ecological relationships. From spoon carving to scything, coppicing to wreath-making, Carving Out a Living on the Land proves that you don't need acres of expensive bottomland to start your land-based venture, but rather the creativity and vision to see what might be done with that rocky section or ditch or patch of trees too small to log. You can lease instead of buy; build flexible, temporary structures rather than sink money into permanent ones; and take over an existing operation rather than start from scratch. What matters are your unique circumstances, talents, and interests, which when combined with what the land is capable of producing, can create a fulfilling and meaningful farming life.




Carving Out the Commons


Book Description

An investigation of the practice of “commoning” in urban housing and its necessity for challenging economic injustice in our rapidly gentrifying cities Provoked by mass evictions and the onset of gentrification in the 1970s, tenants in Washington, D.C., began forming cooperative organizations to collectively purchase and manage their apartment buildings. These tenants were creating a commons, taking a resource—housing—that had been used to extract profit from them and reshaping it as a resource that was collectively owned by them. In Carving Out the Commons, Amanda Huron theorizes the practice of urban “commoning” through a close investigation of the city’s limited-equity housing cooperatives. Drawing on feminist and anticapitalist perspectives, Huron asks whether a commons can work in a city where land and other resources are scarce and how strangers who may not share a past or future come together to create and maintain commonly held spaces in the midst of capitalism. Arguing against the romanticization of the commons, she instead positions the urban commons as a pragmatic practice. Through the practice of commoning, she contends, we can learn to build communities to challenge capitalism’s totalizing claims over life.




Art Made from Books


Book Description

Artists around the world have lately been turning to their bookshelves for more than just a good read, opting to cut, paint, carve, stitch or otherwise transform the printed page into whole new beautiful, thought-provoking works of art. Art Made from Books is the definitive guide to this compelling art form, showcasing groundbreaking work by today's most showstopping practitioners. From Su Blackwell's whimsical pop-up landscapes to the stacked-book sculptures of Kylie Stillman, each portfolio celebrates the incredible creative diversity of the medium. A preface by pioneering artist Brian Dettmer and an introduction by design critic Alyson Kuhn round out the collection.




Drawn to Sea


Book Description

In the early 1980s, Yvonne Maximchuk, a single mother of two, was living in Whiterock, BC, and making a living as a working artist and art instructor. Then she fell in love with Albert, a crab fisherman who fished the waters of Boundary Bay. Drawn to his seemingly idyllic life and her desire for connection with the natural world, Yvonne and her children moved with Albert to Echo Bay, a tiny settlement east of Vancouver Island. Life in this remote community was a lot different from life in the city: there was no running water and electricity had to be generated. The closest grocery store was two hours away by boat, and even a small emergency could be life threatening. But in spite of the challenges, they persevered, building a homestead and thriving "off the grid." In this new life, Yvonne learned to do things she had only dreamed of. She cleared land, helped build their home and got to know the community of hardy folks who were always there to help one another. Soon after arriving in Echo Bay, Yvonne met Billy Proctor, a BC coastal icon and fisherman. Intrigued by his life on the sea, she asked to join him as he fished the coast looking for chinook and sockeye salmon, ling cod and tuna. Eight seasons of fishing with Billy took her on many adventures to the challenging waters and enchanting islands of BC. Inspired, she captured on canvas the mysteries and treasures of the wild Pacific coast. In Drawn to Sea Yvonne creates stunning, lyrical word pictures of her home in the Broughton Archipelago. Making the most of the tools available, from paintbrush to chainsaw, she has flourished in this remote area, carving out a home and a career in a place far from just about everyone.







Family Life in 17th- and 18th-Century America


Book Description

Colonial America comes alive in this depiction of the daily lives of families—mothers, fathers, children, and grandparents. The Volo's examine the role of the family in society and typical family life in 17th- and 18th-century America. Through narrative chapters, aspects of family life are discussed in depth such as maintaining the household, work, entertainment, death and dying, ceremonies and holidays, customs and rites of passage, parenting, education, and widowhood. Readers will gain an in-depth understanding of the world in which these families lived and how that world affected their lives. Also included are sources for further information and a timeline of historic events. Volumes in the Family Life through History series focus on the day-to-day lives and roles of families throughout history. The roles of all family members are defined and information on daily family life, the role of the family in society, and the ever-changing definition of family are discussed. Discussion of the nuclear family, single parent homes, foster and adoptive families, stepfamilies, and gay and lesbian families are included where appropriate. Topics such as meal planning, homes, entertainment and celebrations are discussed along with larger social issues that originate in the home, such as domestic violence, child abuse and neglect, and divorce. Ideal for students and general readers alike, books in this series bring the history of everyday people to life.




A Day of Life


Book Description

A Day of Life: Moments in Time takes mankind as a protagonist on a daily journey through time where one human seven billion days ago counts down to day one and an environment coping with seven billion humans. The author tries to create a conscious awareness within the reader of the five life-forms and the six constants the imbalance of which has plagued mankind to this day. A Day of Life is meant to encourage the reader to draw his or her own conclusions regarding the life-forms and constants and to make choices as to the immanency of a possible systemic collapse from exponential expansion.




The South Western Reporter


Book Description

Includes the decisions of the Supreme Courts of Missouri, Arkansas, Tennessee, and Texas, and Court of Appeals of Kentucky; Aug./Dec. 1886-May/Aug. 1892, Court of Appeals of Texas; Aug. 1892/Feb. 1893-Jan./Feb. 1928, Courts of Civil and Criminal Appeals of Texas; Apr./June 1896-Aug./Nov. 1907, Court of Appeals of Indian Territory; May/June 1927-Jan./Feb. 1928, Courts of Appeals of Missouri and Commission of Appeals of Texas.




Woodsqueer


Book Description

“Woodsqueer” is sometimes used to describe the mindset of a person who has taken to the wild for an extended period of time. Gretchen Legler is no stranger to life away from the rapid-fire pace of the twenty-first century, which can often lead to a kind of stir-craziness. Woodsqueer chronicles her experiences intentionally focusing on not just making a living but making a life—in this case, an agrarian one more in tune with the earth on eighty acres in backwoods Maine. Building a home with her partner, Ruth, on their farm means learning to live with solitude, endless trees, and the wild animals the couple come to welcome as family. Whether trying to outsmart their goats, calculating how much firewood they need for the winter, or bartering with neighbors for goods and services, they hone life skills brought with them (carpentry, tracking and hunting wild game) and other skills they learn along the way (animal husbandry, vegetable gardening, woodcutting). Legler’s story is at times humbling and grueling, but it is also amusing. A homage to agrarian American life echoing the back-to-the-land movement popularized in the mid-twentieth century, Woodsqueer reminds us of the benefits of living close to the land. Legler unapologetically considers what we have lost in America, in less than a century—individually and collectively—as a result of our urban, mass-produced, technology-driven lifestyles. Illustrated with rustic pen-and-ink illustrations, Woodsqueer shows the value of a solitary sojourn and both the pathway to and possibilities for making a sustainable, meaningful life on the land. The result, for Legler and her partner, is an evolution of their humanity as they become more physically, emotionally, and even spiritually connected to their land and each other in a complex ecosystem ruled by the changing seasons.