Music Reference and Research Materials


Book Description

This text has been the standard guide to source literature of music and contains critically annotated listings of over 3,500 key sources. This comprehensive guide to reference sources is organized into chapters by category of source. The text's organization introduces students to a vast array of sources to include: Dictionaries and Encyclopedias; Histories and Chronologies; Sources of Systematic and Historical Musicology; Bibliographies of Music, Music Literature, and Music Business; Reference Works on Individual Composers and Their Music; Catalogs of Libraries and Musical Instrument Collections; Discographies; Yearbooks; Directories; Electronic Resources.




A Thematic Catalog of the Works of Robert Valentine


Book Description

Many musicians have enjoyed the solo and chamber music of Robert Valentine, especially that for flute or recorder, but few know anything of this composer's life and other music. This volume lists all of Valentine's known works, including original works, arrangements, and fragments. In standard thematic catalog procedure, the full incipit and original title of each work is provided, together with the date of first publication, statement of medium or genre, key or sequence of keys, thorough description of early editions, and brief listings of manuscripts, modern editions, and recordings, and a title-page transcription. Further, Young provides a biographical overview derived from the editions, musical manuscripts, and research currently available. The work is a model combination of descriptive and analytic bibliography and biography.




Catalog of Pre-1900 Vocal Manuscripts in the Music Library, University of California at Berkeley


Book Description

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.







General Catalogue of Printed Books


Book Description




Harvard Dictionary of Music


Book Description

Contains nearly 1000 pages of precise and accessible information on all musical subjects.




Musica Franca


Book Description

Twenty-four essays attest to D'Accone's wide interests and influence on several generations of musicologists. The first three sections-- on the Florentine Renaissance, archival studies, and madrigal and carnival song--deal with subjects central to his research. Subsequent contributions deal with various aspects of Italian opera, performance practice, manuscript studies, and music and image. Annotation copyrighted by Book News, Inc., Portland, OR




Music Printing in Renaissance Venice


Book Description

Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.




Europäische Musiker in Venedig, Rom und Neapel 1650-1750


Book Description

Der Abschlussband des deutsch-französischen ANR-DFG-Projekts MUSICI widmet sich der Musikermigration im Europa der Frühen Neuzeit mit einem kultur- und musikgeschichtlichen Blick auf Venedig, Rom und Neapel als Reiseziele und Wirkungsorte von Instrumentalisten, Sängern, Komponisten und Instrumentenbauern, die nicht von der italienischen Halbinsel stammten. Im Sinne einer "histoire croisée" werden Netzwerke, Integrations- und Austauschprozesse aufgedeckt, mit denen fremde Musiker zwischen musikalischem Alltag und herausragenden Festlichkeiten konfrontiert waren. Auf dieser Grundlage wird eine systematische Betrachtung der frühneuzeitlichen Musikermigration sowie eine Untersuchung musikalischer Stile jenseits nationaler Forschungstraditionen möglich.