Catalogue
Author : Maggs Bros
Publisher :
Page : 304 pages
File Size : 36,53 MB
Release : 1910
Category : Booksellers' catalogs
ISBN :
Author : Maggs Bros
Publisher :
Page : 304 pages
File Size : 36,53 MB
Release : 1910
Category : Booksellers' catalogs
ISBN :
Author : Bernard Quaritch (Firm)
Publisher :
Page : 1028 pages
File Size : 20,56 MB
Release : 1907
Category : Antiquarian booksellers
ISBN :
Author : American Art Association, Anderson Galleries (Firm)
Publisher :
Page : 1302 pages
File Size : 28,41 MB
Release : 1922
Category :
ISBN :
Author :
Publisher :
Page : 1210 pages
File Size : 46,35 MB
Release : 1913
Category : Catalogs, Booksellers'
ISBN :
Author : Bernard Quaritch
Publisher :
Page : 68 pages
File Size : 32,78 MB
Release : 1909
Category : Art
ISBN :
Author : Bernard Quaritch (Firm)
Publisher :
Page : 388 pages
File Size : 14,41 MB
Release : 1909
Category : Art
ISBN :
Author : Pierre Bonnard
Publisher : Metropolitan Museum of Art
Page : 274 pages
File Size : 26,59 MB
Release : 1989
Category : Grabados en color franceses
ISBN : 0810931001
Tentoonstellingscatalogus. Met bibliografie en register.
Author : Carnegie Institute
Publisher :
Page : 248 pages
File Size : 42,10 MB
Release : 1913
Category : Art museums
ISBN :
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Author : American Art Association
Publisher :
Page : 98 pages
File Size : 42,64 MB
Release : 1915
Category :
ISBN :
Author : K. Porter Aichele
Publisher : Rowman & Littlefield
Page : 307 pages
File Size : 33,92 MB
Release : 2016-05-19
Category : Art
ISBN : 1611496179
Modern Art on Display: The Legacies of Six Collectors is structured as a sequence of case studies that pair collectors of modern art with artists they particularly favored: Duncan Phillips and Augustus Vincent Tack; Albert Barnes and Chaim Soutine; Albert Eugene Gallatin and Juan Gris; Lillie Bliss and Paul Cézanne; Etta Cone and Henri Matisse; G. David Thompson and Paul Klee. The case studies are linked by a thematic focus on the integral relationship between the collectors’ acquired knowledge about the work they amassed and their innovative display models. This focus brings a new perspective to the history of collecting and interpreting modern art in America for nearly half a century (1915-1960). By examining the books the collectors themselves read and analyzing archival photographs of their displays, the author makes a case for the historical significance of how the collectors presented the art they acquired before their collections were institutionalized.