Catalogue des Objets d'Art Et de Haute Curiosité de l'Antiquité, du Moyen Age Et de la Renaissance


Book Description

Excerpt from Catalogue des Objets d'Art Et de Haute Curiosité de l'Antiquité, du Moyen Age Et de la Renaissance: Composant la Collection de Feu M. Boy Diam., 52 cent.4 grande coupe de fa1ence persane, décor de feuillages en bleu. Xw° soecle. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.



















Catalogue des Objets d'Art Et de Haute Curiosité de l'Antiquité, du Moyen-Age Et de la Renaissance


Book Description

Excerpt from Catalogue des Objets d'Art Et de Haute Curiosité de l'Antiquité, du Moyen-Age Et de la Renaissance: Orfèvrerie, Bijoux, Cuirs, Livres, Faïences, Ivoires Émaux, Bois Sculptés, Marbres, Objets Variés, Fers, Bronzes Et Cuivres, Sièges Et Meubles, Étoffes, Broderies, Tapis En buste, de trois quarts tourné vers la gauche, pourpoint crevés sur fond blanc, le col montant sous la barbe longue, d'une toque 'a plume blanche. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.