Revolutionary Paris and the Market for Netherlandish Art


Book Description

Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.




Salvator Rosa in French Literature


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" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.







Catalogue d'estampes des plus grands maîtres italiens, flamands & françois, de divers recueils d'estampes, d'architecture de différents maîtres, & autres traités sur les arts, dépendants de la succession de M. Mariette, contrôleur-général de la Grande-Chancellerie de France, honoraire amateur de l'Académie Royale de Peinture & Sculpture, & de l'Académie de Florence


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Portraits from the École Des Beaux-Arts Paris


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This publication explores 400 years of portrait drawings from live models. Forty-four portraits have been chosen from the collection of Paris' École des Beaux-Arts based on criteria such as the social class and profession of the model, male and female gestures, caricature and frontal gaze. The goal of this project is to explore the notion of drawn portraiture and to provide alternative readings of this genre of art-making within a contemporary context. The selection of works is extensive, ranging from never-before-exhibited drawings by Jean-Auguste-Dominique Ingres, Jacques-Louis David and Charles Garnier, to the work of modern and contemporary masters Henri Matisse and Georg Baselitz, to portraits by recent graduates of the École des Beaux-Arts.




Your Humble Servant


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