British Museum Catalogue of printed Books
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Publisher :
Page : 44 pages
File Size : 33,55 MB
Release : 1892
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Author :
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Page : 44 pages
File Size : 33,55 MB
Release : 1892
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Author : Johns Hopkins University. Peabody Institute. Library
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Page : 784 pages
File Size : 19,55 MB
Release : 1902
Category : Catalogs, Dictionary
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Author : George Peabody Library
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Page : 458 pages
File Size : 42,2 MB
Release : 1898
Category : Dictionary catalogs
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Author : British Museum. Department of Printed Books
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Page : 1136 pages
File Size : 31,25 MB
Release : 1946
Category : English literature
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Author : Darius A. Spieth
Publisher : BRILL
Page : 535 pages
File Size : 47,93 MB
Release : 2017-11-06
Category : Art
ISBN : 9004276750
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author : British Museum. Department of Printed Books
Publisher :
Page : 1362 pages
File Size : 20,93 MB
Release : 1969
Category : English imprints
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Author : Johns Hopkins University. Peabody Institute. Library
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Page : 836 pages
File Size : 27,86 MB
Release : 1961
Category : Dictionary catalogs
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Author : Tom Stammers
Publisher : Cambridge University Press
Page : 375 pages
File Size : 44,16 MB
Release : 2020-06-25
Category : History
ISBN : 1108807224
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
Author : British Museum. Department of Printed Books
Publisher :
Page : 612 pages
File Size : 48,32 MB
Release : 1959
Category : English literature
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Author : Stijn Alsteens
Publisher : Yale University Press
Page : 321 pages
File Size : 46,43 MB
Release : 2016-01-01
Category : Art
ISBN : 0300212054
The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.