Catalog of the Avery Memorial Architectural Library of Columbia University
Author : Avery Library
Publisher :
Page : 846 pages
File Size : 11,35 MB
Release : 1968
Category : Architecture
ISBN :
Author : Avery Library
Publisher :
Page : 846 pages
File Size : 11,35 MB
Release : 1968
Category : Architecture
ISBN :
Author :
Publisher :
Page : 656 pages
File Size : 31,70 MB
Release : 1904
Category : Art
ISBN :
Author : Robert Edward Dell
Publisher :
Page : 648 pages
File Size : 20,88 MB
Release : 1904
Category : Art
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1038 pages
File Size : 17,64 MB
Release : 1960
Category : Art
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1040 pages
File Size : 27,33 MB
Release : 1960
Category : Art
ISBN :
Author : Avery Library
Publisher :
Page : 872 pages
File Size : 37,24 MB
Release : 1968
Category : Architecture
ISBN :
Author : Boston Public Library
Publisher :
Page : 720 pages
File Size : 44,7 MB
Release : 1914
Category : Architecture
ISBN :
Author : Elizabeth A. H. Cleland
Publisher : Metropolitan Museum of Art
Page : 416 pages
File Size : 30,8 MB
Release : 2014-10-06
Category : Art
ISBN : 0300208057
Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, drawings, and architectural treatises. Though only forty-eight when he died, Coecke was one of the greatest Netherlandish artists of the sixteenth century. His paintings and drawings, initially wrought in the style of the Antwerp Mannerists, evolved through his enthusiastic response to Italian Renaissance design, and influenced generations of artists in his wake. This comprehensive study explores Coecke’s stylistic development, as well as his substantial contribution to the body of great Renaissance art in Flanders. Featuring twenty monumental tapestries, along with many of their cartoons and preparatory sketches, plus seven paintings, additional drawings, and printed matter—many of them newly photographed for this volume—Grand Design provides a thorough reappraisal of Coecke’s work, amply justifying the high regard in which Coecke’s work was held and its wide dissemination long after his death.
Author : Marina Belozerskaya
Publisher : Getty Publications
Page : 292 pages
File Size : 11,42 MB
Release : 2005-10-01
Category : Art
ISBN : 0892367857
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author : Harvard University. Fine Arts Library
Publisher :
Page : 864 pages
File Size : 29,55 MB
Release : 1971
Category : Art
ISBN :