Library Catalog of the Metropolitan Museum of Art, New York
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1038 pages
File Size : 27,96 MB
Release : 1960
Category : Art
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1038 pages
File Size : 27,96 MB
Release : 1960
Category : Art
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1040 pages
File Size : 41,86 MB
Release : 1960
Category : Art
ISBN :
Author :
Publisher :
Page : 712 pages
File Size : 44,54 MB
Release : 1970
Category : Catalogs, Union
ISBN :
Author : New York Public Library. Art and Architecture Division
Publisher :
Page : 760 pages
File Size : 21,96 MB
Release : 1975
Category : Architecture
ISBN :
Author : British Museum. Dept. of Printed Books
Publisher :
Page : 1230 pages
File Size : 31,72 MB
Release : 1967
Category : English imprints
ISBN :
Author : Gillian Wilson
Publisher : J. Paul Getty Museum
Page : 0 pages
File Size : 35,55 MB
Release : 2021-03-30
Category : Design
ISBN : 9781606066300
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Author : Harvard Art Museums
Publisher : Harvard Art Museums
Page : pages
File Size : 26,88 MB
Release : 2017-01-01
Category :
ISBN : 9781891771712
"This catalogue accompanies the exhibition Drawing: The Invention of a Modern Medium, on view at the Harvard Art Museums, Cambridge, Massachusetts, from January 21 through May 7, 2017."
Author : Julie A. Steiner
Publisher : Abrams
Page : 160 pages
File Size : 35,98 MB
Release : 1997
Category : Architecture
ISBN :
This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998.
Author : Nicholas Green
Publisher : Manchester University Press
Page : 252 pages
File Size : 42,67 MB
Release : 1990
Category : History
ISBN : 9780719039096
Explores the perception of nature in early 19th-century France. The book centres on a discussion of subjectivity and class and the way in which the process of looking at the countryside reinforced the identity of the metropolitan bourgeoisie - and especially men.
Author : Ting Chang
Publisher : Routledge
Page : 210 pages
File Size : 39,47 MB
Release : 2017-07-05
Category : Art
ISBN : 1351538454
Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.