Catalogue Des Livres Rares Et Curieux Composant La Bibliotheque Champfleury... (Ed.1890)


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Catalogue des livres rares et curieux composant la bibliotheque Champfleury... / preface de Paul EudelDate de l'edition originale : 1890[Vente (Livres). 1890-12-15. Paris, Hotel Drouot][Collection (Livres). Champfleury, Jules-Francois-Felix Husson (dit Fleury dit). 1890]Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.frhttp://gallica.bnf.fr/ark:/12148/bpt6k5559330j




Champfleury


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Champfleury (1821-1889), the prominent French nineteenth-century art critic, is renowned for his role in establishing a French realist school of art and as the champion of Gustave Courbet. Yet the extent to which his realism grows out of his deep and abiding interest in popular art has been neglected. At a time of radical disagreement about the historical, political and social role of popular culture, Champfleury creates a distinctive understanding of the art of the people. Investigating the interplay between the meaning or spirit of popular art, and its formal qualities, Champfleury's interpretation is primarily art historical. His approach forms the basis of a realist manifesto for the high art of his period. Closely analysing his work on imagery, songs, ceramics, caricature and pantomime, this book places Champfleury's approach to popular art in the context of the work of contemporary writers, historians, artists and folklorists.







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Research and Reference Guide to French Studies


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