Eighteenth-century French Drawings in New York Collections
Author : Perrin Stein
Publisher : Metropolitan Museum of Art
Page : 257 pages
File Size : 45,12 MB
Release : 1999
Category : Drawing
ISBN : 0870998927
Author : Perrin Stein
Publisher : Metropolitan Museum of Art
Page : 257 pages
File Size : 45,12 MB
Release : 1999
Category : Drawing
ISBN : 0870998927
Author : Royal Society of Arts (Great Britain)
Publisher :
Page : 690 pages
File Size : 29,71 MB
Release : 1879
Category : Decorative arts
ISBN :
Author : Melissa Lee Hyde
Publisher : Getty Publications
Page : 304 pages
File Size : 37,48 MB
Release : 2006
Category : Art
ISBN : 9780892368259
"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.
Author : Meredith Martin
Publisher : Routledge
Page : 428 pages
File Size : 25,62 MB
Release : 2017-07-05
Category : Art
ISBN : 1351576062
Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and décor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.
Author : Dena Goodman
Publisher : Taylor & Francis
Page : 262 pages
File Size : 49,27 MB
Release : 2007
Category : Art
ISBN : 041594953X
Publisher description
Author : Musée du quai Branly
Publisher : Musée du quai Branly
Page : 406 pages
File Size : 11,75 MB
Release : 2010
Category : Art
ISBN :
Ce volume est issu du colloque "Histoire de l'art et anthropologie" qui s'est tenu du 21 au 23 juin 2007
Author : M. Berg
Publisher : Springer
Page : 270 pages
File Size : 10,43 MB
Release : 2016-01-11
Category : History
ISBN : 0230508278
'Luxury in the 18th Century' explores the political, economic, moral and intellectual effects of the production and consumption of luxury goods, and provides a broadly-based account from a variety of perspectives, addressing key themes of economic debate, material culture, the principles of art and taste, luxury as 'female vice' and the exotic.
Author : Katie Scott
Publisher : Yale University Press
Page : 371 pages
File Size : 30,35 MB
Release : 1995-01-01
Category : Architecture
ISBN : 0300045824
Defines and depicts the arts and architecture of the rococo period in France and examines its relation to society
Author : Katie Scott
Publisher : Blackwell Publishing
Page : 185 pages
File Size : 34,46 MB
Release : 2005
Category : Art
ISBN : 9781405131681
This collection brings together studies on the French decorative arts in the eighteenth century, extending from bookbinding, typography and engraving to those related specifically to the domestic interior: porcelain, upholstery and furniture. A collection of studies on the French decorative arts in the eighteenth century. Covers an extensive range of subjects from bookbinding, typography and engraving to porcelain, upholstery and furniture. Demonstrates how the advancement of knowledge in porcelain and loom technology resulted in new luxury goods to the glory of Absolutism. Looks at how Revolution demanded that political change be reflected in the details of everyday life, such as dress and furniture.
Author : D. David Charles Stove
Publisher : Transaction Publishers
Page : 232 pages
File Size : 48,82 MB
Release : 2003
Category : Philosophy
ISBN : 9780765801364
The idea of enlightenment entails liberty, equality, rationalism, secularism, and the connection between knowledge and human well being. In spite of the setbacks of revolutionary violence, political mass murder, and two world wars, the spread of enlightenment values has become the yardstick by which moral, political, and even scientific advances are measured. Indeed, most critiques of the enlightenment ideal point to failure in implementation rather than principle. By contrast, David Stove, in On Enlightenment, attacks the intellectual roots of enlightenment thought, to define the limitations of its successes and the areas of its likely failures. Stove is not insensitive to the many valuable aspects of enlightenment thought. He champions the use of reason and rationality, and recognizes the falsity of religious claims as well as the importance of individual liberty. What he rejects is the enlightenment's uncritical optimism regarding social progress and its willingness to embrace revolutionary change. What evidence is there that the elimination of superstition will lead to happiness? Or that it is possible to accept Darwinism without Social Darwinism? Or that the enlightenment's liberal, rationalistic outlook will ever lead to the kind of social progress envisioned by its advocates. Despite their best intentions, social reformers who attempt to improve the world as a whole inevitably make things worse. He advocates a conservative "go slow" approach to change, pointing out that today's social structures are so large and complex that any widespread social reform will have innumerable unforeseen consequences. For example, the welfare state may diminish individual initiative, the use of pesticides may increase the food supply while polluting the water supply, the popularizing of university education may lead to a decline in academic standards. Since government has a virtual monopoly on large-scale change, it follows, in Stove's view, that its powers must be limited in order to prevent large-scale damage. Instead, he argues that reforms, when they are to be made at all, must be realistic, local, necessary and never coercive. Writing in the conservative tradition of Edmund Burke with the same passion for clarity and intellectual honesty as George Orwell, David Stove was one of the most precise, articulate, and insightful philosophers of his day. "Never just an academic, Stove was also a prominent, often crotchety, public intellectual of a conservative and, all too often, reactionary bent, many of whose views were extremist on any account, and his targets were many. ... For Stove the important question about a belief is not whether it is extreme or mainstream, but whether it is true, or probable, or has sound evidentiary and/or rational credentials. In this he was surely right." -D. D. Todd, Philosophy in Review David Stove (1927-1994) taught philosophy at the University of New South Wales and the University of Sydney. He is the author of Against the Idols of the Age and Scientific Irrationalism, both available from Transaction. Andrew Irvine is professor of philosophy at the University of British Columbia, Vancouver. Roger Kimball is managing editor of the New Criterion.