Catalogue des objets d'art et d'ameublement, tableaux anciens, gouaches, dessus de porte, peintures sur verre des écoles françaises et italiennes, céramiques, faïences et porcelaines anciennes, vases en porcelaine et sujets biscuit de la manufacture de Dihl et Guerhard (XVIIIe siècle), bronzes et objets d'Extrême-Orient, marbres, bronzes, pendules, glaces en bois sculpté, suite de papiers peints représentant le port de Naples, d'après Vernet, sièges et meubles des XVIIIe et XIXe siècles, dont plusieurs portant les estampilles des maîtres ébénistes Criaerd, Bonnemain, Dieudonné, etc., tapis d'Aubusson provenant du château du Houx


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Rethinking Boucher


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"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.




Rajasthan Style


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"This photographic opus expresses the sublime beauty of the people, nature, and places of this legendary region of India. From palaces to singular creative interiors, this promenade through the myriad colors and traditional handicrafts of Rajasthan captures the idealized Western dream of the Orient" -- Publisher's description.




Catalogue des objets d'art et d'ameublement anciennes porcelaines de Sèvres, pate tendre de Saxe, de Chine, etc., jades et cristaux de roche chinois, objets de vitrine, éventails, râpes à tabac, sculptures, pendules, bronzes & meubles du XVIIIe siècle, du 1er empire et autres, vitrines meuble de salon en tapisserie du temps de Louis XV, tapisseries des XVIIe siècles gravures des écoles française et anglaise du XVIIIe si0ecle dépendent des collections de M. Édouard Chappey: Moyen âge et renaissance


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Architectural Space in Eighteenth-Century Europe


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Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and décor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.




Furnishing the Eighteenth Century


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Cannibalismes disciplinaires


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Ce volume est issu du colloque "Histoire de l'art et anthropologie" qui s'est tenu du 21 au 23 juin 2007




Catalogue de 300 tableaux anciens et des objets d'art et d'ameublement, anciennes porcelaines de Chine, de Sèvres, de Saxe, émaux de Limoges, miniatures, sculptures en marbre, en ivoire, bronzes dart, bronze chinois, émaux cloisonnés, objets variés, meubles anciens, bronze d'ameublement, sièges, tapisseries, tapis persans, composant la collection de M. le baron de Beurnonville ...


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