Catalogue des objets d'art et d'ameublement anciennes porcelaines de Sèvres, pate tendre de Saxe, de Chine, etc., jades et cristaux de roche chinois, objets de vitrine, éventails, râpes à tabac, sculptures, pendules, bronzes & meubles du XVIIIe siècle, du 1er empire et autres, vitrines meuble de salon en tapisserie du temps de Louis XV, tapisseries des XVIIe siècles gravures des écoles française et anglaise du XVIIIe si0ecle dépendent des collections de M. Édouard Chappey: Moyen âge et renaissance


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Rajasthan Style


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"This photographic opus expresses the sublime beauty of the people, nature, and places of this legendary region of India. From palaces to singular creative interiors, this promenade through the myriad colors and traditional handicrafts of Rajasthan captures the idealized Western dream of the Orient" -- Publisher's description.




Rethinking Boucher


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"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.




Conversations with Cézanne


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This book gathers the commentary of people who knew the painter Paul Cezanne, especially in his later years. Now seen as one of the most influential of modern painters, in his 40s he returned to his village of Aix-en-Provence where, he worked in near obscurity and with great dedication until his death in 1906.




Architectural Space in Eighteenth-Century Europe


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Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and décor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.




Furnishing the Eighteenth Century


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Catalogue des céramiques et de la Chine des dynasties Ming et Tsing, plats et assiettes de la famille rose, belle suite de pierres dures chinoises, jades, agates, ambres, cristaux de roche, bois sculptés, vitrines d'exposition, tableaux modernes, aquarelles, pastels, dessins par Béraud, Bonnard, Carrière, Degas, Derain, Fantin-Latour, Forain, Gauguin, Marie Laurencin, De Penne, Picasso, O. Redon, Renoir, Signac, Utrillo, S. Valadon, M. de Vlaminck, Vuillard, bronze de Rodin, assiettes décorées par Vlaminck, objets d'art et d'ameublement, faïences, porcelaines, cristaux, argenterie et métal, éventails, coffrets, objets variés, bronzes d'art & d'ameublement, pendules, glaces et trumeaux, sièges et meubles des époques Régence, Louis XV, Louis XVI, Directoire et Empire, tapisseries, tapis d'Aubusson


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