American Art Annual
Author :
Publisher :
Page : 728 pages
File Size : 49,18 MB
Release : 1937
Category : Art
ISBN :
Author :
Publisher :
Page : 728 pages
File Size : 49,18 MB
Release : 1937
Category : Art
ISBN :
Author : Hispanic Society of America. Library
Publisher :
Page : 985 pages
File Size : 39,42 MB
Release : 1962
Category : Brazilian literature
ISBN :
Author : Caroline M. Riley
Publisher : Univ of California Press
Page : 359 pages
File Size : 24,15 MB
Release : 2023-01-31
Category : Art
ISBN : 0520386914
What was Three Centuries of American Art? -- Loaning across oceans : symbolism, risk, and value -- Creating a contemporary American art history across centuries -- Art on paper -- Appendix : tables of artworks included in Three Centuries of American Art.
Author : Andrew Hemingway
Publisher : Yale University Press
Page : 380 pages
File Size : 43,90 MB
Release : 2002-01-01
Category : Art
ISBN : 9780300092202
Examination of the relation between visual artists and the American communist movement in the first half of the twentieth century, from the rise in prestige of the party during the Great Depression to its decline in the 1950s. Account of how left-wing artists responded to the party's various policy shifts: the communist party exerted a powerful force in American culture.
Author : National Register Publishing
Publisher : National Register Publishing
Page : 1052 pages
File Size : 50,61 MB
Release : 2008
Category : Art
ISBN : 9780872177550
Author : Maggie Taft
Publisher : University of Chicago Press
Page : 441 pages
File Size : 50,38 MB
Release : 2018-10-24
Category : Art
ISBN : 022631314X
For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art. Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, László Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book—in recognition of the complexity of the story it tells—doesn’t follow a single continuous trajectory. Rather, it presents an overlapping sequence of interrelated narratives that together tell a full and nuanced, yet wholly accessible history of visual art in the city. From the temptingly blank canvas left by the Fire, we loop back to the 1830s and on up through the 1860s, tracing the beginnings of the city’s institutional and professional art world and community. From there, we travel in chronological order through the decades to the present. Familiar developments—such as the founding of the Art Institute, the Armory Show, and the arrival of the Bauhaus—are given a fresh look, while less well-known aspects of the story, like the contributions of African American artists dating back to the 1860s or the long history of activist art, finally get suitable recognition. The six chapters, each written by an expert in the period, brilliantly mix narrative and image, weaving in oral histories from artists and critics reflecting on their work in the city, and setting new movements and key works in historical context. The final chapter, comprised of interviews and conversations with contemporary artists, brings the story up to the present, offering a look at the vibrant art being created in the city now and addressing ongoing debates about what it means to identify as—or resist identifying as—a Chicago artist today. The result is an unprecedentedly inclusive and rich tapestry, one that reveals Chicago art in all its variety and vigor—and one that will surprise and enlighten even the most dedicated fan of the city’s artistic heritage. Part of the Terra Foundation for American Art’s year-long Art Design Chicago initiative, which will bring major arts events to venues throughout Chicago in 2018, Art in Chicago is a landmark publication, a book that will be the standard account of Chicago art for decades to come. No art fan—regardless of their city—will want to miss it.
Author : Chrysler Museum at Norfolk
Publisher :
Page : 280 pages
File Size : 29,41 MB
Release : 1975
Category : Art
ISBN :
Author : University of Minnesota. University Gallery
Publisher :
Page : 78 pages
File Size : 28,5 MB
Release : 1979
Category :
ISBN :
Author : Philip J. Anderson
Publisher :
Page : 420 pages
File Size : 20,13 MB
Release : 1992
Category : History
ISBN :
Papers originally presented at a conference held in Chicago in Oct. 1988, sponsored by the Swedish-American Historical Society, and other others.
Author : Michael Asher
Publisher : MIT Press
Page : 261 pages
File Size : 32,70 MB
Release : 2019-10-15
Category : Art
ISBN : 0262042673
Writings by the conceptual artist Michael Asher—including notes, proposals, exhibition statements, and letters to curators and critics—most published here for the first time. The California conceptual artist Michael Asher (1943–2012) was known for rigorous site specificity and pioneering institutional critique. His decades of teaching at CalArts influenced generations of artists. Much of Asher's artistic practice was devoted to creating works that had no lasting material presence and often responded to the material, social, or ideological context of a situation. Because most of Asher's artworks have ceased to exist, his writings about them have special significance. Public Knowledge collects writings by Asher about his work—including preliminary notes and ideas, project proposals, exhibition statements, and letters to curators and critics—most of which have never been previously published. Asher gave few interviews, didn't write art criticism, and rarely published extensive accounts of his own work. Yet writing was central to his artistic practice, serving as a tool for working out ideas, negotiating institutional parameters, and describing thought processes. In these texts, he considers writing and documentation, discusses artistic practice, offers notes for gallery and museum talks, presents artist statements for exhibition-goers, describes individual works and their situational context, and reflects on teaching and art education. Among other things, Asher provides his definition of site specificity, addresses the function of art in public space, and analyzes the intersection of teaching art and institutional models of education. Readers will see an artist at work, formulating ethical and political strategies for making art in a situational world.