A Catalogue of the Greek and Etruscan Vases in the British Museum: 1 Prehistoric Aegean pottery, by E. J. Forsdyke. (1925).- Vol.1.2 Cypriote, Italian, and Etruscan pottery, by H. B. Walters. (1912).- Vol.2. Black-figured vases, by H. B. Walters. (1893).- Vol.3. Vases of the finest period, by Cecil H. Smith. (1896).- Vol.4 Vases of the latest period, by H. B. Walters. (1896)


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Catalogue of the Greek and Etruscan Vases in the British Museum, Vol. 1


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Excerpt from Catalogue of the Greek and Etruscan Vases in the British Museum, Vol. 1: Part II., Cypriote, Italian, and Etruscan Pottery When the present Catalogue of Vases in the British Museum was planned, in 1891, Volume I. Was assigned to the vases then exhibited in the First Vase Room, which are for the most part of an early date, and represent the beginnings of Greek Vase-painting in many places and styles. The subsequent growth of the collection, especially in the sections dealing with Crete and Cyprus, has made it necessary to divide the volume into two parts, the second of which is the first to be ready for issue. Volume I., Part II., deals with the pottery of Cyprus, the early Italian fabrics, and the Etruscan pottery in the strict sense of that term. Some preparations were made by Sir Cecil Harcourt Smith, now Director of the Victoria and Albert Museum, but the second part of Volume I. Is mainly the work of Mr. H. B. Walters, Assistant Keeper of Greek and Roman Antiquities. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Catalogue


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Drawing the Greek Vase


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How have two-dimensional images of ancient Greek vases shaped modern perceptions of these artefacts and of the classical past? This is the first scholarly volume devoted to the exploration of drawings, prints, and photographs of Greek vases in modernity. Case studies of the seventeenth to the twentieth century foreground ways that artists have depicted Greek vases in a range of styles and contexts within and beyond academia. Questions addressed include: how do these images translate three-dimensional ancient utilitarian objects with iconography central to the tradition of Western painting and decorative arts into two-dimensional graphic images carrying aesthetic and epistemic value? How does the embodied practice of drawing enable people to engage with Greek vases differently from museum viewers, and what insights does it offer on ancient producers and users? And how did the invention of photography impact the tradition of drawing Greek vases? The volume addresses art historians of the seventeenth to twentieth centuries, archaeologists and classical reception scholars.




Bibliotheca Lindesiana ...


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