Catalog of the Avery Memorial Architectural Library of Columbia University
Author : Avery Library
Publisher :
Page : 1972 pages
File Size : 31,87 MB
Release : 1958
Category : Architecture
ISBN :
Author : Avery Library
Publisher :
Page : 1972 pages
File Size : 31,87 MB
Release : 1958
Category : Architecture
ISBN :
Author : Paul Arthur
Publisher : Editions Norma
Page : 0 pages
File Size : 21,54 MB
Release : 2015
Category : Art pottery, French
ISBN : 9782915542653
"L'art nouveau, an artistic movement of a highly eclectic nature that developed in the late 19th century, took its lead from such diverse sources as Japanese art or the medieval revivalism of the Arts and Crafts. Perhaps in no medium was it better represented than in pottery, whose technical possibilities allowed for great freedom of expression. This richly illustrated dictionary, with glossary and select signatures, lists over 1,100 artists, ceramists and firms that participated in the creation of Art Nouveau ceramics in France, the melting pot of die new aesthetic."--Page 4 of cover.
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 666 pages
File Size : 37,5 MB
Release : 1980
Category : Art
ISBN :
Author : Chanthalangsy, Phinith
Publisher : UNESCO Publishing
Page : 236 pages
File Size : 28,91 MB
Release : 2014-12-31
Category : Philosophy
ISBN : 9231010069
Author : Jacqueline Ki-Zerbo
Publisher : Univ of California Press
Page : 372 pages
File Size : 26,62 MB
Release : 1990
Category : History
ISBN : 9780520066960
"This volume covers the period from the end of the Neolithic era to the beginning of the seventh century of our era. This lengthy period includes the civilization of Ancient Egypt, the history of Nubia, Ethiopia, North Africa and the Sahara, as well as of the other regions of the continent and its islands."--Publisher's description
Author : Bertrandon de La Brocquière
Publisher : Peter Lang Incorporated, International Academic Publishers
Page : 216 pages
File Size : 26,82 MB
Release : 1988
Category : Biography & Autobiography
ISBN :
De la Broquière set off for the Holy Land in 1432 for the purpose of spying out the possibilities of a new crusade to be led by the Duke of Burgundy. He returned overland, through the Turkish Empire, alone. His observations of the land, the people, the rulers, the food and the customs make fascinating reading. There is also a long section on the organization and tactics of the Ottoman Army, and the ways that the Europeans can use to defeat it. De la Broquière is a highly competent spy and a very observant tourist.
Author : Jean Joseph Marquet de Vasselot
Publisher :
Page : 130 pages
File Size : 40,42 MB
Release : 1922
Category : Pottery
ISBN :
Author : Roger Benjamin
Publisher : Univ of California Press
Page : 394 pages
File Size : 33,89 MB
Release : 2003-02-03
Category : Architecture
ISBN : 0520924401
Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.
Author : Hermann Michaelis
Publisher :
Page : 486 pages
File Size : 20,83 MB
Release : 1913
Category : English language
ISBN :
Author : Anne L. Poulet
Publisher : University of Chicago Press
Page : 392 pages
File Size : 15,59 MB
Release : 2003-07-15
Category : Art
ISBN : 9780226676470
Jean-Antoine Houdon (1741-1826) has long been recognized as the greatest European portrait sculptor of the late eighteenth century, flourishing during both the American and French Revolutions as well as during the Directoire and Empire in France. Whether sculpting a head of state, an intellectual, or a young child, Houdon had an uncanny ability to capture the essence of his subject with a characteristic pose or expression. Yet until now, Houdon's exquisite sculptures have never been the subject of a major exhibition. This lavish exhibition catalogue will immediately take its rightful place as the definitive work on Houdon. With more than one hundred color plates and two hundred black and white halftones, Jean-Antoine Houdon: Sculptor of the Enlightenment illustrates every stage of the sculptor's fascinating career, from his early portrayals of Louis XVI and Marie Antoinette to his stunning portraits of American patriots such as George Washington, the Marquis de Lafayette, John Paul Jones, Benjamin Franklin, and Thomas Jefferson. Indeed the images we hold dear of legendary Enlightenment figures like Diderot, Rousseau, d'Alembert, and Voltaire are based on works by Houdon. More than mere representations, these sculptures provide us fascinating, intimate glimpses into the very core of who these figures were. Houdon's genius animated even his less illustrious subjects, like his portraits of his family and friends, and filled his sculptures of children with delicacy and freshness. Accompanying the images of Houdon's masterworks are four insightful essays that discuss Houdon's views on art (based in part on a newly discovered manuscript written by the artist) as well as his prominence in the highly varied cultures of eighteenth-century France, Germany, and Russia. From aristocrats to revolutionaries, actors to philosophers, Houdon's amazingly vivid portraits constitute the visual record of the Enlightenment and capture the true spirit of a remarkable age. Jean-Antoine Houdon finally gives these gorgeous works their due.