The Cathedral Builders


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In most histories of Italian art we are conscious of a vast hiatus of several centuries, between the ancient classic art of Romewhich was in its decadence when the Western Empire ceased in the fifth century after Christand that early rise of art in the twelfth century which led to the Renaissance.This hiatus is generally supposed to be a time when Art was utterly dead and buried, its corpse in Byzantine dress lying embalmed in its tomb at Ravenna. But all death is nothing but the germ of new life. Art was not a corpse, it was only a seed, laid in Italian soil to germinate, and it bore several plants before the great reflowering period of the Renaissance.The seed sown by the Classic schools formed the link between them and the Renaissance, just as the Romance Languages of Provence and Languedoc form the link between the dying out of the classic Latin and the rise of modern languages.Now where are we to look for this link?In language we find it just between the Roman and Gallic Empires.In Art it seems also to be on that borderlandLombardywhere the Magistri Comacini, a mediæval Guild of Liberi Muratori (Freemasons), kept alive in their traditions the seed of classic art, slowly training it through Romanesque forms up to the Gothic, and hence to the full Renaissance.




The Cathedral Builders


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Cathedral


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This richly illustrated book shows the intricate step-by-step process of an imaginary cathedral's growth.




The Cathedral Builders


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"The Cathedral Builders" by Leader Scott is a book about Church architecture and the efforts of various Cathedral builders. The book explains how and why such a powerful and influential guild seemed to spring from a little island in Lake Como, and how their worldwide reputation grew, the following scraps of history, borrowed from many an ancient source.







The cathedral builders


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The Pillars of the Earth


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#1 New York Times Bestseller Oprah's Book Club Selection The “extraordinary . . . monumental masterpiece” (Booklist) that changed the course of Ken Follett’s already phenomenal career—and begins where its prequel, The Evening and the Morning, ended. “Follett risks all and comes out a clear winner,” extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett’s unassailable command of the written word and to his universal appeal. The Pillars of the Earth tells the story of Philip, prior of Kingsbridge, a devout and resourceful monk driven to build the greatest Gothic cathedral the world has known . . . of Tom, the mason who becomes his architect—a man divided in his soul . . . of the beautiful, elusive Lady Aliena, haunted by a secret shame . . . and of a struggle between good and evil that will turn church against state and brother against brother. A spellbinding epic tale of ambition, anarchy, and absolute power set against the sprawling medieval canvas of twelfth-century England, this is Ken Follett’s historical masterpiece.




The Construction of Gothic Cathedrals


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"This study enables us to appreciate more fully the technical expertise and improvements which enabled the creative spirit of the day to find such splendid embodiment". -- James Lingwood, Oxford Art Journal Copyright © Libri GmbH. All rights reserved.




How to Build a Cathedral


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Gothic cathedrals are monuments to God, witnesses to the historic power of the Church, and symbols of the faith of the thousands of believers who contributed to their creation. They are also astonishing feats of construction and engineering, from a period before steel-making, machine tools and computer simulation; breathtaking in their scale and grandeur even hundreds of years after the religious impulse that produced them has largely faded away.How to Build a Cathedral is a visual exploration of the building of these masterpieces, from the initial groundplan to the topping out of the spire. Illustrated throughout with beautiful engravings, it looks at each element of the structure in turn, explaining the process of construction and the methods that were used. At intervals though the book, special gatefold pages offer a detailed snapshot of the evolution of the building as it rises into the heavens. A 16-page colour section allows for appreciation of stained glass and decorative stonework. With text written by a leading architectural historian, How to Build a Cathedral is an illuminating portrait of the genius of the medieval architect.




The Cathedral Builder


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The decision to write this first-ever biography of J. Irwin Miller stemmed from learning that his children in 2010 had given his papers to the Indiana Historical Society, of Indianapolis, IN, with the intent of helping the public become more familiar with this giant 20th century American industrialist. Known as the Irwin-Sweeney-Miller Collection, the bequest contains 554 boxes of archived, but not digitized, material which took 85 days to sift through manually, page-by-page, the author motivated by the same rush French farmers must get when their hog finds that occasional truffle. Cited in 45% of our foot-notes, the ISM collection not surprisingly was the single biggest source of data for this book. Next in importance were interviews with more than 80 people (five already deceased) across a broad spectrum of Miller’s life — care-giver to Congressman, pilot to pastor, banker to board member. Most helpful of all was Miller’s son, William I, (Will) Miller, who granted us seven interviews. Additionally, the author relied upon a handful of books about institutions that fundamentally grounded his life, including Cummins Engine, Yale University and Christian Theological Seminary. Nearly forty years living in the Columbus IN area and associating with “the engine company” as, sequentially, employee, supplier and investment analyst have provided the author with unique insights. As a measure of his conectedness, the author knows (or knew) 34 of the 61 persons interviewed for The Engine That Could, the company-sponsored history of Cummins, published in 1997. The author knew Miller personally because their wives were actively involved in running the Columbus branch of the Indianapolis Art Museum.