Cathedral Chants. Edited by A. Bennett ... and W. Marshall, etc
Author : Alfred Bennett
Publisher :
Page : 128 pages
File Size : 19,11 MB
Release : 1845
Category :
ISBN :
Author : Alfred Bennett
Publisher :
Page : 128 pages
File Size : 19,11 MB
Release : 1845
Category :
ISBN :
Author : Alfred Bennett
Publisher :
Page : 120 pages
File Size : 12,54 MB
Release : 1830
Category :
ISBN :
Author : Royal College of Music (Great Britain)
Publisher :
Page : 380 pages
File Size : 23,53 MB
Release : 1909
Category : Music
ISBN :
Author : William Cowan
Publisher :
Page : 276 pages
File Size : 36,78 MB
Release : 1901
Category : Church music
ISBN :
Author : British Library. Department of Printed Books
Publisher :
Page : 434 pages
File Size : 46,75 MB
Release : 1981
Category : Music
ISBN :
Author : John Skelton Bumpus
Publisher :
Page : 292 pages
File Size : 46,78 MB
Release : 1891
Category : Church musicians
ISBN :
Author : James Duff Brown
Publisher :
Page : 484 pages
File Size : 46,37 MB
Release : 1897
Category : Music
ISBN :
Author :
Publisher :
Page : 174 pages
File Size : 32,40 MB
Release : 1866
Category :
ISBN :
Author : Henry Parr
Publisher :
Page : 308 pages
File Size : 43,33 MB
Release : 1872
Category :
ISBN :
Author : Gerald Gifford
Publisher : Routledge
Page : 394 pages
File Size : 42,99 MB
Release : 2017-11-01
Category : Social Science
ISBN : 1351786121
This title was first published in 2002: Burghley House, Stamford, was built between 1555 and 1587 for William Cecil, Lord Burghley, the Lord High Treasurer to Queen Elizabeth I. The library there contains an extensive collection of manuscript and printed music dating from about 1650 to 1850, substantially formed during the latter part of the 18th century by the Ninth Earl of Exeter. The collection is given particular significance by the inclusion of several rare and in some cases apparently unique volumes. This catalogue examines the Burghley House music collection in the light of contemporary documentary evidence. The opening section describes the people who added to the collection and their musical enthusiasms. This approach brings the collection to life and also enables us to appreciate emergent trends in British music history of the period. With each entry fully described and the printed music referenced to RISM or CPM, this catalogue should form a valuable reference source for all scholars of British music from the 17th to the 19th century.