Cathedrals of the Flesh


Book Description

'A lot of books make you feel dirty. This one makes you wish you were clean' Guardian 'Who cares about home when you can steam with Finns and soak with Japanese, while consorting with Belgian art dealers and Romanian prostitutes? ... beautifully written' Sunday Times _____________________ People journey to Greece for the ruins, Turkey for the Hagia Sophia, and Russia for St. Peter's, but Alexia Brue travels with a different itinerary: to visit the baths. What starts off as an innocent vacation quickly becomes an obsession, as the author ventures to Turkey, Greece, Russia, Finland, and Japan to sample the range of bathing traditions the world has to offer. Caught up in the tide of travel and exploration and crossing paths with fellow travellers along the way, Alexia drifts further and further away from the life she left behind in New York City. Hoping to find a thriving local bath scene, she dips into hamams, banyas, saunas, and onsen, finding both disappointment and bliss. At once deeply personal and highly informative, full of intimacies, discoveries, and unexpected twists, CATHEDRALS OF THE FLESH is the candid and playful account of one woman's determination to follow her passion, ultimately inspiring readers to do the same.




Cathedrals of the World Coloring Book


Book Description

This fascinating volume invites colorists of all ages to color detailed illustrations of 40 great churches from around the world. Includes St. Paul's (London), Chartres (France), Notre Dame (Paris), Cologne (Germany), St. Peter's (Rome), St. Basil's (Moscow), St. Patrick's (New York), the Washington Cathedral, and more.










Cathedrals of Bone


Book Description

The metaphor of the Church as a "body" has shaped Catholic thinking since the Second Vatican Council. Its influence on theological inquiries into Catholic nature and practice is well-known; less obvious is the way it has shaped a generation of Catholic imaginative writers. Cathedrals of Bone is the first full-length study of a cohort of Catholic authors whose art takes seriously the themes of the Council: from novelists such as Mary Gordon, Ron Hansen, Louise Erdrich, and J. F. Powers, to poets such as Annie Dillard, Mary Karr, Lucia Perillo, and Anne Carson, to the Pulitzer Prize-winning playwright John Patrick Shanley. Motivated by the inspirational yet thoroughly incarnational rhetoric of Vatican II, each of these writers encourages readers to think about the human body as a site-perhaps the most important site-of interaction between God and human beings. Although they represent the body in different ways, these late-twentieth-century Catholic artists share a sense of its inherent value. Moreover, they use ideas and terminology from the rich tradition of Catholic sacramentality, especially as it was articulated in the documents of Vatican II, to describe that value. In this way they challenge the Church to take its own tradition seriously and to reconsider its relationship to a relatively recent apologetics that has emphasized a narrow view of human reason and a rigid sense of orthodoxy.







The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester


Book Description

This fascinating account thoroughly explores the three historic cathedrals located in Britain, specifically at Gloucester, Hereford, and Worcester. With vivid illustrations and fascinating tales behind each cathedral area included in this book, art enthusiasts would find themselves riveted to the final pages of this book.




Cathedral of the Wild


Book Description

“This is a gorgeous, lyrical, hilarious, important book. . . . Read this and you may find yourself instinctively beginning to heal old wounds: in yourself, in others, and just maybe in the cathedral of the wild that is our true home.”—Martha Beck, author of Finding Your Own North Star Boyd Varty had an unconventional upbringing. He grew up on Londolozi Game Reserve in South Africa, a place where man and nature strive for balance, where perils exist alongside wonders. Founded more than eighty years ago as a hunting ground, Londolozi was transformed into a nature reserve beginning in 1973 by Varty’s father and uncle, visionaries of the restoration movement. But it wasn’t just a sanctuary for the animals; it was also a place for ravaged land to flourish again and for the human spirit to be restored. When Nelson Mandela was released after twenty-seven years of imprisonment, he came to the reserve to recover. Cathedral of the Wild is Varty’s memoir of his life in this exquisite and vast refuge. At Londolozi, Varty gained the confidence that emerges from living in Africa. “We came out strong and largely unafraid of life,” he writes, “with the full knowledge of its dangers.” It was there that young Boyd and his equally adventurous sister learned to track animals, raised leopard and lion cubs, followed their larger-than-life uncle on his many adventures filming wildlife, and became one with the land. Varty survived a harrowing black mamba encounter, a debilitating bout with malaria, even a vicious crocodile attack, but his biggest challenge was a personal crisis of purpose. An intense spiritual quest takes him across the globe and back again—to reconnect with nature and “rediscover the track.” Cathedral of the Wild is a story of transformation that inspires a great appreciation for the beauty and order of the natural world. With conviction, hope, and humor, Varty makes a passionate claim for the power of the wild to restore the human spirit. Praise for Cathedral of the Wild “Extremely touching . . . a book about growth and hope.”—The New York Times “It made me cry with its hard-won truths about human and animal nature. . . . Both funny and deeply moving, this book belongs on the shelf of everyone who seeks healing in wilderness.”—BookPage




The Age of the Cathedrals


Book Description

Recognizing that a work of art is the product of a particular time and place as much as it is the creation of an individual, Duby provides a sweeping survey of the changing mentalities of the Middle Ages as reflected in the art and architecture of the period. "If Age of the Cathedrals has a fault, it is that Professor Duby knows too much, has too many new ideas and takes such a delight in setting them out. . . insights whiz to and fro like meteorites."—John Russell, New York Times Book Review