Opera for the People


Book Description

Opera for the People is an in-depth examination of a forgotten chapter in American social and cultural history: the love affair that middle-class Americans had with continental opera (translated into English) in the 1870s, 1880s, and 1890s. Author Katherine Preston reveals how-contrary to the existing historiography on the American musical culture of this period-English-language opera not only flourished in the United States during this time, but found its success significantly bolstered by the support of women impresarios, prima-donnas, managers, and philanthropists who provided financial backing to opera companies. This rich and compelling study details the lives and professional activities of several important players in American postbellum opera, including manager Effie Ober, philanthropist Jeannette Thurber, and performers/artistic directors Caroline Richings, Euphrosyne Parepa-Rosa, Clara Louise Kellogg, and "the people's prima donna" Emma Abbott. Drawing from an impressive range of primary sources, including contemporaneous music and theater periodicals, playbills, memoirs, librettos, scores, and reviews and commentary on the performances in digitized newspapers, Preston tells the story of how these and other women influenced the activities of some of the more than one hundred opera companies touring the United States during the second half of the 19th century, performing opera in English for a diverse range of audiences. Countering a pervasive and misguided historical understanding of opera reception in the United States-unduly influenced by modern attitudes about the genre as elite, exclusive, expensive, and of interest only to a niche market-Opera for the People demonstrates the important (and hitherto unsuspected) place of opera in the rich cornucopia of late-century American musical theatre, which would eventually lead to the emergence of American musical comedy.




Trollope and the Magazines


Book Description

Trollope and the Magazines examines the serial publication of several of Trollope's novels in the context of the gendered discourses in a range of Victorian magazines - including Cornhill, Good Words, Saint Pauls , and the Fortnightly Review . It highlights the importance of the periodical press in the literary culture of Victorian Britain, and argues that readers today need to engage with the lively cultural debates in the magazines, in order better to appreciate the complexity of Trollope's popular fiction.




British Stars and Stardom


Book Description

British film stars—even the most famous ones, such as James Mason, Sean Connery, and Julie Andrews—are a neglected subject in film history. This interesting collection looks at the whole of British stardom from circa 1910 onwards, and the many types of British stars who gained worldwide fame through national and international cinema.




Life on the Victorian Stage


Book Description

The expansion of the press in Victorian Britain meant more pages to be filled, and more stories to be found. Life on the Victorian Stage: Theatrical Gossip looks at how the everyday lives of Victorian performers and managers were used for such a purpose, with the British newspapers covering the good, the bad and the ugly side of life on the stage during the nineteenth century. Viewed through the prism of Victorian newspapers, and in particular through their gossip columns, this book looks at the perils facing actors from financial disasters or insecurity to stalking, from libel cases to criminal trials and offers an alternative view of the Victorian theatrical profession.This thoroughly researched and entertaining study looks at how the Victorian press covered the theatrical profession and, in particular, how it covered the misfortunes actors faced. It shows how the development of gossip columns and papers specializing in theater coverage enabled fans to gain an insight into their favorite performers lives that broke down the public-private divide of the stage and helped to create a very modern celebrity culture.The book looks at how technological developments enabled the press to expose the behavior of actors overseas, such as when actor Fred Solomon's' bigamy in America was revealed. It looks at the pressures facing actors, which could lead to suicide, and the impact of the 1857 Matrimonial Causes Act on what the newspapers covered, with theatrical divorce cases coming to form a significant part of their coverage in the latter half of the nineteenth century. Other major events, from theater disasters to the murder of actor William Terriss, are explored within the context of press reportage and its impact. The lives of those in the theatrical profession are put into their wider social context to explore how they lived, and how they were perceived by press and public in Victorian Britain.










Empire, Celebrity and Excess


Book Description

While now long-forgotten, King Farouk of Egypt loomed large in British culture in the 1940s and 1950s. Farouk was of interest and importance, not just to British imperial policy makers, but to a wider public that was exposed to his extravagant lifestyle and colourful private life through gossip columns, comedy sketches, cartoons, song lyrics and novels. This book explores how the narratives and representations of King Farouk found in British official and popular culture dramatized the retreat from empire, the rise of celebrity journalism, changing conceptions of masculinity and sexuality, ambivalent attitudes towards monarchy, postcolonial exile, the growth of mass tourism, and the post-war transition from austerity to abundance. By considering diplomatic history in tandem with histories of popular culture and celebrity, Francis presents a more holistic understanding of British culture during the era of decolonization. The varied cultural and social features of post-war Britain and the reconstitution of British identity in the aftermath of empire - sexual liberalization, 'Americanization', consumer affluence, increased interaction with Europe, new forms of mass leisure and the emergence of celebrity culture - did not take place independently of the dismantling of imperial rule. Studying Farouk therefore sheds new light on the multiple and complex ways in which Britain emerged as a postcolonial nation.