The Best of New Ceramic Art


Book Description

"The Best of New Ceramic Art features the 100 winning entries - chosen from almost 1,000 submissions - for the Monarch National Ceramic Competition, North America's premiere showcase for new ceramic art. The book serves as an exhibition on paper, showcasing a splendid collection of diverse objects that are a testament to the strength of ceramic art as a modern art form." "The superb illustrations are a rich source of inspiration as well as a permanent reference. This book will be welcomed by practicing artists throughout the world, along with those who find pleasure in looking at and collecting ceramics."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved







Ceramic Industry


Book Description







American Studio Ceramics


Book Description

A landmark survey of the formative years of American studio ceramics and the constellation of people, institutions, and events that propelled it from craft to fine art




Ceramic Industry


Book Description




Live Form


Book Description

Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.




Infinite Place


Book Description

A comprehensive and lavishly illustrated monograph of one of the most important American ceramic artists







Fracture Mechanics of Ceramics


Book Description

This Volume 13 of the Fracture Mechanics of Ceramics series constitutes the th Proceedings of the 7 International Symposium on the fracture mechanics of ceramics held at the Presidium of the Russian Academy of Sciences, Moscow, Russia on July 20 to 22, 1999. The series started from the Proceedings of the 1 st Symposium at the Pennsylvania State University that has been held on 1973 (Vols. 1 and 2), followed by 1977 and 1981 Years meetings (Vols. 3 to 6) which were held at the Pennsylvania State University, too. Volumes 7 and 8 are from the 1985 Symposium which was held at the Virginia Polytechnic Institute and State University, Volumes 9 and 10 are from the 1991 Symposium at Japan Fine Ceramic Centre, Nagoya, and Volumes 11 and 12 are from the 1995 Symposium at Kernforschungszentrum, Karlsruhe. The theme of the Symposium was focused on the mechanical behaviour of advanced ceramics in terms of the cracks, particularly the crack-microstructure interaction, delayed failure, environmental effects in fracture. Special attention was paid on the novel methods in fracture mechanics testing, pre-standardisation and standartisation. The authors from 19 countries represented the current state of that field. The International Scientific Committee gratefully acknowledge the sponsoring provided by The Russian Academy of Sciences and, personally, Academician Yu.S.Osipov, President of RAS; The Ministry of Science and Technologies of the Russian Federation, Prof. G.Terestchenko; Russian Foundation for Basic Research, Academician I.Moiseev; Scientific Technical Center "Bacor", Dr. B.Krasnij; Gzhel Ltd., Prof.