Children of Arnhem's Kaleidoscope


Book Description

It was hot. There was sudden stillness in the late afternoon air and the surface of the small waterhole shone with unnatural smoothness. Fresh pig tracks at water's edge suggested pigs just gone. Two bubbles popped to the surface near the edge of the pool; just decaying vegetation, said my mind. I should have smelt crocodile! A story of a missionary family in remote aboriginal Australia. What is it about the Northern Territory that fascinates? I have only to mention it’s name in conversation and people turn to listen. Why, for 180 years, has it drawn people from all over to come, stay longer than they imagined and, often, never leave? This book is a memoir of a family's life in a remote aboriginal community, in Australia's Northern Territory, something the equivalent of remote Canada or Alaska, where few people go. The place Oenpelli,(now Gunbalanya) is near Kadadu National Park, made famous in Crocodile Dundee. This story tells of changing world as a missionary family and an aboriginal community become part of modern Australia This our family's story, growing amongst the people, animals and places and colours of this this strange land, alongside an aboriginal community going through its own changes; citizenship, alcohol, uranium mining, land rights, outstation development, and community self management. It is a memoir of growing up in one of the most isolated parts of Australia - in a small aboriginal missionary community in the Northern Territory, something the equivalent of the remote Canada or Alaska. It is the landscape featured in the movie Crocodile Dundee. It tells of the huge change in this place in the last half century with the coming of land rights and aboriginal self determination. It also tells of my mother and fathers lives and Christian beliefs which motivated their contribution to this change. It is a story of my memories and love for this remote and beautiful place, in which I lived as a child then worked as an adult and of many NT characters who gave me the memories.It is also the story of me working as an adult across many parts of the NT and about the hardy, outlandish characters that inhabit this place. It also tells of my own experience of surviving attack by a large crocodile in a remote swamp It also provides a foundation for my novels in the Crocodile Spirit Dreaming Series. The places in these books are the places in which I lived and worked and many of the stories came little changed from people I knew. In particular my experience in surviving a crocodile attack of a large saltwater crocodile, which mauled my leg as told in this book forms part of the central role of the crocodile as a predator in this novel series. The role of my father in opening road transport including building a crossing of the East Alligator River, developing outstations for aboriginal communities, learning to fly on missionary wages and establishing an aviation service along with assisting the aboriginal peoples of this land to gain royalties from mining is a story that deserves to be told as a major part of NT history. Along with his tireless work the contribution of many others is also an essential part of the story.




Arnhem's Kaleidoscope Children


Book Description

It was hot with stillness in the late afternoon air. The waterhole shone with unnatural smoothness. Fresh pig tracks suggested pigs just gone. Two bubbles popped to the surface of the pool; just decaying vegetation, said my mind. I should have smelt crocodile! Story of a family in remote aboriginal north Australia, land of Crocodile Dundee.




Peace Child


Book Description




The Old Balmain House


Book Description

Sophie vanished - where did she go? For 100 years nobody knows. A photo of 8 year old Sophie and an antique perfume bottle are found in the fireplace of an old house. The story of a Balmain family over 170 years. Finally they uncover what happened. Set around beautiful Sydney Harbour this is a story of this place and its people, an imagined history from early Australia to the present day. Who was Sophie and what happened to her? On buying an old weatherboard house in Balmain, Sydney, we discover her photo, dated 1900-1908, long hidden, along with a small perfume bottle in an old fireplace. Then we discover that Sophie disappeared with a childhood friend in 1908 and was never seem again, leaving a trail of sadness through generations of her family. This book tracks the journey of the discovery of Sophie and her family, from their first arrival in Sydney, over five generations of the family, until the mystery is finally laid to rest. It is a story of loss and grief, mixed with joy, which passes through the successive generations of a family. The way the family deals with unresolved tragedy and finally the the way their love transcends time is the story from which the real Sophie emerges. Graham Wilson, the author, lived in the house in Balmain around which this story is based for seven years, before moving to Millers Point. This is his first novel. Graham has previously written a family memoir, “Children of Arnhem’s Kaleidoscope” which describes his childhood, growing up in a aboriginal community in Western Arnhem Land. This is also available from this site.







Little Lost Girl


Book Description

A little girl vanished 100 years ago. Her name was Sophie. Where did she go? An old house in Balmain. A portrait and perfume bottle hidden in a chimney. Unknown and untouched, while a century passed, their memory slowly fading. Glimpses of an eight year old girl and her school friend, missing, never found. The grief of those left behind, those who searched, those who yearned. So begins a journey to discover an Australian family, five generations, from 1840 to today. Buried in their past is the story of a long lost girl and the pain her vanishing left behind. Fragments slowly emerge from within the walls, stories of those who built and lived in this place. Her identity is revealed but her disappearance remains a mystery. A chance discovery gives a vital clue. Set around beautiful Sydney Harbour, this is the story of people and place, from early colonisation to the present day. This book is the first in the Old Balmain House Series.




The Chinchorro culture


Book Description




Children of Arnhem's Kadeidoscope


Book Description

It was hot. There was sudden stillness in the late afternoon air and the surface of the small waterhole shone with unnatural smoothness. Fresh pig tracks at water's edge suggested pigs just gone. Two bubbles popped to the surface near the edge of the pool; just decaying vegetation, said my mind. I should have smelt crocodile! What is it about the Northern Territory that fascinates? I have only to mention it's name in conversation and people turn to listen. Why, for 180 years, has it drawn people from all over to come, stay longer than they imagined and, often, never leave? This book is a memoir of a family's life in a remote aboriginal community, in Australia's Northern Territory, something the equivalent of remote Canada or Alaska, where few people go. The place Oenpelli, (now Gunbalanya) is near Kadadu National Park, made famous in Crocodile Dundee. It tells of changing world as a missionary family and an aboriginal community become part of modern Australia This our family's story, growing amongst the people, animals and places and colours of this this strange land, alongside an aboriginal community going through its own changes; citizenship, alcohol, uranium mining, land rights, outstation development, and community self management. It is a memoir of growing up in one of the most isolated parts of Australia - in a small aboriginal missionary community in the Northern Territory, something the equivalent of the remote Canada or Alaska. It is the landscape featured in the movie Crocodile Dundee. It tells of the huge change in this place in the last half century with the coming of land rights and aboriginal self determination. It also tells of my mother and fathers lives and Christian beliefs which motivated their contribution to this change. It is a story of my memories and love for this remote and beautiful place, in which I lived as a child then worked as an adult and of many NT characters who gave me the memories.It is also the story of me working as an adult across many parts of the NT and about the hardy, outlandish characters that inhabit this place. It also tells of my own experience of surviving attack by a large crocodile in a remote swamp It also provides a foundation for my novels in the Crocodile Spirit Dreaming Series. The places in these books are the places in which I lived and worked and many of the stories came little changed from people I knew. In particular my experience in surviving a crocodile attack of a large saltwater crocodile, which mauled my leg as told in this book forms part of the central role of the crocodile as a predator in this novel series. The role of my father in opening road transport including building a crossing of the East Alligator River, developing outstations for aboriginal communities, learning to fly on missionary wages and establishing an aviation service along with assisting the aboriginal peoples of this land to gain royalties from mining is a story that deserves to be told as a major part of NT history. Along with his tireless work the contribution of many others is also an essential part of the story.




Artificial Hells


Book Description

Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.




EFLA Bulletin


Book Description