Chinese Miscellanies
Author : John Francis Davis
Publisher : Рипол Классик
Page : 236 pages
File Size : 17,52 MB
Release : 1865
Category : History
ISBN :
Author : John Francis Davis
Publisher : Рипол Классик
Page : 236 pages
File Size : 17,52 MB
Release : 1865
Category : History
ISBN :
Author : sir John Francis Davis (1st bart.)
Publisher :
Page : 248 pages
File Size : 50,57 MB
Release : 1865
Category :
ISBN :
Author : John Francis Davis
Publisher :
Page : 242 pages
File Size : 25,35 MB
Release : 1865
Category : China
ISBN :
Author : Paul Bevan
Publisher : BRILL
Page : 407 pages
File Size : 32,40 MB
Release : 2015-11-02
Category : Art
ISBN : 900430794X
In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.
Author : William Mesny
Publisher :
Page : 548 pages
File Size : 32,38 MB
Release : 1896
Category : China
ISBN :
A text book of notes on China and the Chinese.
Author : Kathryn A. Lowry
Publisher : BRILL
Page : 446 pages
File Size : 42,2 MB
Release : 2005
Category : Music
ISBN : 9004145869
This study of popular songs offers a new hypothesis about the role of elite in popular culture and evidences how commercial publishing facilitated the rise of selective reading and imitation of texts in late-Ming China, creating a new basis for describing desire and the self.
Author : Eun Kyung Min
Publisher : Cambridge University Press
Page : 292 pages
File Size : 21,69 MB
Release : 2018-04-19
Category : Literary Criticism
ISBN : 1108390021
This book explores how a modern English literary identity was forged by its notions of other traditions and histories, in particular those of China. The theorizing and writing of English literary modernity took place in the midst of the famous quarrel between the Ancients and the Moderns. Eun Kyung Min argues that this quarrel was in part a debate about the value of Chinese culture and that a complex cultural awareness of China shaped the development of a 'national' literature in seventeenth- and eighteenth-century England by pushing to new limits questions of comparative cultural value and identity. Writers including Defoe, Addison, Goldsmith, and Percy wrote China into genres such as the novel, the periodical paper, the pseudo-letter in the newspaper, and anthologized collections of 'antique' English poetry, inventing new formal strategies to engage in this wide-ranging debate about what defined modern English identity.
Author : Essex Institute. Library
Publisher :
Page : 32 pages
File Size : 18,52 MB
Release : 1895
Category : China
ISBN :
Author : Peter J. Kitson
Publisher : Cambridge University Press
Page : 329 pages
File Size : 33,43 MB
Release : 2013-11-21
Category : History
ISBN : 1107045614
The first major study to focus on British and Chinese cultural relations in the Romantic period.
Author : Kevin L. Cope
Publisher : Bucknell University Press
Page : 461 pages
File Size : 17,3 MB
Release : 2019-04-01
Category : Literary Criticism
ISBN : 1684480736
With issue twenty-four of 1650–1850, this annual enters its second quarter-century with a new publisher, a new look, a new editorial board, and a new commitment to intellectual and artistic exploration. As the diversely inventive essays in this first issue from the Bucknell University Press demonstrate, the energy and open-mindedness that made 1650–1850 a success continue to intensify. This first Bucknell issue includes a special feature that explores the use of sacred space in what was once incautiously called “the age of reason.” A suite of book reviews renews the 1650–1850 legacy of full-length and unbridled evaluation of the best in contemporary Enlightenment scholarship. These lively and informative reviews celebrate the many years that book review editor Baerbel Czennia has served 1650–1850 and also make for an able handoff to Samara Anne Cahill of Nanyang Technological University, who will edit the book review section beginning with our next volume. Most important of all, this issue serves as an invitation to scholars to offer their most creative and thoughtful work for consideration for publication in 1650–1850. About the annual journal 1650-1850 1650-1850 publishes essays and reviews from and about a wide range of academic disciplines—literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences—between the “hard” and the “humane” disciplines. The editors encourage proposals for “special features” that bring together five to seven essays on focused themes within its historical range, from the Interregnum to the end of the first generation of Romantic writers. While also being open to more specialized or particular studies that match up with the general themes and goals of the journal, 1650-1850 is in the first instance a journal about the artful presentation of ideas that welcomes good writing from its contributors. First published in 1994, 1650-1850 is currently in its 24th volume. ISSN 1065-3112. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.