Author : Yuanfei Wang
Publisher : University of Michigan Press
Page : 227 pages
File Size : 36,47 MB
Release : 2021-06-23
Category : Literary Criticism
ISBN : 0472038516
Examines writings on China's oceanic piracy wars of the sixteenth century
Author : Patrick Hanan
Publisher : Harvard University Press
Page : 298 pages
File Size : 37,43 MB
Release : 1981
Category : History
ISBN : 9780674125650
Author : Wilt Idema
Publisher : BRILL
Page : 213 pages
File Size : 47,35 MB
Release : 2021-09-13
Category : History
ISBN : 9004482806
Author : Shuhui Yang
Publisher : U OF M CENTER FOR CHINESE STUDIES
Page : 197 pages
File Size : 39,12 MB
Release : 2021-01-19
Category : Language Arts & Disciplines
ISBN : 0472038109
Feng Menglong (1574–1646) was recognized as the most knowledgeable connoisseur of popular literature of his time. He is known today for compiling three famous collections of vernacular short stories, each containing forty stories, collectively known as Sanyan. Appropriation and Representation adapts concepts of ventriloquism and dialogism from Bakhtin and Holquist to explore Feng’s methods of selecting source materials. Shuhui Yang develops a model of development in which Feng’s approach to selecting and working with his source materials becomes clear. More broadly, Appropriation and Representation locates Feng Menglong’s Sanyan in the cultural milieu of the late Ming, including the archaist movement in literature, literati marginality and anxieties, the subversive use of folk works, and the meiren xiangcao tradition—appropriating a female identity to express male frustration. Against this background, a rationale emerges for Feng’s choice to elevate and promote the vernacular story while stepping back form an overt authorial role.
Author : Martin W. Huang
Publisher : BRILL
Page : 370 pages
File Size : 16,64 MB
Release : 2020-03-23
Category : Literary Criticism
ISBN : 1684173574
"In this new study of desire in Late Imperial China, Martin Huang argues that the development of traditional Chinese fiction as a narrative genre was closely related to changes in conceptions of the fundamental nature of desire. He further suggests that the rise of vernacular fiction during the late Ming dynasty should be studied in the context of contemporary debates on desire, along with the new and complex views that emerged from those debates. Desire and Fictional Narrative in Late Imperial China shows that the obsession of authors with individual desire is an essential quality that defines traditional Chinese fiction as a narrative genre. Thus the maturation of the genre can best be appreciated in terms of its increasingly sophisticated exploration of the phenomenon of desire."
Author : Patrick Hanan
Publisher : Columbia University Press
Page : 308 pages
File Size : 31,38 MB
Release : 2004
Category : Education
ISBN : 9780231133241
It has often been said that the nineteenth century was a relatively stagnant period for Chinese fiction, but preeminent scholar Patrick Hanan shows that the opposite is true: the finest novels of the nineteenth century show a constant experimentation and evolution. In this collection of detailed and insightful essays, Hanan examines Chinese fiction before and during the period in which Chinese writers first came into contact with western fiction. Hanan explores the uses made of fiction by westerners in China; the adaptation and integration of western methods in Chinese fiction; and the continued vitality of the Chinese fictional tradition. Some western missionaries, for example, wrote religious novels in Chinese, almost always with the aid of native assistants who tended to change aspects of the work to "fit" Chinese taste. Later, such works as Washington Irving's "Rip Van Winkle," Jonathan Swift's "A Voyage to Lilliput," the novels of Jules Verne, and French detective stories were translated into Chinese. These interventions and their effects are explored here for virtually the first time.
Author : Maria Franca Sibau
Publisher : State University of New York Press
Page : 246 pages
File Size : 47,7 MB
Release : 2018-03-20
Category : Literary Criticism
ISBN : 1438469918
Reading for the Moral offers an innovative reassessment of the nature of moral representation and exemplarity in Chinese vernacular fiction. Maria Franca Sibau focuses on two little-studied story collections published at the end of the Ming dynasty, Exemplary Words for the World (Xingshi yan, 1632) and Bell in the Still Night (Qingye zhong, c. 1645). Far from being tediously moralistic tales, these stories of loyal ministers, filial children, chaste widows, and selfless friends provide a deeper understanding of the five cardinal relationships central to Confucian ethics. They explore the inherent tension between what we might call textbook morality, on the one hand, and untidy everyday life, on the other. The stories often take a critical view of mechanical notions of retribution, countering it with the logic of virtue as its own reward. Conflict between passion and duty is typically resolved in favor of duty, a duty redefined with a palpable sense of urgency. In constructing vernacular representations of moral exemplars from the recent historical past rather than from remote or fictitious antiquity, the story compilers show how these virtues are not abstract or monolithic norms, but play out within the contingencies of time and space.
Author : Victor H. Mair
Publisher : Columbia University Press
Page : 1369 pages
File Size : 25,96 MB
Release : 2010-03-10
Category : Literary Criticism
ISBN : 0231528515
The Columbia History of Chinese Literature is a comprehensive yet portable guide to China's vast literary traditions. Stretching from earliest times to the present, the text features original contributions by leading specialists working in all genres and periods. Chapters cover poetry, prose, fiction, and drama, and consider such contextual subjects as popular culture, the impact of religion, the role of women, and China's relationship with non-Sinitic languages and peoples. Opening with a major section on the linguistic and intellectual foundations of Chinese literature, the anthology traces the development of forms and movements over time, along with critical trends, and pays particular attention to the premodern canon.
Author : Patrick Hanan
Publisher : Harvard Univ Asia Center
Page : 274 pages
File Size : 25,74 MB
Release : 1973
Category : Literary Criticism
ISBN : 9780674125254
During the centuries of its popularity, early Chinese vernacular fiction was never adequately preserved or even documented. The great popular appeal of the short stories saved them from oblivion, but it was only in the sixteenth and seventeenth centuries that they were first collected and published. Mr. Hanan's erudite study is the first thorough attempt to uncover the history of the Chinese short story. Using a variety of techniques, but principally that of stylistic analysis, the author solves the fundamental problem of dating the stories in terms of periods. He is able to place each story in one of three broad categories, early (ca. 1250-1450), middle (ca. 1400-1575), and late (ca. 1550-1627), and to assign some of them to the earlier or later part of the time span. In many cases he offers evidence of sources and influences, place of origin, and possible or probable authorship. On the basis of the author's research, it is possible to see in minutely researched detail how the short story developed in China, what kind of men composed it, its relationship to other kinds of literature, and the main social preoccupations with which it deals. The results of Mr. Hanan's study are vitally important to all scholars of Chinese literature. Historians and linguists will also find it valuable as a model of the innovative use of stylistic analysis.
Author : ISAAC. YUE
Publisher :
Page : 220 pages
File Size : 38,31 MB
Release : 2020-09-28
Category :
ISBN : 9781621965046
Using four case studies on the developmental history of the fox demon, Zhang Fei, Sun Wukong, and Zhong Kui in vernacular literature, this book examines the interconnection between the idea of monstrosity (through its traditional connection to foreignness) and the emergence of Chinese cultural identity since the Song dynasty.
