Chinese Yankee


Book Description

Chinese Yankee by Ruthanne Lum McCunn tells the true story of Hong Kong born Thomas Sylvanus (Ah Yee Way), an orphan brought to America for schooling in the mid-1850s, but enslaved in Baltimore. Only sixteen at the outbreak of war, Thomas ran north, joined the Freedom Army, and was blinded in the first major campaign. He failed to fully recover his sight and, deemed incapable of performing the duties of a soldier, was discharged. Yet he reenlisted twice, saved his regiment's colors during the bloodbath of Spotsylvania, was lamed at Cold Harbor, and survived 9 months imprisonment in the dreaded Andersonville stockade. His health broken, but his spirit intact, he battled for survival and justice for his family and himself until his death in 1891. He was, as the New York Times noted, "singular." "[Chinese Yankee] is an extraordinary story that still resonates 150 years later. With her empathy for the central character and her engaging and accessible prose, McCunn is ideally qualified to tell the tale." -- Stuart Heaver, Hong Kong South China Morning Post, November 1, 2014. Advance Praise "A true Civil War story that brings to life a uniquely American hero, Chinese Yankee gives the reader history that speaks to the heart with the aches of struggle, the challenges of identity, and the search for love against all odds." -- Gus Lee, China Boy; Courage: The Backbone of Leadership; and With Schwarzkopf. "Riveting. Couldn't put it down! Couldn't turn the pages fast enough. It's one thing to see a faded black and white picture, quite another to read it in living color, flesh and bone, joy and sorrow." -- Carol Shively, editor, Asians and Pacific Islanders and the Civil War "Uncovering remarkable documentary evidence, Ruthanne Lum McCunn skillfully details the life of Union soldier Thomas Sylvanus (Ah Yee Way). A fascinating read that helps us better understand American society during this critical period in our history. Read it." -- Franklin Odo, Project Director for Theme Study on Asian Americans and Pacific Islanders, NPS




Chinese America


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The Yankee International


Book Description

Examining the social and intellectual collision of the American reform tradition with immigrant Marxism during the Reconstruction era, Timothy Messer-Kruse charts the rise and fall of the International Workingman's Association (IWA), the first international socialist organization. He analyzes what attracted American reformers--many of them veterans of antebellum crusades for abolition, women's rights, and other radical causes--to the IWA, how their presence affected the course of the American Left, and why they were ultimately purged from the IWA by their orthodox Marxist comrades. Messer-Kruse explores the ideology and activities of the Yankee Internationalists, tracing the evolution of antebellum American reformers' thinking on the question of wage labor and illuminating the beginnings of a broad labor reform coalition in the early years of Reconstruction. He shows how American reformers' priority of racial and sexual equality clashed with their Marxist partners' strategy of infiltrating trade unions. Ultimately, he argues, Marxist demands for party discipline and ideological unity proved incompatible with the Yankees' native republicanism. With the expulsion of Yankee reformers from the IWA in 1871, American Marxism was divorced from the American reform tradition.




Yankee on the Yangtze


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Chinese Americans


Book Description

This in-depth historical analysis highlights the enormous contributions of Chinese Americans to the professions, politics, and popular culture of America, from the 19th century through the present day. While the number of Chinese Americans has grown very rapidly in the last decade, this group has long thrived in the United States in spite of racism, discrimination, and segregation. This comprehensive volume takes a global view of the Chinese experience in the Americas. While the focus is on Chinese Americans in the United States, author Jonathan H. X. Lee also explores the experiences of Chinese immigrants in Canada, Mexico, and South America. He considers why the Chinese chose to leave their home country, where they settled, and how the distinctive Chinese American identity was formed. This volume is organized into four sections: historical overview; political and economic life; cultural and religious life; and literature, the arts, and popular culture. Detailed essays capture the essence of everyday life for this immigrant group as they assimilated, established communities, and interacted with other ethnic groups. Alphabetically arranged entries describe the political, social, and religious institutions begun by Chinese Americans and explores their roles as business owners, activists, and philanthropic benefactors for their communities.




Looking for Asian America


Book Description

“Looking for Asian America shows real people engaged in the full range of human activity. This is no small accomplishment for the photographer or his subjects. For Asian Americans it is extraordinary to be merely ordinary. To others, even if not to themselves, Asian Americans appear to be contradictions of identity—a Chinese-Yankee is a knockoff.” —Frank H. Wu, from the Foreword In search of contemporary Asian America, celebrated photographer Wing Young Huie—the only member of his family not born in China—traveled with his wife Tara through nearly forty states to explore and document the funny, touching, and sometimes strange intersection of Asian American and American cultures. Looking for Asian America illustrates their rich and surprising journey across the United States. Through Huie’s eyes, keenly aware of his own Midwestern roots and perspective, we witness such images as a Vietnamese Elvis, Miss Congeniality on her cell phone in San Francisco’s Chinatown, a Hmong street sign in rural North Carolina, a meditating Falun Gong protestor in Washington, D.C., a bubble tea Valley Girl, and a Chinese theme park in Orlando. Huie’s camera captures ABCs (American-born Chinese), FOAs (Fresh Off the Airplane), and a self-described “redneck” Chinese restaurant owner near the Okefenokee Swamp. Taken together the photographs reveal a complex portrait of the U.S. cultural landscape, and their dignified elegance invites a closer, deeper look. Accompanied by the personal reflections of both Wing and Tara Huie, the nearly one hundred spectacular photos tell a story that both mirrors and contradicts stereotypes of Asian Americans, ultimately questioning what it means to be ethnic and American in the twenty-first century. Wing Young Huie has received widespread acclaim for his works, including Lake Street USA, documenting the cultural landscape of his native Minnesota. He is a recipient of a Bush Artist Fellowship and two-time recipient of the McKnight Photography Fellowship. He lives in Minneapolis. Frank H. Wu is dean of Wayne State University Law School and the author of Yellow: Race in America Beyond Black and White. Anita Gonzalez teaches in the Master of Liberal Studies Program at the University of Minnesota.




Chinese Immigration


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True Yankees


Book Description

With American independence came the freedom to sail anywhere in the world under a new flag. Drawing on private journals, letters, ships' logs, memoirs, and newspaper accounts, this book traces America's earliest encounters on a global stage through the exhilarating experiences of five Yankee seafarers.







Chinese American Literature without Borders


Book Description

This book bridges comparative literature and American studies by using an intercultural and bilingual approach to Chinese American literature. King-Kok Cheung launches a new transnational exchange by examining both Chinese and Chinese American writers. Part 1 presents alternative forms of masculinity that transcend conventional associations of valor with aggression. It examines gender refashioning in light of the Chinese dyadic ideal of wen-wu (verbal arts and martial arts), while redefining both in the process. Part 2 highlights the writers’ formal innovations by presenting alternative autobiography, theory, metafiction, and translation. In doing so, Cheung puts in relief the literary experiments of the writers, who interweave hybrid poetics with two-pronged geopolitical critiques. The writers examined provide a reflexive lens through which transpacific audiences are beckoned to view the “other” country and to look homeward without blinders.