The Elocutionists


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Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music.




The Publishers Weekly


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Choice Reading for Public and Private Entertainments, and for the Use of Schools, Colleges, and Public Readers, with Elocutionary Advice;


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Choice Readings for Public and Private Entertainments and for the Use of Schools, Colleges and Public Readers


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Excerpt from Choice Readings for Public and Private Entertainments and for the Use of Schools, Colleges and Public Readers: With Elocutionary Advice The great wrong practiced upon our youth is that they are led to imitate an interpretation given to them by some person whom they admire, rather than to ascertain and apply the princi ples which govern the vocal expression of all sentiments and emo tions that are conveyed by words. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.










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