Christ's Ventriloquists


Book Description

CHRIST'S VENTRILOQUISTS is a work of investigative history. It documents and describes Christianity's creation-event, in the year 49 or 50, in Antioch (present-day Antakya, Turkey), 20 years after Jesus had been crucified in Jerusalem for sedition against Roman rule. On this occasion, Paul broke away from the Jewish sect that Jesus had begun, and he took with him the majority of this sect's members; he convinced these people that Jesus had been a god, and that the way to win eternal salvation in heaven is to worship him as such. Paul here explicitly introduced, for the first time anywhere, the duality of the previously unitary Jewish God, a duality consisting of the Father and the Son; and he implicitly introduced also the third element of the Trinity, the Holy Ghost. This work also explains and documents the tortuous 14-year-long conflict Paul had had with this sect's leader, Jesus's brother James, a conflict which caused Paul, in about the year 50, to perpetrate his coup d'état against James, and to start his own new religion: Christianity. Then, this historical probe documents that the four canonical Gospel accounts of the words and actions of "Jesus" were written decades after Jesus, by followers of Paul, not by followers of Jesus; and that these writings placed into the mouth of "Jesus" the agenda of Paul. Paul thus effectively became, via his followers, Christ's ventriloquist. A work such as this can be documented and produced only now, after the development (during the past 70 years) of modern legal/forensic methodology. Previously, the only available methods, which scholars have used, simply assumed the honesty-of-intent of all classical documents, especially of canonical religious ones, such as Paul's epistles, and the Four Gospels. Only now is it finally possible to penetrate deeper than that, to reach the writer's intent, and not merely his assertions, and to identify when this intent is to deceive instead of to inform. Whereas scholars have been able to discuss only the truth or falsity of particular canonical statements, it is now possible to discuss also the honesty or deceptiveness of individual statements. This opens up an unprecedented new research tool for historians, and CHRIST'S VENTRILOQUISTS is the first work to use these new methods to reconstruct, on this legal/forensic basis, not just how crimes took place, but how and why major historical events (criminal or not), such as the start of Christianity, actually occurred. The author explains: "What I am doing in this work is to reconstruct from the New Testament the crucial events that produced it, without assuming whether what the NT says in any given passage is necessarily true or even honest. Instead of treating the NT as a work that 'reports history,' the NT is treated as a work whose history is itself being investigated and reported. Its origin goes back to this coup d'état that Paul perpetrated in Antioch in the year 49 or 50 against Jesus's brother James in Jerusalem, whom Jesus in Jerusalem had appointed in the year 30 as his successor to lead the Jewish sect that Jesus had started. The Gospel accounts of 'Jesus' reflected Paul's coup d'état - not actually Jesus, who would be appalled at the Christian concept of 'Christ.' That concept was radically different from the Jewish concept of the messiah, and Paul knew this when he created it."




Divine Ventriloquism in Medieval English Literature


Book Description

A study of medieval attitudes towards the ventriloquism of God's and Christ's voices through human media, which reveals a progression from an orthodox view of divine vocal power to an anxiety over the authority of the priest's voice to a subversive take on the divine voice that foreshadows Protestant devotion.




Ventriloquism Made Easy


Book Description

How to speak without lip movement, develop dialogue and special effects, use props, plan a show, and much more. Indispensable for the absolute beginner.




All By My Selves


Book Description

"The most popular standup comic in the U.S." --Time Whether he's breathing life into Walter, an old curmudgeon; Peanut, an over-caffeinated purple maniac; or Achmed, a screaming, skeletal, dead terrorist, comedian and ventriloquist Jeff Dunham is the straight man to some of the wildest, funniest partners in show business. All By My Selves is the story of one pretty ordinary guy, one interesting hobby, one very understanding set of parents, and a long and winding road to becoming America's favorite comedian. With wit, honesty, and lots of great show business detail, Dunham shares all the major moments in his journey to worldwide fame and success.







Hearing Things


Book Description

ÒFaith cometh by hearingÓÑso said Saint Paul, and devoted Christians from Augustine to Luther down to the present have placed particular emphasis on spiritual arts of listening. In quiet retreats for prayer, in the noisy exercises of Protestant revivalism, in the mystical pursuit of the voices of angels, Christians have listened for a divine call. But what happened when the ear tuned to GodÕs voice found itself under the inspection of Enlightenment critics? This book takes us into the ensuing debate about Òhearing thingsÓÑan intense, entertaining, even spectacular exchange over the auditory immediacy of popular Christian piety. The struggle was one of encyclopedic range, and Leigh Eric Schmidt conducts us through natural histories of the oracles, anatomies of the diseased ear, psychologies of the unsound mind, acoustic technologies (from speaking trumpets to talking machines), philosophical regimens for educating the senses, and rational recreations elaborated from natural magic, notably ventriloquism and speaking statues. Hearing Things enters this labyrinthÑall the new disciplines and pleasures of the modern earÑto explore the fate of Christian listening during the Enlightenment and its aftermath. In SchmidtÕs analysis the reimagining of hearing was instrumental in constituting religion itself as an object of study and suspicion. The mysticÕs ear was hardly lost, but it was now marked deeply with imposture and illusion.




Learn to Be a Ventriloquist


Book Description

This book is how to become a ventriloquist for kids of all ages. You will learn Ventriloquism basics from a professional Ventriloquist. You will learn the Ventriloquism ABC's. With this book you will find you can do many voices in a fun way. It will teach you how to create a unique puppet, make them come alive, and give your puppet feelings and personality.




Christian Mysticism and Incarnational Theology


Book Description

This book examines the relationship between transcendence and immanence within Christian mystical and apophatic writings. Original essays from a range of leading, established, and emerging scholars in the field focus on the roles of language, signs, and images, and consider how mystical theology might contribute to contemporary reflection on the Word incarnate. This collection of essays re-examines works from such canonical figures as Eckhart, Augustine, Plotinus, Pseudo-Dionysius, Nicolas of Cusa, Teresa of Avila, John of the Cross, Julian of Norwich, along with the philosophical thought of Iris Murdoch, Jacques Lacan, and Martin Heidegger, and the contemporary phenomena of the Emerging Church. Presenting new readings of key ideas in mystical theology, and renewed engagement with the visionary and the everyday, the therapeutic and the transformative, these essays question how we might think about what may lie between transcendence and immanence.




Dumbstruck - A Cultural History of Ventriloquism


Book Description

Why can none of us hear our own recorded voice without wincing? Why is the telephone still full of such spookiness and erotic possibility? Why does the metaphor of ventriloquism, the art of 'seeming to speak where one is not', speak so resonantly to our contemporary technological condition? These are the kind of questions which impel Steven Connor's wide-ranging, restlessly inquisitive history of ventriloquism and the disembodied voice. He tracks his subject from its first recorded beginnings in ancient Israel and Greece, through the fulminations of early Christian writers against the unholy (and, they believed, obscenely produced) practices of pagan divination, the aberrations of the voice in mysticism, witchcraft and possession, and the strange obsession with the vagrant figure of the ventriloquist, newly conceived as male rather than female, during the Enlightenment. He retrieves the stories of some of the most popular and versatile ventriloquists and polyphonists of the nineteenth century, and investigates the survival of ventriloquial delusions and desires in spiritualism and the 'vocalic uncanny' of technologies like telephone, radio, film, and internet. Learned but lucid, brimming with anecdote and insight, this is much more than an archaeology of one of the most regularly derided but tenaciously enduring of popular arts. It is also a series of virtuoso philosophical and psychological reflections on the problems and astonishments, the raptures and absurdities of the unhoused voice.