Mount Royal: A Novel. Volume 1 of 3


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Samuel Taylor Coleridge


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"A complex critical portrait of one of the most influential writers in the world, Samuel Taylor Coleridge"--Provided by publisher.




Reliques of Ancient English Poetry (Vol. 1-3)


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This work gives a unique opportunity to dive into the world of ancient British poetry and legends. Here, a reader will find the primary sources for the epic stories about Gilderoy, Winifred, Bryan, Sir Cauline, King Estmere, Sir Guy, King Arthur, the Fairy Queen, and many more. A collection in three volumes contains numerous works by famous and anonymous authors adapted to modern English. The significance of this work is apparent. It was the first collection of ballades in English poetry of this size. It influenced the Romantic movement greatly and contributed to the revivals of ballades in England. Robert Burns, Wordsworth, and Coleridge based their lyric poems on this collection. Although, this work could never see the light of the day. Back in the 18th century, Irish Bishop Thomas Percy saved a manuscript almost set afire by a housemaid. It was an ancient collection of ballades, which inspired the Bishop for further research. Today, it's not just an important historical book; it is also a great source of study materials as well as an exciting read for anyone fond of history and British poetry.




The Selected Writings of William Hazlitt Vol 9


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William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.




Romantic Women Writers and Arthurian Legend


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This book reveals the breadth and depth of women’s engagements with Arthurian romance in the late eighteenth and early nineteenth centuries. Tracing the variety of women’s responses to the medieval revival through Gothic literature, travel writing, scholarship, and decorative gift books, it argues that differences in the kinds of Arthurian materials read by and prepared for women produced a distinct female tradition in Arthurian writing. Examining the Arthurian interests of the best-selling female poets of the day, Felicia Hemans and Letitia Elizabeth Landon, and uncovering those of many of their contemporaries, the Arthurian myth in the Romantic period is a vibrant location for debates about the function of romance, the role of the imagination, and women’s place in literary history.










Christabel Pankhurst


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Together with her mother, Emmeline, Christabel Pankhurst co-led the single-sex Women’s Social and Political Union (WSPU), founded in 1903 and soon regarded as the most notorious of the groupings campaigning for the parliamentary vote for women. A First Class Honours Graduate in Law, the determined and charismatic Christabel, a captivating orator, revitalised the women’s suffrage campaign by rousing thousands of women to become suffragettes, as WSPU members were called, and to demand rather than ask politely for their democratic citizenship rights. A supreme tactician, her advocacy of ‘militant’, unladylike tactics shocked many people, and the political establishment. When an end to militancy was called on the outbreak of war in 1914, she encouraged women to engage in war work as a way to win their enfranchisement. Four years later, when enfranchisement was granted to certain categories of women aged thirty and over, she stood unsuccessfully for election to parliament, as a member of the Women’s Party. In 1940 she moved to the USA with her adopted daughter, and had a successful career there as a Second Adventist preacher and writer. However, she is mainly remembered for being the driving force behind the militant wing of the women’s suffrage movement. This full-length biography, the first for forty years, draws upon feminist approaches to biography writing to place her within a network of supportive female friendships. It is based upon an unrivalled range of previously untapped primary sources.




Poetry and British Nationalisms in the Bardic Eighteenth Century


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This book offers a radical new theory of the role of poetry in the rise of cultural nationalism. With equal attention to England, Scotland, and Wales, the book takes an Archipelagic approach to the study of poetics, print media, and medievalism in the rise of British Romanticism. It tells the story of how poets and antiquarian editors in the British nations rediscovered forgotten archaic poetic texts and repurposed them as the foundation of a new concept of the nation, now imagined as a primarily cultural formation. It also draws on legal and ecclesiastical history in drawing a sharp contrast between early modern and Romantic antiquarianisms. Equally a work of literary criticism and history, the book offers provocative new theorizations of nationalism and Romanticism and new readings of major British poets, including Allan Ramsay, Thomas Gray, and Samuel Taylor Coleridge.




Queen Christabel


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