Chromium Dioxide Recording


Book Description







Report on Chromium Dioxide


Book Description




Magnetic Recording


Book Description

"The first magnetic recording device was demonstrated and patentedby the Danish inventor Valdemar Poulsen in 1898. Poulsen made amagnetic recording of his voice on a length of piano wire. MAGNETICRECORDING traces the development of the watershed products and thetechnical breakthroughs in magnetic recording that took placeduring the century from Paulsen's experiment to today's ubiquitousaudio, video, and data recording technologies including taperecorders, video cassette recorders, and computer harddrives. An international author team brings a unique perspective, drawnfrom professional experience, to the history of magnetic recordingapplications. Their key insights shed light on how magneticrecording triumphed over all competing technologies andrevolutionized the music, radio, television and computerindustries. They also show how these developments offeropportunities for applications in the future. MAGNETIC RECORDING features 116 illustrations, including 92photographs of historic magnetic recording machines and theirinventors." Sponsored by: IEEE Magnetics Society




Sound and Recording


Book Description

This best-selling book introduces you to the principles of sound, perception, audio technology and systems. Whilst offering vital reading for audio students and trainee engineers, this guide is ideal for anyone concerned with audio, sound and recording, beginners and professionals alike. Comprehensive and easy to understand, this fifth edition is bang up to date, with expanded information on digital audio principles, systems and applications, as well as an extensively updated chapter on MIDI and synthetic audio control.




Cataloging Sound Recordings


Book Description

At lasta manual that takes the chore out of cataloging sound recordings! The author clarifies the AACR2 rules (Anglo-American Cataloging Rules, 2nd edition) and literally steps through the thought process used in cataloging a sound recording, beginning with what to use as the source for the title, through the physical description and series information. All the examples of catalog cards presented, ranging from the full gamut of 20th century music to spoken records and compact discs, show the full level of descriptive cataloging. The appendixes make this a practical worker's manual; they include order and content of cataloging notes, order of parts in a uniform title, a glossary of musical terms and acronyms, a list of basic reference books and thematic indexes, a complete set of catalog cards, and the Library of Congress rule interpretations for sound recordings. The detailed indexes enhance this important book's utility.




Magnetic Recording Handbook


Book Description

When I started in magnetic recording nearly fifty years ago, it was easy to perceive the common sense of it. There was very little mathematics and every new finding was a source of wonder. I have tried to recapture this spirit with simple explanations, while maintaining a high density of infonnation and cov ering the entire field. This book introduces a novice to magnetic recording and its many branches. It includes reference data for designers and users. Each chapter stands by itself; no prerequisites are essential. For a quick survey, the equations and worked out examples can be disregarded. The magnetic recording art is changing so rapidly that new advances are announced almost every month. These are properly covered by journal articles and manufacturers' catalogs. This book will fulfil its purpose if it gives a back ground for easily comprehending the new advances. I have included subjects and devices not found elsewhere, and some unconventional viewpoints. I would welcome comments from readers. To Jay McKnight I am deeply grateful for important suggestions and helpful comments. I appreciate also the help of BASF, John Boyers, Joseph Dundovic, Charles Ginsburg, Peter Hammar, Yasuo Imaoka, Hal Kaitchuk, Otto Kornei, Harold Miller, Jack Mullin, Jim Novak, Lenard Perlman, Carl Powell, Sidney Rubens, John Shennan, Shigeo Shima, Heinz Thiele, Yoshimi Watanabe and many others; and to my daughter Ruth for typing.




Multi-track Recording


Book Description

With the advent of new technology at lower prices, high-quality home recording has become an accessible and even essential aspect of being a musician today. Multi-Track Recording is an introduction and guide to the latest equipment, how it works, and how to use it. Designed by the publishers of Guitar Player and Keyboard magazines, this comprehensive and easy-to-understand book explains how to set up a home studio with 4-track tape recorders, how to choose outboard gear and effects devices for your own unique sound, how to synchronize your tracks with various simple and advanced technologies, and how to incorporate MIDI in your home recording, whether it's analog or digital. Suitable for both working at home and advancing to the studio, Multi-Track Recording offers invaluable tips on choosing a mixer, soundproofing, echo and delay, reverb, compression, stereo, noise gates, sync tones and click tracks, SMPTE, drum machines, MIDI time code, advanced techniques and the latest applications and MIDI and tapeless recording. Written by working musicians and studio professionals, the book has practical creative tips as well as the basic information, theory and technique necessary to make professional sounding multi-track recordings-yourself.




Magnetic Recording Handbook


Book Description

Very Good,No Highlights or Markup,all pages are intact.




Encyclopedia of Recorded Sound


Book Description

First Published in 2005. The Encyclopedia of Recorded Sound, 2nd edition, is an A to Z reference work covering the entire history of recorded sound from Edison discs to CDs and MP3. Entries range from technical terms (Acoustics; Back Tracking; Quadraphonic) to recording genres (blues, opera, spoken word) to histories of industry leaders and record labels to famed recording artists (focusing on their impact on recorded sound). Entries range in length from 25-word definitions of terms to 5000 word essays. Drawing on a panel of experts, the general editor has pulled together a wealth of information. The volume concludes with a complete reference bibliography and a deep index.