The City in the Middle of the Night


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LOCUS AWARD FINALIST! “This generation’s Le Guin.” —Andrew Sean Greer, Pulitzer Prize-winning author of Less Charlie Jane Anders, the nationally bestselling author of All the Birds in the Sky delivers a brilliant new novel set in a hauntingly strange future with #10 LA Times bestseller The City in the Middle of the Night. "If you control our sleep, then you can own our dreams... And from there, it's easy to control our entire lives." January is a dying planet—divided between a permanently frozen darkness on one side, and blazing endless sunshine on the other. Humanity clings to life, spread across two archaic cities built in the sliver of habitable dusk. But life inside the cities is just as dangerous as the uninhabitable wastelands outside. Sophie, a student and reluctant revolutionary, is supposed to be dead after being exiled into the night. Saved only by forming an unusual bond with the enigmatic beasts who roam the ice, Sophie vows to stay hidden from the world, hoping she can heal. But fate has other plans—and Sophie's ensuing odyssey and the ragtag family she finds will change the entire world. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.




Symphony for the City of the Dead


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Originally published: Somerville, Massachusetts: Candlewick Press, 2015.




Night of the Living Dead


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Song of Myself


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One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”




The Night We Set the Dead Kid on Fire


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The Night We Set the Dead Kid on Fire, a collection of poetry, is a book chocked-full of characters (both women and men) that don't receive much attention in Contemporary American Poetry, --the dishwashers, the addicts, the truckers, the card players, the convicts, the boxers, the grave-diggers, the mechanics, the farmers, the blue-collar "others"--And many of these characters are either the victims or the perpetrators of violence. This book's speakers (both women and men) lie and cheat and drink and fist-fight in parking lots, campgrounds, and dive bars. They get cheap in casinos, broken apartments, hospitals, and hotel rooms. In this book, you will find STI's, tattoos, and shotguns, rattlesnakes, brass knuckles, and bottles across the face. Assault. Overdose. Suicide. BUT, though my hometown (A-Town), can get ugly and violent, can hold grudges and punch holes in the walls or set a car on fire, it is also a place capable of great love, sacrifice, and loyalty as its people carve out a meaningful life every day in spite of the wreckage around them, as they wrestle with the shifting space between community and self. Yes, much of the subject matter in these poems is hard to look at, but I believe there is poetry in those dark places too. I seek to celebrate and to elegize small towns and the people who go to work in them




Introduction to Psalms


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Hermann Gunkel's commentary on Psalms (Die Psalmen, HKAT) - by many considered to be his magnum opus - was published in 1926. But he was unable to complete his final work on the Psalms. The severe suffering of his final months of life forced him to hand over his incomplete manuscript, at Christmastime 1931-1932, to his pupil Joachim Begrich. Gunkel died on 11 March 1932. Begrich put the final touches on the organization of Gunkel's last work on Psalms, and it was published in 1933 as Einleitung in die Psalmen: die Gattungen der religiosen Lyrik Israels.







Current Literature


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Current Literature


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