Classical Mythology in Shakespeare


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Interweaving myths in Shakespeare and his contemporaries


Book Description

This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.




Classical Mythology in Shakespeare


Book Description

Excerpt from Classical Mythology in Shakespeare The term classical mythology has been taken to include not only the divinities of the ancient religion and such tales as those of Ovid's Metamorphoses, but also the heroes of the Trojan war and the personages of the Æneid. In a number of cases, such, for example, as Fortune, Nature, and Fame, it has not been easy to draw a hard and fast line between mythology and mere philosophical personification. In Part First, where the myths are discussed severally, I have been inclined to include such subjects, while excluding them as doubtful from the generalizations of Part Second and the Introduction. Any work in the field of Shakespearian commentary must, of course, be a gleaning of the ears left unnoticed by earlier commentators; but in my corner of the field I have found the gleaning richer than I expected. Though the great mass of Shakespearian scholarship makes it impossible to say with certainty that any given point has not been noticed, I have found that after free use of the Variorum edition of 1821 and, as far as it has been completed, of the Variorum edition of Dr. Furness, there was still plenty of room for original investigation. In this investigation the mythological dictionaries of Roscher, Pauly-Wissowa, and Smith have been of constant assistance. The Globe edition of Shakespeare has been used for quotation and reference; but in giving a list of citations I have followed the approximately chronological order of the plays in the Leopold edition, though always putting the doubtful plays at the end of the list. In citing Shakespearian plays, I have adopted the abbreviations of Schmidt's Shakespeare Lexicon. The citations from Golding's Ovid are from the edition of 1575. The editions of Ovid and Vergil by Merkel and Ribbeck respectively have been used in citations from those authors. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







Local and Global Myths in Shakespearean Performance


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This collection of scholarly essays offers a new understanding of local and global myths that have been constructed around Shakespeare in theatre, cinema, and television from the nineteenth century to the present. Drawing on a definition of myth as a powerful ideological narrative, Local and Global Myths in Shakespearean Performance examines historical, political, and cultural conditions of Shakespearean performances in Europe, Asia, and North and South America. The first part of this volume offers a theoretical introduction to Shakespeare as myth from a twenty-first century perspective. The second part critically evaluates myths of linguistic transcendence, authenticity, and universality within broader European, neo-liberal, and post-colonial contexts. The study of local identities and global icons in the third part uncovers dynamic relationships between regional, national, and transnational myths of Shakespeare. The fourth part revises persistent narratives concerning a political potential of Shakespeare’s plays in communist and post-communist countries. Finally, part five explores the influence of commercial and popular culture on Shakespeare myths. Michael Dobson’s Afterword concludes the volume by locating Shakespeare within classical mythology and contemporary concerns.




Shakespeare's Classical Mythology


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"Mythological figures, creatures, places and stories crowd Shakespeare's plays and poems, featuring as allusions, poetic analogies, inset shows, scene settings, and characters or plots in their own right. This dictionary illuminates these, bringing them to life for today's audiences, readers and theatre practitioners. The 200 headings correspond to words and names actually used by Shakespeare: individual figures (Dido, Venus, Hercules), categories (Amazons, Centaurs, nymphs, satyrs), places (Colchos, Troy). Medium and longer entries also cover early modern usage and critical analysis in a cross-disciplinary approach that includes reception, textual, performance, gender and political studies"--




Shakespeare’s Classical Mythology: A Dictionary


Book Description

Why does Bassanio compare himself to Jason? What is Hecuba to Hamlet? Is the mechanicals' staging of the Pyramus and Thisbe story funny or sad? This dictionary elucidates Shakespeare's use of mythological references in an early modern context, while bringing them to life for today's audiences and readers, at a time of renewed critical interest in the reception of the classics and fascination with classical mythology in popular culture. It is also a precious tool for practitioners who may not always know quite what to make of mythological references. Mythological figures, creatures, places and stories crowd Shakespeare's plays and poems, featuring as allusions, poetic analogies, inset shows, scene settings and characters or plots in their own right. Most of these references were familiar to Shakespeare's spectators and readers, who knew them from the writings of Ovid, Virgil and other classical authors, or indirectly through translations, commentaries, ballads and iconography. This dictionary illustrates how, far from being isolated, a mythological reference may resonate with the poetics of the text and its structure, cast light on characters and contexts, and may therefore be worth exploring onstage in a variety of ways. The 200 headings correspond to words and names actually used by Shakespeare: individual figures (Dido, Venus, Hercules), categories (Amazons, Centaurs, nymphs, satyrs), places (Colchos, Troy). Medium and longer entries also cover early modern usage and critical analysis in a cross-disciplinary approach that includes reception, textual, performance, gender and political studies.




Classical Mythology in Shakespeare (Classic Reprint)


Book Description

Excerpt from Classical Mythology in Shakespeare The term classical mythology has been taken to include not only the divinities of the ancient religion and such tales as those of Ovid's Metamorphoses, but also the heroes of the Trojan war and the personages of the Eneid. In a number of cases, such, for example, as Fortune, Nature, and Fame, it has not been easy to draw a hard and fast line between mythology and mere philosophical personification. In Part First, where the myths are discussed severally, I have been inclined to include such subjects, while excluding them as doubtful from the generalizations Of Part Second and the Introduction. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




"We Three"


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Original Scholarly Monograph