African American Classics in Criminology and Criminal Justice


Book Description

"This collection of writings is crucially important, in part, because it reminds us the theoretical paradigms of these and other African American scholars are excluded when crime, its causes, and its control are discussed by criminologists, criminal justice practitioners, and policy makers. To understand crime fully, the perspectives advanced by these scholars must become an integral part of discussions about who is a criminal and which public policies will best control crime." --From the forward by Anne Thomas Sulton, Ph.D, J.D. From W.E.B. Dubois through Lee Brown, this anthology provides a collection of the key articles in criminology and criminal justice written by black scholars. Available in a single volume for the first time, the articles collected in this book reflect the voices of African-American scholars and display the diversity of perspectives sought after in today's academic community. Crime in the African-American community is examined from social, economic and political perspectives, and the historical context of each article is provided by the editors. Spanning the 20th century, these works present a historical chronology of African-American views on crime and its control with theoretical perspectives that have often been tangential to mainstream scholarship. For your courses in: Criminological Theory Race and Crime Crime and Social Policy Minorities and Criminal Justice




Classics in Environmental Criminology


Book Description

A careful analysis of environmental factors is key to understanding the causes of crime, to solving crimes, and eventually helping to predict and prevent them. Classics in Environmental Criminology is a comprehensive collection of seminal pieces from legendary contributors who focus on the role that the immediate environment plays in the occurrence




Crime Control As Industry


Book Description

Crime Control As Industry, translated into many languages, is a modern classic of criminology and sociology. Nils Christie, one of the leading criminologists of his era, argues that crime control, rather than crime itself is the real danger for our future. Prison populations, especially in Russia and America, have grown at an increasingly rapid rate and show no signs of slowing. Christie argues that this vast and growing population is the equivalent of a modern gulag, run by a rapacious industry, both public and private, with vested interests in incarceration. Pain and confinement are products, like any other, with a potentially limitless supply of resources. Widely hailed as a classic account of crime and restorative justice Crime Control As Industry's prophetic insights and proposed solutions are essential reading for anyone interested in crime and the global penal system. This Routledge Classics edition includes a new foreword by David Garland.




Criminology Theory


Book Description

This highly acclaimed criminology text presents an up-to-date review of rational choice theories, including deterrence, shaming, and routine activities. It also incorporates current examples of deterrence research regarding domestic violence, drunk driving, and capital punishment, and features thought-provoking discussion of the relativity of crime. The authors explore the crime problem, its context, and causes of crime. The organization of the text reflects the fact that the etiology of crime must be at the heart of criminology. It examines contemporary efforts to redefine crime by focusing on family violence, hate crimes, white-collar misconduct with violent consequences, and other forms of human behavior often neglected by criminologists. Extensive discussion of evolving laws is included, and while the prevalence of the scientific method in the field of criminology is highlighted, the impact of ideology on explanations of crime is the cornerstone of the book.




Criminology Goes to the Movies


Book Description

From a look at classics like Psycho and Double Indemnity to recent films like Traffic and Thelma & Louise, Nicole Rafter and Michelle Brown show that criminological theory is produced not only in the academy, through scholarly research, but also in popular culture, through film. Criminology Goes to the Movies connects with ways in which students are already thinking criminologically through engagements with popular culture, encouraging them to use the everyday world as a vehicle for theorizing and understanding both crime and perceptions of criminality. The first work to bring a systematic and sophisticated criminological perspective to bear on crime films, Rafter and Brown's book provides a fresh way of looking at cinema, using the concepts and analytical tools of criminology to uncover previously unnoticed meanings in film, ultimately making the study of criminological theory more engaging and effective for students while simultaneously demonstrating how theories of crime circulate in our mass-mediated worlds. The result is an illuminating new way of seeing movies and a delightful way of learning about criminology.




The Jack-Roller


Book Description

The Jack-Roller tells the story of Stanley, a pseudonym Clifford Shaw gave to his informant and co-author, Michael Peter Majer. Stanley was sixteen years old when Shaw met him in 1923 and had recently been released from the Illinois State Reformatory at Pontiac, after serving a one-year sentence for burglary and jack-rolling (mugging), Vivid, authentic, this is the autobiography of a delinquent—his experiences, influences, attitudes, and values. The Jack-Roller helped to establish the life-history or "own story" as an important instrument of sociological research. The book remains as relevant today to the study and treatment of juvenile delinquency and maladjustment as it was when originally published in 1930.




Classics of Criminology


Book Description

Joined by co-editors Theresa Severance and Alan Bruce, Joseph Jacoby continues to provide classic scholarly works on criminology in their original form, allowing readers to share in the discovery and unfolding of powerful ideas in the authors' own words. These writings from over the past two centuries represent the most influential approaches to, explanations of, and social responses to crime. The Fourth Edition offers seventy-five selections, thirteen of which are new to this edition. Included in this comprehensive volume are both authors whose work is widely recognized as significant in itself, and authors whose work substantially influenced the thinking of subsequent scholars. This inclusive collection is organized into three sections, each of which opens with a brief editorial introduction to provide context. Section I, The Classic Descriptions of Crime, contains writings whose primary contribution is descriptive, although they also offer important theoretical insights. These works illuminate with great clarity certain aspects of the phenomenon of crime. Section II, Theories of Causation of Crime, covers over two centuries of theorizing about the causes of crime. Most of these writings are specifically about crime, although some emphasize larger social issues that have direct implications for criminology. Section III, The Social Response to Crime, includes writings that variously describe, theorize about, or advocate specific social responses to crime. Some of the best works on the criminal justice process as it operates internally and as it functions in its social setting are included here




Comic Book Crime


Book Description

Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes’ calculations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero’s character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way.




Criminological Theories


Book Description

In Criminological Theories, the noted criminologist Ronald Akers provides thorough description, discussion, and appraisal of the leading theories of crime/delinquent behavior and law/criminal justice - the origin and history of each theory and its contemporary developments and adherents. Akers offers a clear explanation of each theory (the central concepts and hypotheses of each theory as well as critical criteria for evaluating each theory in terms of its empirical validity). Researchers and librarians, as well as general readers, will find this book a very useful tool and will applaud its clear and understandable exposition of abstract concepts.




Criminological Theory


Book Description

This comprehensive reader exposes students to both the classic and contemporary theories of crime. Editors Francis T. Cullen, Robert Agnew, and Pamela Wilcox provide brief yet detailed introductions, preparing students for what they are about to read and placing each reading in context.