Claude Monet Aux Pays-Bas
Author : Marianne Alphant
Publisher :
Page : 100 pages
File Size : 44,73 MB
Release : 1994
Category : Impressionism (Art)
ISBN :
Claude Monet at the Time of Giverny
Author : Claude Monet
Publisher : Rizzoli International Publications
Page : 344 pages
File Size : 38,30 MB
Release : 1983
Category : Art
ISBN :
Book Description
Claude Monet
Author : Virginia Spate
Publisher : Rizzoli International Publications
Page : 360 pages
File Size : 34,63 MB
Release : 1992
Category : Art
ISBN :
Book Description
"Monet is incontestably one of the greatest Impressionists, as well as being the most popular. Yet hitherto books on this great figure have been partial, concentrating either on aesthetic or on social aspects of his work without attempting a synthesis. Now Virginia Spate restores plenitude of meaning to Monet's paintings, examining the various ways in which they can be read; the tension between image and reality which energizes them; and the mysterious interactions between the work itself, its exhibition, promotion and sale, and its reception both in public and in private." "Based on a complete study of the artist's work - made possible as never before by recently published catalogues of his oeuvre - his surviving letters (nearly 3,000 in all) and contemporary documentary material, this is the fullest account available of a complex and influential man whose style changed and evolved considerably during his long career. Monet is considered as an intelligent and cultured being, a friend to writers such as Zola, Mallarme and Octave Mirbeau, fully informed as to the cultural and intellectual tendencies of his time. His often neglected figure paintings, always of family or friends, are analyzed alongside his landscapes, which ranged from timeless river scenes to steam-filled railway stations. Changes in his output in response to shifts in demand are linked to the new system of art dealers and to his financial situation. The France of Monet's youth and maturity is covered in depth, especially the traumatic legacy of the Franco-Prussian war and the Paris Commune; and his famous garden at Giverny is shown to be both a personal Utopia and a vital part of his creative processes. The dialectic of the real world and its representation in art is explored in detail as manifested in his splendid canvases - faithfully reproduced in over 130 colour plates." "This definitive treatment of a hugely important artist makes an indispensable contribution to the art history of Impressionism and the roots of modernism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author :
Publisher : TheBookEdition
Page : 184 pages
File Size : 14,60 MB
Release :
Category :
ISBN : 2957436515
Book Description
Monatshefte Der Kunstwissenschaftlichen Literatur
Author :
Publisher :
Page : 280 pages
File Size : 11,93 MB
Release : 1906
Category : Art
ISBN :
Book Description
Catalogue of Books in Foreign Languages Published After the Year 1600, Forming a Portion of the Library of Robert Hoe
Author : Robert Hoe
Publisher :
Page : 326 pages
File Size : 17,69 MB
Release : 1909
Category : Private libraries
ISBN :
Book Description
Gustave Caillebotte
Author : Michael Marrinan
Publisher : Getty Publications
Page : 406 pages
File Size : 35,15 MB
Release : 2017-01-21
Category : Art
ISBN : 1606065076
Book Description
Gustave Caillebotte (1848–1894), the son of a wealthy businessman, is perhaps best known as the painter who organized and funded several of the groundbreaking exhibitions of the Impressionist painters, collected their works, and ensured the Impressionists’ presence in the French national museums by bequeathing his own personal collection. Trained at the École des Beaux-Arts and sharing artistic sympathies with his renegade friends, Caillebotte painted a series of extraordinary pictures inspired by the look and feel of modern Paris that also grappled with his own place in the Parisian art scene. Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work. Michael Marrinan’s ambitious study draws upon new documents and establishes compelling connections between Caillebotte’s painting and literature, commerce, and technology. It offers new ways of thinking about Paris and its changing development in the nineteenth century, exploring the cultural context of Parisian bachelor life and revealing layers of meaning in upscale privilege ranging from haute cuisine to sport and relaxation. Marrinan has written what is sure to be a central text for the study of nineteenth-century art and culture.
Dictionnaire Critique Et Documentaire Des Peintres, Sculpteurs, Dessinateurs & Graveurs de Tous Les Temps Et de Tous Les Pays: L-Z
Author : Emmanuel Bénézit
Publisher :
Page : 1238 pages
File Size : 39,15 MB
Release : 1924
Category : Artists
ISBN :
Book Description
A Private Passion
Author : Stephan Wolohojian
Publisher : Metropolitan Museum of Art
Page : 561 pages
File Size : 16,65 MB
Release : 2003
Category : Art
ISBN : 1588390764
Book Description
"For the Winthrop collection's international debut exhibition, curators at the Fogg Art Museum of the Harvard University Art Museums, headed by Stephan Wolohojian, organized the selection and invited more than sixty specialists to write on artworks in their particular area of expertise. Works include such highlights in their creator's oeuvre as Jacques-Louis David's sketchbooks for The Coronation of Napoleon and the Crowning of Josephine, Theodore Gericault's Mutiny on the Raft of the Medusa, Vincent van Gogh's The Blue Cart, Jean-Auguste-Dominique Ingres's Odalisque with the Slave, William Blake's illustrations for the Divine Comedy, Dante Gabriel Rosetti's Blessed Damozel, and James Abbott McNeill Whistler's Nocturne in Blue and Silver. In addition, an essay by Wolohojian provides a fascinating and informative description of Winthrop and the growth of his collection."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Courbet and the Modern Landscape
Author :
Publisher : Getty Publications
Page : 158 pages
File Size : 21,58 MB
Release : 2006
Category : Landscape in art
ISBN : 0892368365
Book Description
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
