Clearly Art


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Clearly Brilliant


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Clearly Inspired


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For five thousand years, artisans have worked in glass to create forms that serve and delight. But only recently have artists turned their hands and minds to this traditionally utilitarian and decorative material. Clearly Inspired: Contemporary Glass and Its Origins contrasts the work of contemporary glass artists with examples of earlier glass that have inspired them to rediscover or reinvent forgotten techniques. Transforming an ancient craft into a contemporary art, they honor the past while making visual statements that are very much of our time.




Objects: USA 2020


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Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.




Howard Ben Tré


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Richard Marquis Objects


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Richard Marquis has had an extraordinary influence on the development of contemporary studio glass in America and around the world. Studying at the University of California at Berkeley during the 1960s, he explored ceramics and was introduced to glassblowing. Unsatisfied by the limited techniques practiced in American studio glass at that time, Marquis went to the island of Murano, near Venice, to observe and work with the masters of a glassblowing tradition acknowledged as the best in the world. Freely sharing the techniques he learned in Venice, Marquis has demonstrated and taught throughout the U.S., Europe, Japan, Australia, and New Zealand. The effect of Venetian glassblowing techniques on American studio glass enabled glass artists to expand their technical vocabularies and, combined with new and experimental approaches, led to the redefinition of glass as an artistic medium. As an artist, Marquis is admired for his sophisticated understanding of color and form as much as for his humor and willingness to experiment. As a glassblower, he has influenced an entire generation of artists working in glass who aspire to his technical mastery and the originality of his voice. He lives on an island in Puget Sound.




American Craft


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Fire and Form


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South Florida is home to some of the world's premier private collections of studio glass, collections whose abundance, diversity, and quality are celebrated in Fire and Form. This volume features more than 100 works by 31 of the best-known American and European glass artists of our time, including Jaroslava Brychtova, Dale Chihuly, Dan Dailey, Stanislav Libensky, William Morris, Tom Patti, Lino Tagliapietra, and many others. William Warmus identifies four prominent themes in the relatively recent development of studio glass (since 1960) that provide a framework for exploring the rich variety of works presented in this book. The first theme is what Warmus has called the particular affinity between nature and the making of glass: Where nature creates a heart, the glass artist creates a heart-felt vessel. The second is the ability of glass, equally to that of painting and sculpture, to convey the power of abstraction and color. A third theme is the prevalent use of glass - sometimes called the new bronze - to depict the human figure and animal forms. The final section deals with the theatrical nature of installations and environmental sculptures, demonstrating the surprising capability of glass to impose itself physically and emotionally on the space we inhabit, altering our very perception of it. ancient Egypt, and places contemporary glass within the context of contemporary art and theory at large. In addition, the book includes selected artists' bibliographies and a chronological bibliography of contemporary glass that lists key historical events, general trends and developments, and important publications. Fire and Form offers a unique perspective on this vital and intoxicating medium, and its publication is a welcome event for all lovers of glass - those who make it, those who collect it, and those who admire it.




On Exhibit, 1994


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