The Madrid Codex


Book Description

This volume offers new calendrical models and methodologies for reading, dating, and interpreting the general significance of the Madrid Codex. The longest of the surviving Maya codices, this manuscript includes texts and images painted by scribes conversant in Maya hieroglyphic writing, a written means of communication practiced by Maya elites from the second to the fifteenth centuries A.D. Some scholars have recently argued that the Madrid Codex originated in the Petén region of Guatemala and postdates European contact. The contributors to this volume challenge that view by demonstrating convincingly that it originated in northern Yucatán and was painted in the Pre-Columbian era. In addition, several contributors reveal provocative connections among the Madrid and Borgia group of codices from Central Mexico. Contributors include: Harvey M. Bricker, Victoria R. Bricker, John F. Chuchiak IV, Christine L. Hernández, Bryan R. Just, Merideth Paxton, and John Pohl. Additional support for this publication was generously provided by the Eugene M. Kayden Fund at the University of Colorado.




The Paris Codex


Book Description

Other sections cover weather almanacs; the influence of God C, also known as k'u; the four yearbearers with their thirteen numbers; the Maya spirit entities, including sky gods and earth or death gods; and the Maya constellations.







The Codex Borgia


Book Description

First republication of remarkable repainting of great Mexican codex, dated to ca. AD 1400. 76 large full-color plates show gods, kings, warriors, mythical creatures, and abstract designs. Introduction.




Pyramid of Fire: The Lost Aztec Codex


Book Description

The first translation of a previously unknown Aztec codex and its initiatory teachings for 2012 • Discloses the potential for great spiritual awakening offered at the end of the Aztec calendar cycle • Presents the only existing English-language transcription of the Aztec codex, with line-by-line commentary • Contains the epic poetry and metaphysical insights of Beat poet Marty Matz (1934–2001 In 1961 an unknown Aztec codex was revealed to Beat poet and explorer Marty Matz by a Mazatec shaman in the mountains of Oaxaca, Mexico. Originally intended for dramatic performance, this codex presents a profound metaphysical teaching describing how the end of time will bring about a visionary ascent. At the behest of his Mazatec teacher, Matz transcribed this pictorial codex into a literary form that would preserve its initiatory teachings and reveal its secret meanings to a wider audience.Pyramid of Fire is an epic poem that provides a vehicle to transport the initiate into the higher realms of consciousness. It represents a barely surviving thread of teachings that have been passed down in secret since the time of the Spanish Conquest. Revealed are the techniques by which man is transported to the stellar realm after death via the solar energy within what the ancients called the “serpent of consciousness.” Line-by-line commentary by Matz and John Major Jenkins provides insights into the perennial philosophy contained in the codex and its relevance to our times.




Codex Sierra


Book Description

One of the earliest texts written in a Native American language, the Codex Sierra is a sixteenth-century book of accounts from Santa Catalina Texupan, a community in the Mixteca region of the modern state of Oaxaca. Kevin Terraciano’s transcription and translation, the first in more than a half century, combine with his deeply informed analysis to make this the most accurate, complete, and comprehensive English-language edition of this rare manuscript. The sixty-two-page manuscript, organized in parallel columns of Nahuatl alphabetic writing and hand-painted images, documents the expenditures and income of Texupan from 1550 to 1564. With the alphabetic column as a Rosetta stone for deciphering the phonetic glyphs, a picture emerges of indigenous pueblos taking part in the burgeoning Mexican silk industry—only to be buffeted by the opening of trade with China and the devastations of the great epidemics of the late 1500s. Terraciano uses a wide range of archival sources from the period to demonstrate how the community innovated and adapted to the challenges of the time, and how they were ultimately undermined by the actions and policies of colonial officials. The first known record of an indigenous population’s integration into the transatlantic economy, and of the impact of the transpacific trade on a lucrative industry in the region, the Codex Sierra provides a unique window on the world of the Mixteca less than a generation after the conquest—a view rendered all the more precise, clear, and coherent by this new translation and commentary.




The Popol Vuh


Book Description







Ancient Mayan Message


Book Description

Ancient Mayan Message (Dresden Codex facsimile) This third edition features a full-color reproduction of The Dresden Codex that has been carefully crafted by the author Olga Judith Najarro Ibarra, to re-create the original Mayan manuscript, an archaeological and historical treasure. This facsimile should benefit in the research, study and consultation of this mysterious Mayan hieroglyphic writing. Ms. Judith Najarro has dedicated many years to hand-drawing and coloring the intricate blends of minute details that encompass the complex and fascinating Mayan hieroglyphic writing in order to ensure precision, accuracy of proportions, levels and orientation to her excellent art work that contains 78 plates, except four of them that are completely blurry. This exciting new edition is based on a comparison between several pre-WWII facsimiles of The Dresden Codex, when the codex was in better conditions. The original manuscript is still in fair shape, but several plates have suffered damage from bombings, fires, floods, mildew etc., and now are blurry; also, the plates are no longer connected in quite the same way. Originally, all of the plates were attached to each other forming a single strip of some 3.5 meters long when stretched out from their accordion folds. The original sequence of the plates were: pages 1-24 followed by 46-74, followed by 25-45. According to some historians the original manuscript was found in one of the largest Mayan cities and was supposedly sent to Europe around 1519. In 1744, it was acquired by The Royal Library of Dresden Germany, to which it owes its name. Many researchers agree that The Codex deals with: Astronomy, mathematics, astrological tables of the planets, the moon, conjunctions of solar bodies, cosmogonic theories, religion, agriculture, magic and mythology. The Mayas used tree bark for the preparation of their papyrus on which they drew and painted their colored hieroglyphs and pictures, as the highest expression of their knowledge and pictographic art. The Dresden Codex (Dresdensis Codex) is without a doubt, the most important pre-Hispanic document that has been preserved throughout the centuries. It is the oldest known book written in the Americas; of the hundreds of books that were used in Meso-America before the Spanish conquest, it is one of only 15 that have survived to the present day. This third edition facsimile elaborated by Judith Najarro, is a perfect replica of The Dresden Codex, and should inspire scientists, archaeologists, astronomers, mathematicians, historians, native peoples and the world at-large to explore into the secrets of the past and the universe. Visit: www.mayacodex.wordpress.com




The Dresden Codex


Book Description

Dresden Codex, Latin Codex Dresdensis, one of the few collections of pre-Columbian Mayan hieroglyphic texts known to have survived the book burnings by the Spanish clergy during the 16th century. The codex was rediscovered in the city of Dresden, Germany, and that is how the Maya book received its present name. It contains astronomical calculations (eclipse-prediction tables, the synodical period of Venus) of exceptional accuracy.The codex was acquired by the Saxon State Library, Dresden, Saxony, and was published by Edward King, Viscount Kingsborough, in Antiquities of Mexico (1830-48). The book received direct water damage that was significantly destructive from being kept in a flooded basement during the bombing of Dresden in World War II. The pages are made of Amate, 8 inches high, and can be folded accordion-style; when unfolded the codex is 12 feet long.