The Cold World They Made


Book Description

In the heady days of the Cold War, when the Bomb loomed large in the ruminations of Washington’s wise men, policy intellectuals flocked to the home of Albert and Roberta Wohlstetter to discuss deterrence and doomsday. The Cold World They Made takes a fresh look at the original power couple of strategic studies. Seeking to unravel the complex tapestry of the Wohlstetters’ world and worldview, Ron Robin reveals fascinating insights into an unlikely husband-and-wife pair who, at the height of the most dangerous military standoff in history, gained access to the deepest corridors of American power. The author of such classic Cold War treatises as “The Delicate Balance of Terror,” Albert Wohlstetter is remembered for advocating an aggressive brinksmanship that stood in stark contrast with what he saw as weak and indecisive policies of Soviet containment. Yet Albert’s ideas built crucially on insights gleaned from his wife. Robin makes a strong case for the Wohlstetters as a team of intellectual equals, showing how Roberta’s scholarship was foundational to what became known as the Wohlstetter Doctrine. Together at RAND Corporation, Albert and Roberta crafted a mesmerizing vision of the Soviet threat, theorizing ways for the United States to emerge victorious in a thermonuclear exchange. Far from dwindling into irrelevance after the Cold War, the torch of the Wohlstetters’ intellectual legacy was kept alive by well-placed disciples in George W. Bush’s administration. Through their ideological heirs, the Wohlstetters’ signature combination of brilliance and hubris continues to shape American policies.




Cold World


Book Description

To live well in the world one must be able to enjoy it: to love, Freud says, and work. Dejection is the state of being in which such enjoyment is no longer possible. There is an aesthetic dimension to dejection, in which the world appears in a new light. In this book, the dark serenity of dejection is examined through a study of the poetry of Hopkins and Coleridge, and the music of depressive black metal artists such as Burzum and Xasthur. The author then develops a theory of militant dysphoria via an analysis of the writings of the Red Army Fraction's activist-theoretician, Ulrike Meinhof. The book argues that the cold world of dejection is one in which new creative and political possibilities, as well as dangers, can arise. It is not enough to live well in the world: one must also be able to affirm that another world is possible.




Cold War/Cold World


Book Description

A multidisciplinary collection of essays reflecting on Cold War cultural tropes in film, fiction, and contemporary art, and the models of knowledge that they imply. If the term “Cold World” describes a world of infinite complexity, algorithmic capital, and the technological sublime, in many ways the dread experienced during the Cold War, when clear oppositions were laid out between nation states, is echoed in the hall of mirrors of Cold World globalization, where our collective consciousness is overtaken by a flood of difference, uncertainty, and the dread of the incomputability of this alien yet constructed world. But what is the crime scene of the Cold World? How is it to be decrypted? Where are its discontinuities, what is the nature of its violence? This is to say, what is our place in this alien world and how do we even compute the “we” that we describe ourselves to be? Given the existential uncertainty unleashed for those who lived through the Cold War, but whose repercussions are in many ways amplified, relayed, and replayed in a new form for those who must now survive what has been called the “Cold World”—that of technological subjectivation, political malaise, cultural dysphoria, and ecological crisis—this terrain comprises an experiential and experimental horizon that prompts many to pose, and to stage in myriad forms, a fundamental question: “What will we of make of ourselves?” Cold War/Cold World documents a research project in progress that attempts to evaluate and respond to this fundamental shock to the system, examining attempts to render knowable, representable, or figurable the looming threats of both Cold War and Cold World—the common denominator being a distressed attempt to inquire into the dynamics of a real that seems in excess over understanding and the means of politics traditionally conceived; and a concomitant temptation to abandon any intelligent collective engagement in favour of a pragmatics that limits itself to wrestling with local contingencies, or an aesthetics mesmerised by a global sublime.




With Love, from Cold World


Book Description

USA Today Bestseller! One of Amazon's Best Romances of August! She has a to-do list a mile long and falling for her coworker isn't on it—yet somehow he’s become her top priority in this romantic comedy from the national bestselling author of Love in the Time of Serial Killers. Lauren Fox is the bookkeeper for Cold World, a tourist destination that's always a winter wonderland despite being located in humid Orlando, Florida. Sure, it’s ranked way below any of the trademarked amusement parks and maybe foot traffic could be better. But it’s a fun place to work, even if “fun” isn’t exactly Lauren’s middle name. Her coworker Asa Williamson, on the other hand, is all about finding ways to enliven his days at Cold World—whether that means organizing the Secret Santa or teasing Lauren. When the owner asks Lauren and Asa to propose something (anything, really) to raise more revenue, their rivalry heats up as they compete to come up with the best idea. But the situation is more dire than they thought, and it might take these polar opposites working together to save the day. If Asa thought Lauren didn't know how to enjoy herself, he's surprised by how much he enjoys spending time together. And if Lauren thought Asa wasn't serious about anything, she's surprised by how seriously he seems to take her. As Lauren and Asa work to save their beloved wintery spot, they realize the real attraction might be the heat generating between them.




The Closed World


Book Description

The Closed World offers a radically new alternative to the canonical histories of computers and cognitive science. Arguing that we can make sense of computers as tools only when we simultaneously grasp their roles as metaphors and political icons, Paul Edwards shows how Cold War social and cultural contexts shaped emerging computer technology--and were transformed, in turn, by information machines. The Closed World explores three apparently disparate histories--the history of American global power, the history of computing machines, and the history of subjectivity in science and culture--through the lens of the American political imagination. In the process, it reveals intimate links between the military projects of the Cold War, the evolution of digital computers, and the origins of cybernetics, cognitive psychology, and artificial intelligence. Edwards begins by describing the emergence of a "closed-world discourse" of global surveillance and control through high-technology military power. The Cold War political goal of "containment" led to the SAGE continental air defense system, Rand Corporation studies of nuclear strategy, and the advanced technologies of the Vietnam War. These and other centralized, computerized military command and control projects--for containing world-scale conflicts--helped closed-world discourse dominate Cold War political decisions. Their apotheosis was the Reagan-era plan for a " Star Wars" space-based ballistic missile defense. Edwards then shows how these military projects helped computers become axial metaphors in psychological theory. Analyzing the Macy Conferences on cybernetics, the Harvard Psycho-Acoustic Laboratory, and the early history of artificial intelligence, he describes the formation of a "cyborg discourse." By constructing both human minds and artificial intelligences as information machines, cyborg discourse assisted in integrating people into the hyper-complex technological systems of the closed world. Finally, Edwards explores the cyborg as political identity in science fiction--from the disembodied, panoptic AI of 2001: A Space Odyssey, to the mechanical robots of Star Wars and the engineered biological androids of Blade Runner--where Information Age culture and subjectivity were both reflected and constructed. Inside Technology series




A Cold, Cold World


Book Description

A female sheriff tries to fill her late father's boots and be the sheriff her small Washington State mountain town needs as a deadly snow storm engulfs the town, in this dark, twisty mystery. The world felt pure. Nature made the location pristine again, hiding the scene from prying eyes. As if no one had died there at all. In the months since Bet Rivers solved her first murder investigation and secured the sheriff's seat in Collier, she's remained determined to keep her town safe. With a massive snowstorm looming, it's more important than ever that she stays vigilant. When Bet gets a call that a family of tourists has stumbled across a teen injured in a snowmobile accident on a mountain ridge, she braves the storm to investigate. However, once she arrives at the scene of the accident it's clear to Bet that the teen is not injured; he's dead. And has been for some time . . . Investigating a possible homicide is hard enough, but with the worst snowstorm the valley has seen in years threatening the safety of her town, not to mention the integrity of her crime scenes - as they seem to be mounting up as well - Bet has to move fast to uncover the complicated truth and prove that she's worthy of keeping her father's badge.




Cold Earth


Book Description

Named one of The Guardian's Best Crime Books and Thrillers of 2016.




Cold New World


Book Description

From the Pulitzer Prize–winning author of Barbarian Days, this narrative nonfiction classic documents the rising inequality and cultural alienation that presaged the crises of today. “A status report on the American Dream [that] gets its power [from] the unpredictable, rich specifics of people’s lives.”—Time “[William] Finnegan’s real achievement is to attach identities to the steady stream of faceless statistics that tell us America’s social problems are more serious than we want to believe.”—The Washington Post A fifteen-year-old drug dealer in blighted New Haven, Connecticut; a sleepy Texas town transformed by crack; Mexican American teenagers in Washington State, unable to relate to their immigrant parents and trying to find an identity in gangs; jobless young white supremacists in a downwardly mobile L.A. suburb. William Finnegan spent years embedded with families in four communities across the country to become an intimate observer of the lives he reveals in Cold New World. What emerges from these beautifully rendered portraits is a prescient and compassionate book that never loses sight of its subjects’ humanity. A NEW YORK TIMES NOTABLE BOOK • A LOS ANGELES TIMES BEST NONFICTION SELECTION Praise for Cold New World “Unlike most journalists who drop in for a quick interview and fly back out again, Finnegan spent many weeks with families in each community over a period of several years, enough time to distinguish between the kind of short-term problems that can beset anyone and the longer-term systemic poverty and social disintegration that can pound an entire generation into a groove of despair.”—Los Angeles Times Book Review “The most remarkable of William Finnegan’s many literary gifts is his compassion. Not the fact of it, which we have a right to expect from any personal reporting about the oppressed, but its coolness, its clarity, its ductile strength. . . . Finnegan writes like a dream. His prose is unfailingly lucid, graceful, and specific, his characterization effortless, and the pull of his narrative pure seduction.”—The Village Voice “Four astonishingly intimate and evocative portraits. . . . All of these stories are vividly, honestly and compassionately told. . . . While Cold New World may make us look in new ways at our young people, perhaps its real goal is to make us look at ourselves.”—The Philadelphia Inquirer




Cold


Book Description

From avalanches to glaciers, from seals to snowflakes, and from Shackleton's expedition to The Year Without Summer, Bill Streever journeys through history, myth, geography, and ecology in a year-long search for cold -- real, icy, 40-below cold. In July he finds it while taking a dip in a 35-degree Arctic swimming hole; in September while excavating our planet's ancient and not so ancient ice ages; and in October while exploring hibernation habits in animals, from humans to wood frogs to bears. A scientist whose passion for cold runs red hot, Streever is a wondrous guide: he conjures woolly mammoth carcasses and the ice-age Clovis tribe from melting glaciers, and he evokes blizzards so wild readers may freeze -- limb by vicarious limb.




Exiting the Cold War, Entering a New World


Book Description

This book explores how and why the dangerous yet seemingly durable and stable world order forged during the Cold War collapsed in 1989, and how a new order was improvised out of its ruins. It is an unusual blend of memoir and scholarship that takes us back to the years when the East-West conflict came to a sudden end and a new world was born. In this book, senior officials and opinion leaders from the United States, Russia, Western and Eastern Europe who were directly involved in the decisions of that time describe their considerations, concerns, and pressures. They are joined by scholars who have been able to draw on newly declassified archival sources to revisit this challenging period.