Sri Subodhini


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Loving Stones


Book Description

Loving Stones is a study of devotees' conceptions of and worshipful interactions with Mount Govardhan, a sacred mountain located in the Braj region of north-central India that has for centuries been considered an embodied form of Krishna. It is often said that worship of Mount Govardhan "makes the impossible possible." In this book, David L. Haberman examines the perplexing paradox of an infinite god embodied in finite form, wherein each particular form is non-different from the unlimited. He takes on the task of interpreting the worship of a mountain and its stones for a culture in which this practice is quite alien. This challenge involves exploring the interpretive strategies that may explain what seems un-understandable, and calls for theoretical considerations of incongruity, inconceivability, and other realms of the impossible. This aspect of the book includes critical consideration of the place and history of the pejorative concept of idolatry (and its twin, anthropomorphism) in the comparative study of religions. Loving Stones uses the worship of Mount Govardhan as a site to explore ways in which scholars engaged in the difficult work of representing other cultures struggle to make "the impossible possible."




The Goddess as Role Model


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This book seeks to understand the major mythological role models that mark the moral landscape navigated by young Hindu women. Traditionally, the goddess Sita, faithful consort of the god Rama, is regarded as the most important positive role model for women. The case of Radha, who is mostly portrayed as a clandestine lover of the god Krishna, seems to challenge some of the norms the example of Sita has set. That these role models are just as relevant today as they have been in the past is witnessed by the popularity of the televised versions of their stories, and the many allusions to them in popular culture.Taking the case of Sita as main point of reference, but comparing throughout with Radha, Pauwels studies the messages sent to Hindu women at different points in time. She compares how these role models are portrayed in the most authoritative versions of the story. She traces the ancient, Sanskrit sources, the medieval vernacular retellings of the stories and the contemporary TV versions as well.This comparative analysis identifies some surprising conclusions about the messages sent to Indian women today, which belie the expectations one might have of the portrayals in the latest, more liberal versions. The newer messages turn out to be more conservative in many subtle ways. Significantly, it does not remain limited to the religious domain. By analyzing several popular recent and classical hit movies that use Sita and Radha tropes, Pauwels shows how these moral messages spill into the domain of popular culture for commercial consumption.







Sri Vallabhacharya His Life Religion and Philosophy


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Vedanta is often equated exclusively to Advaita Vedanta of Sri Sankaracharya, but there are several other acharyas who have expounded the Vedanta in quite a different way and whose status as teachers of Vedanta requires recognition. This book by Swami Tapasyananda, a scholar-monk and former vice-president of the Ramakrishna Order, expounds the life and philosophy of Sri Vallabhacharya, whose philosophy is known as Suddhadvaita. This book will help readers acquaint themselves with his great life and understand the fundamental concepts of Vedanta as elucidated by him.




The Alternate Nation of Abanindranath Tagore


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This volume provides a revisionary critique of the art of Abanindranath Tagore, the founder of the national school of Indian painting, popularly known as the Bengal School of Art. The book categorically argues that the art of Abanindranath, which developed during the Bengal Renaissance in the 19th–20th centuries, was not merely a normalization of national or oriental principle, but was a hermeneutic negotiation between modernity and community. It establishes that his form of art—embedded in communitarian practices like kirtan, alpona, pet-naming, syncretism, and storytelling through oral allegories—sought a social identity within the inter-subjective context of locality, regionality, nationality, and trans-nationality. The author presents Abanindranath as a creative agent who, through his art, conducted a critical engagement with post-Enlightenment modernity and regional subalternity.




Madhurashtakam


Book Description

Vallabhacharya, the founder of the Pushti Maarg was a poet, scholar and passionate lover of Lord Krishna. Madhurashtakam is one of the immemorial compositions of Vallabhacharya, the founder of Pusti marg. These set of eight verses talk of Shri Krishna's bewitching personality. His pastimes, and His pranks all of which make Him loving and lovable. The composition has become more popular because of its simplicity. Pujya Guruji's commentary on it gives us a sense of immediacy with highlights of episodes from the lives of recent saints. It also makes us introspect on our hypocrisies which prevent us from flowing with sweetness. It opens our eyes to the healing energies of the Divine, clothed in a name and form.