Eyes to See


Book Description

Vision is the sense by which we and other animals obtain most of our information about the world around us. Darwin appreciated that at first sight it seems absurd that the human eye could have evolved by natural selection. But we now know far more about vision, the many times it has independently evolved in nature, and the astonishing variety of ways to see. The human eye, with a lens forming an image on a sensitive retina, represents just one. Scallops, shrimps, and lobsters all use mirrors in different ways. Jumping spiders scan with their front-facing eyes to check whether the object in front is an insect to eat, another spider to mate with, or a predator to avoid. Mantis shrimps can even measure the polarization of light. Animal eyes are amazing structures, often involving precision optics and impressive information processing, mainly using wet protein - not the substance an engineer would choose for such tasks. In Eyes to See, Michael Land, one of the leading world experts on vision, explores the varied ways in which sight has evolved and is used in the natural world, and describes some of the ingenious experiments researchers have used to uncover its secrets. He also discusses human vision, including his experiments on how our eye movements help us to do everyday tasks, as well as skilled ones such as sight-reading music or driving. He ends by considering the fascinating problem of how the constantly shifting images from our eyes are converted in the brain into the steady and integrated conscious view of the world we experience.




The Evolution of the Eye


Book Description

With fascinating, spectacularly beautiful images, the book piques readers’ curiosity about the diversity of visual organs. This book is the result of a dual approach – scientific as well as aesthetic. The compelling images are accompanied by an easy-to-read, understandable text, aimed at both scientists and the educated public, and generally anyone interested in the beauty of nature. Thanks to this combination, the book presents the staggering diversity of eyes in the animal kingdom and provides countless insights into the intriguing mechanisms at work – from simple pigment cups to independently flexible, telescopic, facet and lens eyes. Educational, exciting, entertaining till the last page, this is a book for anyone who is interested in evolution, nature and the miracle of life.




Animal Eyes


Book Description

This book covers the way that all known types of eyes work, from their optics to the behaviour they guide. The ways that eyes sample the world in space and time are considered, and the evolutionary origins of eyes are discussed. This new edition incorporates discoveries made since the first edition published in 2001.




Life in Colour


Book Description

Beauty is more than skin deep. 'The natural world is awash with colour, but we are only seeing half the story. If we could see things as animals do, our world would become unimaginably brighter. Now, thanks to new science and technology, we can at last open our eyes.' - Sir David Attenborough In nature, colour is more than a source of beauty; it's a form of vital communication. Depending on the situation, colour says different things - it can be an expression of power or seduction, warning or deceit - and it can even, occasionally, save your life. Accompanying a major new BBC series with David Attenborough, Life in Colour explores the fascinating story of how colour works in the natural world. From the 'trichromatic' vision of Silver Leaf Langurs, which allows them to see orange and red against forest foliage - the colours not only of ripe fruit, but of their young - to African Mandrills who use their colouration to do battle, Professor Martin Stevens reveals a complex system of messaging visible only to those who know the code. Based on the latest scientific research in the field, and illustrated with stunning photography throughout, Life in Colour reveals a world previously unknown to us.




On Vision and Colors; Color Sphere


Book Description

During the first two decades of the nineteenth century, two of the most significant theoretical works on color since Leonardo da Vinci's Trattato della Pittura were written and published in Germany: Arthur Schopenhauer's On Vision and Colors and Philipp Otto Runge's Color Sphere. For Schopenhauer, vision is wholly subjective in nature and characterized by processes that cross over into the territory of philosophy. Runge's Color Sphere and essay "The Duality of Color" contained one of the first attempts to depict a comprehensive and harmonious color system in three dimensions. Runge intended his color sphere to be understood not as a product of art, but rather as a "mathematical figure of various philosophical reflections." By bringing these two visionary color theories together within a broad theoretical context—philosophy, art, architecture, and design—this volume uncovers their enduring influence on our own perception of color and the visual world around us.




Interaction of Color


Book Description

An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.




Colour in Art, Design & Nature


Book Description

This book is ambitiously inter-disciplinary and may be divided into four main sections, defined in terms of the authors themselves. Firstly, there are two contributions by biologists. Secondly, the largest section is by practising artists. Thirdly, there are two engineering-based contributions. Finally, two contributions address some of the historical proponents of colour theory and art. These eleven works, in full colour, form a striking contribution to the commonwealth of colour studies and to a possible unification of Snow's two cultures.Colour and inter-disciplinarity go hand in hand. This so often involves the authors leaving the comfort zone of their original speciality and striving for excellence in another. The personal story of Franziska Schenk is but one good example.It seems that our perceptions of aesthetics and beauty must be very flexible indeed as to find absolute opposites equally fascinating. If so, it goes to show how wonderful are the construction and operation of the human brain. Does psychology win in the end? Does colour lead to a single culture?




Handbook of Color Psychology


Book Description

We perceive color everywhere and on everything that we encounter in daily life. Color science has progressed to the point where a great deal is known about the mechanics, evolution, and development of color vision, but less is known about the relation between color vision and psychology. However, color psychology is now a burgeoning, exciting area and this Handbook provides comprehensive coverage of emerging theory and research. Top scholars in the field provide rigorous overviews of work on color categorization, color symbolism and association, color preference, reciprocal relations between color perception and psychological functioning, and variations and deficiencies in color perception. The Handbook of Color Psychology seeks to facilitate cross-fertilization among researchers, both within and across disciplines and areas of research, and is an essential resource for anyone interested in color psychology in both theoretical and applied areas of study.




Naturally Brilliant Colour


Book Description