Author : John Constable
Publisher : Dover Publications
Page : 0 pages
File Size : 33,49 MB
Release : 2007-09
Category :
ISBN : 9780486462011
Accurate re-creations of 30 portraits and landscapes include Boat-Building near Flatford Mill;Malvern Hall, Warwickshire;The White Horse; The Haywain; and MarineParade and Chain Pier, Brighton."
Author : James Hamilton
Publisher : Simon and Schuster
Page : 425 pages
File Size : 50,38 MB
Release : 2022-11-01
Category : Art
ISBN : 1639362738
A fresh and lively biography of the revolutionary landscape painter John Constable. John Constable, who captured the landscapes and skies of southern England in a way never before seen on canvas, is beloved but little-understood artist. His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of color. His landscapes show that he had sharp local knowledge of the environment. His skyscapes show a clarity of expression rarely seen in other artist's work. The figures within show an understanding of the human tides of his time. And his late paintings of Salisbury Cathedral show a rare ability to transform silent, suppressed passion into paint. Constable was also an active and energetic correspondent. His letters and diaries reveal a man of opinion, passion, and discord. His letters also reveal the lives and circumstances of his extended family who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter. James Hamilton's biography reveals a complex and troubled man. Hamilton's portrait explodes previous mythologies about this timeless artist and establishes him in his proper context as a giant of European art.
Author : John E. Thornes
Publisher : A&C Black
Page : 292 pages
File Size : 33,12 MB
Release : 1999-01-01
Category : Art
ISBN : 9781902459028
John Constable is arguably the most accomplished painter of English skies and weather of all time. For Constable, the sky was the keynote, the standard of scale and the chief organ of sentiment in a landscape painting. But how far did he understand the workings of the forces of nature which created his favourite cumulus clouds, portrayed in so many of his skies over the landscapes of Hampstead Heath, Salisbury and Suffolk? And were the skies he painted scientifically accurate? In this lucid and accessible study, John Thornes provides a meteorological framework for reading the skies of landscape art, compares Constable's skies to those produced by other artists from the middle ages to the nineteenth century, analyses Constable's own meteorological understanding, and examines the development of his painted skies. In so doing he provides fresh evidence to identify the year of painting of some of Constable's previously undated cloud studies.
Author : Sarah Cove
Publisher : Tate Publishing(UK)
Page : 230 pages
File Size : 25,22 MB
Release : 2006
Category : Art
ISBN :
This study concentrates on the six foot canvases of the River Stour produced by Constable between 1819 and 1825 and examines the artist's development of this single thematic concept. Each work is shown beside its compositional sketch, illustrating his artistic process.
Author : Mark Evans
Publisher : Victoria & Albert Museum
Page : 192 pages
File Size : 39,94 MB
Release : 2014-10-21
Category : Art
ISBN : 9781851778003
Published to accompany an exhibition held at the Victoria and Albert Museum, London, September 20, 2014-January 11, 2015.
Author : John Constable
Publisher :
Page : 180 pages
File Size : 50,43 MB
Release : 2000
Category : Art
ISBN :
Attempts to match paintings with ideas and tries to establish
Author : Deborah Paris
Publisher : Texas A&M University Press
Page : 195 pages
File Size : 26,16 MB
Release : 2020-12-11
Category : Art
ISBN : 1623499194
When first-time author and artist Deborah Paris stepped into Lennox Woods, an old-growth southern hardwood forest in northeast Texas, she felt a disruption that was both spatial and temporal. Walking the remnants of an old wagon trail past ancient stands of pine, white oak, elm, hickory, sweetgum, maple, hornbeam, and red oak, she felt drawn into a reverie that took her back to “the beginning, both physically and metaphorically.” Painting the Woods: Nature, Memory and Metaphor explores the experience of landscape through the lens of art and art-making. It is a place-based meditation on nature, art, memory, and time, grounded in Paris’s experiences over the course of a year in Lennox Woods. Her account unfolds through the twin arcs of the changing seasons and her creative process as a landscape painter. In the tradition of Annie Dillard’s Pilgrim at Tinker Creek, narrative passages interweave with observations about the natural history of Lennox Woods, its flora and fauna, art history, the science of memory, Transcendentalist philosophy, the role of metaphor in creative work, and even loop quantum gravity theory. Each chapter explores a different aspect of the forest and a different step in the art-making process, illuminating our connection to the natural world through language, comprehension of time, and visual depictions of the landscape. The complex layers of the forest and Paris’s journey through it emerge as metaphors for the larger themes of the book, just as the natural world underpins the art-making drawn from it. Like the trail that winds through Lennox Woods, memory and time intertwine to provide a path for understanding nature, art, and our relationship to both.
Author : Mitchell Albala
Publisher : Watson-Guptill
Page : 202 pages
File Size : 11,17 MB
Release : 2011-11-15
Category : Art
ISBN : 0823008347
Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.
Author : Mark David Gottsegen
Publisher : Watson-Guptill
Page : 366 pages
File Size : 38,85 MB
Release : 2006-04-01
Category : Art
ISBN : 9780823034963
Much more than just another guide to artists’ materials, The Painter’s Handbook is an amazingly useful resource, with information on everything from the canvas up: the canvas itself, plus paper, sizes and grounds, pigments and binders, solvents and thinners, varnishes and preservatives. Dozens of step-by-step recipes for make-it-yourself paints, pastels, varnishes, gessoes, sizes, supports, and equipment take this indispensable guide way beyond the competition. Authoritatively written by Mark David Gottsegen, chair of the federal government’s ASTM committee on artist’s materials, the revised Painter’s Handbook considers the enormous changes in the art-materials world since the first edition was published in 1993. New materials, new health issues, new information on outmoded and even harmful supplies and practices mean that every painter needs a copy of The Painter’s Handbook.
Author : Matthew Hargraves
Publisher : Yale University Press
Page : 244 pages
File Size : 35,2 MB
Release : 2007-01-01
Category : Art
ISBN : 0300116586
Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.
