Book Description
Drawing from recent research that seeks to expand our understanding of modernism, this volume offers practical pedagogical approaches for teaching modernist literature and culture in the twenty-first century classroom.
Author : E. Hinnov
Publisher : Springer
Page : 171 pages
File Size : 13,84 MB
Release : 2013-05-07
Category : Literary Criticism
ISBN : 1137274913
Drawing from recent research that seeks to expand our understanding of modernism, this volume offers practical pedagogical approaches for teaching modernist literature and culture in the twenty-first century classroom.
Author : E. Hinnov
Publisher : Palgrave Macmillan
Page : 0 pages
File Size : 23,62 MB
Release : 2013-05-07
Category : Literary Criticism
ISBN : 9781349445929
Drawing from recent research that seeks to expand our understanding of modernism, this volume offers practical pedagogical approaches for teaching modernist literature and culture in the twenty-first century classroom.
Author : Victor Tupitsyn
Publisher : MIT Press
Page : 353 pages
File Size : 40,76 MB
Release : 2009
Category : Art and state
ISBN : 0262201739
The history of contemporary art in Russia, from socialist realism to the post-Soviet alternative art scene. In The Museological Unconscious, Victor Tupitsyn views the history of Russian contemporary art through a distinctly Russian lens, a "communal optic" that registers the influence of such characteristically Russian phenomena as communal living, communal perception, and communal speech practices. This way of looking at the subject allows him to gather together a range of artists and art movements--from socialist realism to its "dangerous supplement," sots art, and from alternative photography to feminism--as if they were tenants in a large Moscow apartment. Describing the notion of "communal optics," Tupitsyn argues that socialist realism does not work without communal perception--which, as he notes, does not easily fit into crates when paintings travel out of Russia for exhibition in Kassel or New York. Russian artists, critics, and art historians, having lived for decades in a society that ignored or suppressed avant-garde art, have compensated, Tupitsyn claims, by developing a "museological unconscious"--the "museification" of the inner world and the collective psyche.
Author : David Shackleton
Publisher : Oxford University Press
Page : 225 pages
File Size : 49,36 MB
Release : 2023-07-14
Category : Literary Criticism
ISBN : 0192672290
British Modernism and the Anthropocene: Experiments with Time assesses the environmental politics of modernism in relation to the idea of the Anthropocene—a proposed geological epoch in which humans have fundamentally changed the Earth System. The early twentieth century was marked by environmental transformations that were so complex and happened on such great scales that they defied representation. Modernist novelists responded with a range of innovative narrative forms that started to make environmental crisis on a planetary scale visible. Paradoxically, however, it is their failures to represent such a crisis that achieve the greatest success. David Shackleton explores how British modernists employed types of narrative breakdown—including fragmentation and faltering passages devoid of events—to expose the limitations of human schemes of meaning, negotiate the relationship between different scales and types of time, produce knowledge of ecological risk, and register various forms of non-human agency. Situating modernism in the context of fossil fuel energy systems, plantation monocultures, climate change, and species extinctions, Shackleton traces how H.G. Wells, D.H. Lawrence, Olive Moore, Virginia Woolf, and Jean Rhys undertook experiments with time in their novels that refigure history and the historical situations into which they were thrown. Ultimately, British Modernism and the Anthropocene shows how modernist novels provide rich resources for rethinking the current environmental crisis, and cultivating new structures of environmental care and concern.
Author : C. Gordon
Publisher : Springer
Page : 240 pages
File Size : 21,35 MB
Release : 2007-05-14
Category : Literary Criticism
ISBN : 0230604188
This book examines the relationship between the literary and bioscientific cultures of the period as a means of exploring the ways in which the comprehension and representation of the human body fundamentally shapes a variety of the period's communal and national visions.
Author : Logan Esdale
Publisher : Modern Language Association
Page : 178 pages
File Size : 25,12 MB
Release : 2018-08-01
Category : Language Arts & Disciplines
ISBN : 1603293450
A trailblazing modernist, Gertrude Stein studied psychology at Radcliffe with William James and went on to train as a medical doctor before coming out as a lesbian and moving to Paris, where she collected contemporary art and wrote poetry, novels, and libretti. Known as a writer's writer, she has influenced every generation of American writers since her death in 1946 and remains avant-garde. Part 1 of this volume, "Materials," provides information and resources that will help teachers and students begin and pursue their study of Stein. The essays of part 2, "Approaches," introduce major topics to be covered in the classroom--race, gender, feminism, sexuality, narrative form, identity, and Stein's experimentation with genre--in a wide range of contexts, including literary analysis, art history, first-year composition, and cultural studies.
Author : María J. López
Publisher : Routledge
Page : 417 pages
File Size : 44,14 MB
Release : 2017-11-02
Category : Literary Criticism
ISBN : 1351251848
New Perspectives on Community and the Modernist Subject: Finite, Singular, Exposed offers new approaches to the modernist subject and its relation to community. With a non-exclusive focus on narrative, the essays included provide innovative and theoretically informed readings of canonical modernist authors, including: James, Conrad, Joyce, Woolf, Lawrence, Mansfield, Stein, Barnes and Faulkner (instead of Eliot), as well as of non-canonical and late modernists Stapledon, Rhys, Beckett, Isherwood, and Baldwin (instead of Marsden). This volume examines the context of new dialectico-metaphysical approaches to subjectivity and individuality and of recent philosophical debate on community encouraged by critics such as Alain Badiou, Jean-Luc Nancy, Maurice Blanchot, Giorgio Agamben, Roberto Esposito and Jacques Derrida, among others, of which a fresh re-definition of the modernist subject and community remains to be made, one that is likely to enrich the field of "new Modernist studies". This volume will fill this gap, presenting a re-definition of the subject by complementing community-oriented approaches to modernist fiction through a dialectical counterweight that underlines a conception of the modernist subject as finite, singular and exposed, and its relation to inorganic and inoperative communities.
Author : Julia L. Foulkes
Publisher : Univ of North Carolina Press
Page : 272 pages
File Size : 35,79 MB
Release : 2003-11-03
Category : Performing Arts
ISBN : 0807862029
In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous.
Author : Jessica Berman
Publisher : Cambridge University Press
Page : 254 pages
File Size : 46,74 MB
Release : 2001-08-13
Category : Literary Criticism
ISBN : 1139430777
In Modernist Fiction, Cosmopolitanism and the Politics of Community, first published in 2001, Jessica Berman argues that the fiction of Henry James, Marcel Proust, Virginia Woolf and Gertrude Stein engages directly with early twentieth-century transformations of community and cosmopolitanism. Although these modernist writers develop radically different models for social organization, their writings return again and again to issues of commonality, shared voice, and exchange of experience, particularly in relation to dominant discourses of gender and nationality. The writings of James, Proust, Woolf and Stein, she argues, not only inscribe early twentieth-century anxieties about race, ethnicity, nationality and gender, but confront them with demands for modern, cosmopolitan versions of community. This study seeks to revise theories of community and cosmopolitanism in light of their construction in narrative, and in particular it seeks to reveal the ways that modernist fiction can provide meaningful alternative models of community.
Author :
Publisher : Stanford University Press
Page : 296 pages
File Size : 27,88 MB
Release : 1995-12
Category :
ISBN : 0804764697
Examining in detail the surprising similarities between modernist literature and contemporary theories of the crowd, this work shows that many modernist literary forms emerged out of efforts to write in the idiom of the crowd mind.