Delphi Collected Works of Michael Drayton (Illustrated)


Book Description

A friend of Shakespeare, the Elizabethan poet Michael Drayton produced a prolific body of works of innovative metres and forms. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents Drayton’s collected works, with beautiful illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Drayton's life and works * Concise introduction to the life and poetry of Drayton * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes many rare poems available in no other collection * Also includes Drayton’s only extant drama, SIR JOHN OLDCASTLE * Features a bonus biography - discover Drayton's Elizabethan world * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Life and Poetry of Michael Drayton BRIEF INTRODUCTION: MICHAEL DRAYTON The Poetry Collections THE HARMONY OF THE CHURCH IDEA, THE SHEPHERD’S GARLAND THE LEGEND OF PIERS GAVESTON IDEA’S MIRROR MATILDA ENDIMION AND PHOEBE MORTIMERIADOS THE LEGEND OF ROBERT, DUKE OF NORMANDY ENGLAND’S HEROICAL EPISTLES THE BARONS’ WARS IN THE REIGN OF EDWARD II TO THE MAIESTIE OF KING JAMES THE OWL A PAEAN TRIUMPHALL THE MAN IN THE MOON BALLAD OF AGINCOURT POLY-OLBION IDEA, 1619 THE BATTLE OF AGINCOURT NIMPHIDIA, THE COURT OF FAERY THE QUEST OF CINTHIA THE SHEPHERD’S SIRENA ELEGIES UPON SUNDRY OCCASIONS THE MOON CALF MOSES’ BIRTH AND MIRACLES THE MUSES’ ELIZIUM DAVID AND GOLIAH THE SHORTER POEMS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Play SIR JOHN OLDCASTLE The Biography MICHAEL DRAYTON by Cyril Brett Please visit www.delphiclassics.com to browse through our range of exciting titles




The Renaissance Computer


Book Description

Some of today's foremost Renaissance scholars look afresh at the remarkable products of the first age of print and explore how these anticipated many of the conditions of the present digital age.




Michael Drayton, Detective Guy


Book Description

When Michael Drayton, a private investigator from Pawtucket, Rhode Island, awakes to find that his wealthiest client has been murdered while he was working for the man's daughter and son-in-law, he suddenly finds himself at once suspect, alibi, witness, and investigator. Michael Drayton, Detective Guy is an exploration of the hardboiled mystery and noir genres with subtle, yet conscious, allusions to The Big Sleep, The Maltese Falcon, and even Raymond Chandler's famous essay, "The Simple Art of Murder."




Elizabethan Sonnet Cycles


Book Description

This volume collects three important sonnet sequences from the Elizabethan era, each exploring themes of love, desire, and devotion. With their vivid imagery and musical language, these poems continue to captivate readers today, shedding light on the rich literary culture of Renaissance England. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Jamestown Project


Book Description

Listen to a short interview with Karen Ordahl Kupperman Host: Chris Gondek | Producer: Heron & Crane Captain John Smith's 1607 voyage to Jamestown was not his first trip abroad. He had traveled throughout Europe, been sold as a war captive in Turkey, escaped, and returned to England in time to join the Virginia Company's colonizing project. In Jamestown migrants, merchants, and soldiers who had also sailed to the distant shores of the Ottoman Empire, Africa, and Ireland in search of new beginnings encountered Indians who already possessed broad understanding of Europeans. Experience of foreign environments and cultures had sharpened survival instincts on all sides and aroused challenging questions about human nature and its potential for transformation. It is against this enlarged temporal and geographic background that Jamestown dramatically emerges in Karen Kupperman's breathtaking study. Reconfiguring the national myth of Jamestown's failure, she shows how the settlement's distinctly messy first decade actually represents a period of ferment in which individuals were learning how to make a colony work. Despite the settlers' dependence on the Chesapeake Algonquians and strained relations with their London backers, they forged a tenacious colony that survived where others had failed. Indeed, the structures and practices that evolved through trial and error in Virginia would become the model for all successful English colonies, including Plymouth. Capturing England's intoxication with a wider world through ballads, plays, and paintings, and the stark reality of Jamestown--for Indians and Europeans alike--through the words of its inhabitants as well as archeological and environmental evidence, Kupperman re-creates these formative years with astonishing detail.







Memory's Library


Book Description

In Jennifer Summit’s account, libraries are more than inert storehouses of written tradition; they are volatile spaces that actively shape the meanings and uses of books, reading, and the past. Considering the two-hundred-year period between 1431, which saw the foundation of Duke Humfrey’s famous library, and 1631, when the great antiquarian Sir Robert Cotton died, Memory’s Library revises the history of the modern library by focusing on its origins in medieval and early modern England. Summit argues that the medieval sources that survive in English collections are the product of a Reformation and post-Reformation struggle to redefine the past by redefining the cultural place, function, and identity of libraries. By establishing the intellectual dynamism of English libraries during this crucial period of their development, Memory’s Library demonstrates how much current discussions about the future of libraries can gain by reexamining their past.




Making the Miscellany


Book Description

In Making the Miscellany Megan Heffernan examines the poetic design of early modern printed books and explores how volumes of compiled poems, which have always existed in practice, responded to media change in sixteenth- and seventeenth-century England. Heffernan's focus is not only the material organization of printed poetry, but also how those conventions and innovations of arrangement contributed to vernacular poetic craft, the consolidation of ideals of individual authorship, and centuries of literary history. The arrangement of printed compilations contains a largely unstudied and undertheorized archive of poetic form, Heffernan argues. In an evolving system of textual transmission, compilers were experimenting with how to contain individual poems within larger volumes. By paying attention to how they navigated and shaped the exchanges between poems and their organization, she reveals how we can witness the basic power of imaginative writing over the material text. Making the Miscellany is also a study of how this history of textual design has been differently told by the distinct disciplines of bibliography or book history and literary studies, each of which has handled—and obscured—the formal qualities of early modern poetry compilations and the practices that produced them. Revisiting these editorial and critical approaches, this book recovers a moment when compilers, poets, and readers were alert to a poetics of organization that exceeded the limits of the individual poem.




The Imprint of Gender


Book Description

What did it mean to be published at the end of the sixteenth century? While in polite circles gentlemen exchanged handwritten letters, published authors risked association with the low-born masses. Examining a wide range of published material including sonnets, pageants, prefaces, narrative poems, and title pages, Wendy Wall considers how the idea of authorship was shaped by the complex social controversies generated by publication during the English Renaissance.