Antonio Buero Vallejo and Alfonso Sastre


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The Theatre of Antonio Buero Vallejo


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This monograph examines the complex relationship between Antonio Buero Vallejo [1916 - 2000] and the ideologies of Francoist and post-Franco Spain. This monograph examines the complex relationship between Antonio Buero Vallejo [1916 - 2000] and the ideologies of Francoist and post-Franco Spain. The central focus of the study is Buero's political theatre and his employment ofmyth and history to challenge the notion of an España eterna. It also considers Buero's creation of his own myths and his revision of history in order to rationalize and justify his own stance. In his determination towrite and stage committed drama in a repressive society, Buero's choice, with its inherent contradictions and ambiguities, was posibilismo. This book looks at this pragmatic employment of language and silence, both in his art and in his dealings with the censors and with other representatives of the hegemony and analyses how posibilismo both aided and limited him. The monograph also considers Buero's neglected post-Franco theatre, examining the reasons for its initial negative reception and its renewed importance in today's Spain. In these days of digging up the past, Buero's post-Franco insistence on rejecting the pacto de olvido is perhaps more relevantthan ever before. CATHERINE O'LEARY lectures in Spanish at the National University of Ireland, Maynooth




Antonio Buero-Vallejo


Book Description

"This masterful translation of four tragedies by Antonio Buero-Vallejo (1916-2000), Spain's most important dramatist since the 1930s, allows English-speaking audiences to experience the most deeply moving and intellectually rich works by one of the twentieth century's great authors. Patricia W. O'Connor complements vivid translations with generous supporting materials, including a reader-friendly introduction to the playwright's life and work, commentaries on the plays, and photographs of productions and playwright." "Buero-Vallejo's emblematic first play, Story of a Stairway (1949), chronicling decades in the lives of struggling Madrid families, catapulted the young author into prominence. Appearing here for the first time in English, Before Dawn (1953) is a whodunit and the riveting odyssey of one woman 's search for truth that recalls Greek tragedy. The Basement Window (1967), an Orwellian science-fiction experiment, portrays the moral climate of the late twentieth century as judged by ethically enlightened researchers of a distant future. In the first English translation of the author's poignantly relevant final play, Mission to the Deserted Village (1999), a wartime attempt to save an El Greco painting raises questions about how much of its own treasure a culture will destroy to keep it out of enemy hands." "Readers who know Buero-Vallejo's plays will celebrate O'Connor's sparkling translations. Those who haven't yet read Buero-Vallejo will find a very moving introduction in this collection."--BOOK JACKET.




Alfonso Sastre


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Reception and Renewal in Modern Spanish Theatre, 1939-1963


Book Description

The book constitutes the first attempt to provide an overview of the reception of foreign drama in Spain during the Franco dictatorship. John London analyses performance, stage design, translation, censorship, and critical reviews in relation to the works of many authors, including Noel Coward, Arthur Miller, Eugene Ionesco, and Samuel Beckett. He compares the original reception of these dramatists with the treatment they were given in Spain. However, his study is also a reassessment of the Spanish drama of the period. Dr London argues that only by tracing the reception of non-Spanish drama can we understand the praise lavished on playwrights such as Antonio Buero Vallejo and Alfonso Sastre, alongside the simultaneous rejection of Spanish avant-garde styles. A concluding reinterpretation of the early plays of Fernando Arrabal indicates the richness of an alternative route largely ignored in histories of Spanish theatre.




A Dreamer for the People


Book Description

Buero Vallejo is Spain's most important living playwright. His profound, innovative theatre has earned him success and respect since 1949. Each new play has been an exciting experiment with dramatic form as well as a powerful expression of a tragic view of human life and Spanish society. A Dreamer for the People was first performed in 1958.













Dramatists in Perspective


Book Description

Studies of Valle-Inclán, García Lorca, Alberti, Buero Vallejo and Sastre.