Composing Amelia


Book Description

Can a brand-new marriage withstand the weight of generations-old baggage? Newlyweds Amelia and Marcus Sheffield are recent college grads, trying to stay afloat in LA while searching for their dream jobs. Marcus hopes to become a mega-church pastor. Amelia has an esteemed music degree, and longs to play piano professionally. The Sheffields are clearly city people. But when a small town church offers Marcus a job, the couple’s dedication to their dreams and each other is tested. After a risky compromise is made, Amelia falls into a dark emotional place, where she finds skeletons she’d fought hard to deny. In desperation, she calls out to God. But why can’t she find Him? While Amelia struggles, Marcus learns news that nearly crushes him. He must lean on his faith to withstand the pressure… or risk losing his wife forever.




Amelia Bedelia


Book Description

Amelia Bedelia, the housekeeper with a literal mind, merrily upsets the household when she "dresses" the chicken and "trims" the steak with ribbons and lace.




Amelia's Notebook


Book Description

When Amelia’s mom gives her a journal for her birthday, she finally has a place to share her truest feelings at last! Nine-year-old Amelia’s mother gives her a blank notebook to write down her thoughts and tells her it will make her feel better. Why would a dumb notebook make me feel better, Amelia thinks. The only thing that will make Amelia feel better is going back to old house, her old school, and her old friends. Amelia does not—do you hear this!—want to move. But no one is listening to Amelia.




Loco Motrix


Book Description

A musician, musicologist, and self-defined “poet of research,” Amelia Rosselli (1930–96) was one of the most important poets to emerge from Europe in the aftermath of World War II. Following a childhood and adolescence spent in exile from Fascist Italy between France, England, and the United States, Rosselli was driven to express the hopes and devastations of the postwar epoch through her demanding and defamiliarizing lines. Rosselli’s trilingual body of work synthesizes a hybrid literary heritage stretching from Dante and the troubadours through Ezra Pound and John Berryman, in which playful inventions across Italian, English, and French coexist with unadorned social critique. In a period dominated by the confessional mode, Rosselli aspired to compose stanzas characterized by a new objectivity and collective orientation, “where the I is the public, where the I is things, where the I is the things that happen.” Having chosen Italy as an “ideal fatherland,” Rosselli wrote searching and often discomposing verse that redefined the domain of Italian poetics and, in the process, irrevocably changed the Italian language. This collection, the first to bring together a generous selection of her poems and prose in English and in translation, is enhanced by an extensive critical introduction and notes by translator Jennifer Scappettone. Equipping readers with the context for better apprehending Rosselli’s experimental approach to language, Locomotrix seeks to introduce English-language readers to the extraordinary career of this crucial, if still eclipsed, voice of the twentieth century.




(Re)Considering What We Know


Book Description

Naming What We Know: Threshold Concepts of Writing Studies, published in 2015, contributed to a discussion about the relevance of identifying key concepts and ideas of writing studies. (Re)Considering What We Know continues that conversation while simultaneously raising questions about the ideas around threshold concepts. Contributions introduce new concepts, investigate threshold concepts as a framework, and explore their use within and beyond writing. Part 1 raises questions about the ideologies of consensus that are associated with naming threshold concepts of a discipline. Contributions challenge the idea of consensus and seek to expand both the threshold concepts framework and the concepts themselves. Part 2 focuses on threshold concepts in action and practice, demonstrating the innovative ways threshold concepts and a threshold concepts framework have been used in writing courses and programs. Part 3 shows how a threshold concepts framework can help us engage in conversations beyond writing studies. (Re)Considering What We Know raises new questions and offers new ideas that can help to advance the discussion and use of threshold concepts in the field of writing studies. It will be of great interest to scholars and graduate students in writing studies, especially those who have previously engaged with Naming What We Know. Contributors: Marianne Ahokas, Jonathan Alexander, Chris M. Anson, Ian G. Anson, Sarah Ben-Zvi, Jami Blaauw-Hara, Mark Blaauw-Hara, Maggie Black, Dominic Borowiak, Chris Castillo, Chen Chen, Sandra Descourtis, Norbert Elliot, Heidi Estrem, Alison Farrell, Matthew Fogarty, Joanne Baird Giordano, James Hammond, Holly Hassel, Lauren Heap, Jennifer Heinert, Doug Hesse, Jonathan Isaac, Katie Kalish, Páraic Kerrigan, Ann Meejung Kim, Kassia Krzus-Shaw, Saul Lopez, Jennifer Helane Maher, Aishah Mahmood, Aimee Mapes, Kerry Marsden, Susan Miller-Cochran, Deborah Mutnick, Rebecca Nowacek, Sarah O’Brien, Ọlá Ọládipọ̀, Peggy O’Neill, Cassandra Phillips, Mya Poe, Patricia Ratanapraphart, Jacqueline Rhodes, Samitha Senanayake, Susan E. Shadle, Dawn Shepherd, Katherine Stein, Patrick Sullivan, Brenna Swift, Carrie Strand Tebeau, Matt Thul, Nikhil Tiwari, Lisa Tremain, Lisa Velarde, Kate Vieira, Gordon Blaine West, Anne-Marie Womack, Kathleen Blake Yancey, Xiaopei Yang, Madylan Yarc




Amelia Bedelia Goes Back to School


Book Description

Would you like to have Amelia Bedelia in your classroom? Just ask Miss Wilson. But don't give Amelia Bedelia any problems. Or ask her to take her seat. Or tell her to paint anything. Amelia Bedelia is ready to learn, but it's the class that getsa lesson -- in reading, writing, and ridiculousness! Pull back the flaps to peek at Amelia Bedelia's school day.?p




Amelia's Book of Notes & Note Passing


Book Description

The hand-lettered contents of a nine-year-old girl's notebook, in which she records her thoughts and feelings about notes and freindship.




The Adventurous Life of Amelia B. Edwards


Book Description

In Victorian England, Amelia B. Edwards was an iconic cultural figure, admired by Trollope and Browning for her best-selling fiction and by the wider public for her witty, thought-provoking travel writing. In later life, she became a celebrated historian, bringing fresh understanding of the world of Ancient Egypt to a fascinated public and founding the Egyptian Exploration Fund (Society). This new biography uses previously overlooked sources to tell the story of her fascinating and unconventional life - her travels, travails and feminist activism - as well as touching on her occasionally problematic views on race. In appreciation of a figure ahead of her time, it examines her involvement in suffrage and animal rights societies as well as revealing new insights into Edwards' loving same-sex relationships with Ellen Rice Byrne and Lucy Renshaw. In doing so, it reveals a versatile, creative, witty, independent woman, and a true pioneer of her time.




Amelia's House


Book Description

When Amelia inherits a beautiful old house and some money from her great-aunt, she finally has the time to write her novel. Maybe she'll even finish this one. But there's so much work that needs doing on the house before she can start... A down-on-her-luck ex-soldier walks into Amelia's life one day, along with her friendly little dog. Jane needs work, and she's great at everything Amelia needs help with. Soon, the two are working and living together, fixing up the old house and making it even more beautiful. Though she loves Jane's friendship, Amelia is starting to want more. Can the writer and the sweet, taciturn ex-soldier write a happily ever after of their own? Sweet lesbian romance




Spirited Sisters


Book Description