International Political Economy and Mass Communication in Chile


Book Description

This book develops an approach to international political economy that focuses on culture. It examines Chilean communication scholarship as it developed under shifting political regimes and changing international political economic relations. The book explains the importance of agency and culture in the political processes of building and challenging transnational hegemony, emphasizing the role of intellectuals.




COMUNICACIÓN Y CULTURA DE LAS MINORÍAS


Book Description

Comunicación y cultura de las minorías es una colección de artículos organizada por los profesores brasileños Alexandre Barbalho y Raquel Paiva. Reúne así, múltiples voces dispersas, pensamientos sueltos, para iniciar, a partir de discusiones y praxis que existen en la actualidad de manera difusa, la consolidación de una voz colectiva, unísona, que aborda cuestiones centrales de las minorías, tales como los conceptos de ciudadanía, democracia, identidad, tradición, periferia, movimientos, conflictos, marginación, etc.




Post-Popular Cultures and Digital Capitalism in Latin America


Book Description

In this book, renowned Latin American intellectuals, Pablo Alabarces and Néstor García Canclini, bring us up to date on the changes in the status and role of the popular classes in Latin American democracies over the past two decades. Building on decades-long research and experience in the field of cultural studies, the authors ask how the digitalization and economization of society are changing the reality of political participation and social inequality in Latin America and beyond, leading to new forms of economic and cultural marginalization. García Canclini focuses on the rapid digitalization of our society and economies, ruminating over the future of political participation and democracy in the coming age of algorithms, transnationalization, and social precarity for growing swaths of the population. By contrast, Alabarces focuses on the disintegration and commodification of popular cultures throughout Latin America in the last two decades and discusses the consequences on democratic projects in the region. Both pieces approach the question of how democratic projects on a local, regional, national, and transnational level can deal with galloping social disintegration and accelerating political discontent as an increasing number of people within the course of this digital revolution gain voice: all this against the authoritarian or technocratic alternatives that have been gaining ground again. The introduction by Sarah Corona contextualizes the contributions and their authors in the academic and political debate. She connects their focus on popular cultures to broader questions regarding the future of nation-states and democracies facing multiple crises in the region and beyond. Post-Popular Cultures and Digital Capitalism in Latin America will be of interest to researchers and postgraduate students in political science, sociology, and cultural studies looking to freshen their views as well as develop an understanding of the Global South’s perspective on current global issues.




Handbook of Latin American Popular Culture


Book Description

The editors have put together a solid overview of ten areas of popular culture in Latin America. The contributors have skillfully overcome a variety of research obstacles as well as the imposing problem of dealing with many countries. Each contributor has expertly assembled scientific research, intelligent observations, and well-thought-out conclusions to offer a reliable, sophisticated study of his particular area. Popular music, sports, television, popular religion, comics, photonovels, film, newspapers, cartoons, and festivals and carnivals are covered in this much-needed volume.




Chilean New Song and the Question of Culture in the Allende Government


Book Description

Focusing on the cultural debate within the left during the Popular Unity government in Chile (1970-73), Chilean New Song and the Question of Culture in the Allende Government situates the discourses and artistic production linked to the Chilean New Song movement, in order to demonstrate that the musicians were part of the committed intelligentsia. Thus, they actively participated in the discussion and proposal of ways to integrate culture in the revolutionary process, playing an important political and cultural role. The analysis is mainly based on the government-friendly press and on records released between 1970 and 1973, verifying how the main trends observed in the cultural debate were expressed in the movement; the extent to which the positions defended by the musicians have been in tune with governmental purposes; and if they have in fact influenced the cultural policies debated and pursued by Popular Unity.




Power, Media, Culture


Book Description

This book updates and revalidates critical political economy of communication approaches. It is destined to become a work of reference for those interested in delving into debates arising from the performance of traditional and new media, cultural and communication policy-making or sociocultural practices in the new digital landscape.







Neoliberalism And Education In The Americas


Book Description

This book, a trenchant analysis of schooling within the capitalist world system, where educational reforms are directed to the satisfaction of the business community, military industrial complex, and corporate sector, is a work combating injustice and authoritarianism prevalent in the Americas.




La desilusión de la imagen


Book Description

La desilusión de la imagen. Arqueología, cuerpo(s) y mirada(s), plantea que las imágenes son vínculos entre distintas épocas y culturas, son síntomas e indicios que dejan huellas en el imaginario cultural. Son la elegíaca memoria como musa que deambula por los tiempos pero fuera de los tiempos (genealogía) o, en otros términos, las imágenes son Mnemosyne, es decir, la musa de todas las musas. Una arqueología de la imagen, implica considerar a la imagen desde la intermedialidad (entre-medios), los cuerpos y las miradas. Concebirla desde una crítica de la cultura en una contemporaneidad atravesada por la crisis. La pregunta ¿qué son las imágenes? que se formula desde la debilidad de cierta inocencia de la escritura, adquiere toda su dimensión desde el momento en que se confunde imagen con visualidad o imagen con medios audiovisuales, dejando por el camino todos los restos de imágenes que no son visuales. Aún más, ese debate se torna más complejo, cuando en su trasfondo está la «memoria» del holocausto (o de los holocaustos); las imágenes de la crisis política, económica y social o los miles de refugiados, en la paradigmática imagen de un niño muerto en la playa, deambulando por geografías europeas. La imagen es, en efecto, «nómada», viaja por territorios y culturas. Entonces, la inocencia de la pregunta se transforma en la imagen frágil de los que no tienen imagen. «La propuesta de Víctor Silva Echeto, es una de las mejor articuladas que conozco para pensar posibles alternativas a la situación de impasse a que parece abocarnos el mundo contemporáneo.» JENARO TALENS (escritor).




Animation, Caricature, and Gag and Political Cartoons in the United States and Canada


Book Description

One of four volumes dealing with the world of comic art, this volume is a comprehensive, international bibliography dealing with animation, caricature, gag, illustrative, magazine, and political cartoons in the United States and Canada. Reflecting the substantial growth of comic art literature in recent years, it is representative of various types of publications, writing formats and styles, and languages from all over the world. The four volumes attempt for the first time to pull together the massive amount of comic art literature worldwide. Organized with meticulous detail, the work consists of numerous resources, including an annotated directory of 66 comic art-related periodicals; a section of comic art functions, activities, and relationships with various socio-cultural phenomena, such as education, eroticism, ethnicity, race, social consciousness, and violence; as well as historical and contemporary parts on animation, caricature, gag cartoons, and political cartoons. At least 224 animators, caricaturists, and cartoonists are singled out for special prominence. Business, legal, and technical aspects of each genre make up other categories. The book is enhanced by Maurice Horn's foreword, retracing the pioneer work he and others did in the field of comic art studies. To further help the user, the indices are systematically broken down by authors, cartoonists, characters and titles, periodicals, and subjects.