Con gli occhi et con l'intelletto


Book Description

Two italian authors of the 16th century interpret the symbolism of the tarot deck. These texts are translated here for the first time. Deux auteurs italiens du 16e siècle interprètent le symbolisme du jeu de tarot. Ces textes sont ici traduits en anglais pour la première fois.




Neoplatonism and Jewish Thought


Book Description

This book deals primarily with the problem of the one and the many. The problems of creation, of evil, of revelation, and of ethics are all treated as special cases of the general problem of relating the finite to the infinite, the many to the one. The authors focus on the unifying theme of mediation, the means by which the Absolute relates to the here and now. The principal figures studied include Philo, Plotinus, Iamblichus, Isaac Israeli, Avicenna, Ibn Gabirol, Al-Ghazâlî, Abraham Ibn Daud, Maimonides, Averroes, Albertus Magnus, Aquinas, Gersonides, Nahmanides, Ibn Falaquera, Narboni, Albalag, Leone Ebreo (Judah Abarbanel), and Spinoza, as well as such Kabbalistic thinkers as Bahir, Cordovero, Luria, Moses de Leon, Ya'akov ben Sheshet, Isaac the Blind, Menahem Renanti, Shem Tov ben Shem Tov, Azriel of Gerona, Alemanno, Luzzato, Cordovero, and Abraham Herrera. The authors include David Winston, John Dillon, Carl Mathis, Bernard McGinn, Arthur Hyman, Alfred Ivry, Lenn E. Goodman, Menachem Kellner, David Burrell, Idit Dobbs-Weinstein, David Bleich, Seymour Feldman, Steven Katz, Moshe Idel, David Novak, Hubert Dethier, Richard Popkin, and Robert McLaren. Taken together, these essays offer an impressive historical survey of the ideas, achievements, and philosophic struggles of a group of men who worked to form a unique and durable tradition that bridged the gap between rival confessions and sects—mystics, rationalists, and empiricists; Jews, Christians, and Muslims. This is a philosophic source whose vitality is not yet exhausted.




On the Heroic Frenzies


Book Description

This vibrant bilingual edition, annotated by celebrated Bruno scholar Ingrid D. Rowland, features the text in its original Italian alongside an elegant, accurate English translation.




The Expulsion of the Triumphant Beast


Book Description

Published in London in 1584, The Expulsion of the Triumphant Beast is Giordano Bruno’s first work of moral philosophy. It is dedicated with a long Explicatory Letter to Elizabeth I’s most cultured courtier, Sir Philip Sidney. It is a book about moral reform, expelling the beasts of evil, and putting virtues in their place. Its theme is presented as an allegorical drama in which ancient myths assume modern meanings questioning the ways in which moral and religious reform have been conceived in both the ancient world and the cultures of Renaissance Europe. This new Italian text, based on the original printed text of 1584 held in the British Library, presents a less modernized version than those presently available, while maintaining a modern page format. The aim is to provide a text closer to the sound of Bruno’s original mix of classical Tuscan Italian and Neapolitan dialectical forms. This edition also presents a new translation designed to render Bruno’s complex and baroque Italian into easily readable modern English. Hilary Gatti introduces The Expulsion of the Triumphant Beast, underlining Bruno’s meta-literary reflection on the nature of allegory and myth as well as the dramatic structure of his text. Drama, philosophy, and religion combine in this work to give an epic dimension to the perennial cosmic battle between evil and good.







The Plays and Poems


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The Fowre Hymnes;


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From Models to Drawings


Book Description

This edited collection addresses the vital role of the imagination in the critical interpretation of architectural representations. By challenging the contemporary tendency for computer-aided drawings to become mere ‘models’ for imitation in the construction of buildings, the articles explore the broader range of methods and meanings at stake in the creation and interpretation of architectural drawings, models, images and artefacts. These critical – and often practice-led – investigations are placed alongside a range of historical studies considering the development of representational techniques such as perspective, orthography and diagramming. By also addressing the use of visual representation in a number of related disciplines such as visual arts, film, performance and literature, the book opens up debates in architecture to important developments in other fields. This book is key reading for all students of architecture and architectural theory.




The Fowre Hymnes


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