Book Description

1.INTRODUCTION Imagine a profession that is thought to have no limits, but the job itself can set its limits. Whether the field of this profession is human and everything that belongs to human beings, you have in your hands your self and the fact that you live in the world. Let these seemingly small facts be interpreted by being shaped, and now I ask, are there not explicit or hidden symbols in the thought you have formed? Here, in Conceptual Art, he tells us that we can apply art and the symbols in the work to everything, anywhere. However, it should be known that if you are going to make Conceptual Art, your infrastructure must be ready. Where do we find the factors that make up thought that has been transformed into a form that we can apply everywhere? Isn't it the symbols that are involved in the work done voluntarily or involuntarily? The events we experience form the final state of our psychology. When the artist puts aside the "concern about where and how" and only makes form, this form will be nothing at first, but then it will turn into many things, this process can even make us someone else later on. People can find the latest state of their psychology in every action they take to get rid of the troubles of life. We can find ourselves in every movie we watch in every article we read. It's about how we look. Art does this to us, and when we go outside, it places many facts that we think are nothing. So why should the artist be stuck with dogmas during the production and transmission of his work? The artist can see his wish to transfer in a tree stump. Isn't it natural to consider the ceremony of throwing out a garbage disposal as an act of getting rid of the excess in our lives and presenting it to the audience as a work of art? Well, wouldn't the artist displaying this interpretation offer us symbols at some point? Although the artist hides this, maybe not in the first reading, but after that he will definitely give it away. Is the artist's most natural state his primitive state? Everything is hidden in primitiveness. The foundations of many formations that we consider new today are hidden in the "Cro-Magnon", the first race of the "Homo Sapiens" subspecies. Maybe it was magic, maybe it was the ingredients of the magic, maybe it was the ceremony. Regardless of how these ceremonies are, they are the factors that naturally make up the theater. Doesn't it point to the earth's art that they have made on the mountain, the stone and the soil? Of course, there are many effects. Let's take a subject, the first invention of primitive man was a needle. Let's say you make your clothes with this invention. Doesn't the position of the person that they think while making this dress affect the dress they have seen and experienced until that day? Is it not possible to place images that distinguish the owner of the relevant dress from other people? Yes, it is possible and very normal action. Now, let's fictionalize this person superficially, there is a tribe and the owner of the dress is the leader of the tribe, and the person who makes the dress is the man he loves, the father of the children he has given birth to. The only woman of the tribe who sews a dress will inevitably place images that distinguish it from the other men of the tribe. We can even find the distinguishing feature in the differences in the seams hidden in the dress. This has influenced fashion, painting and many other branches of art. He disciplined all the arts within himself. Of course, his thoughts and dreams during production are scenarios. It is fiction and he is a screenwriter himself. Dreaming is the most natural impulse and often a life support unit that cannot be inhibited. It has been scientifically proven that even animals dream. The dream is a fiction. The human being, who is more developed than the animal, knows the way of conveying this fiction. The "must have" is the type of person who sets the rules. So it is human who can lift it. Let him choose his own presentation as he constructs and shapes what he imagines. Whatever the material is, let him do it just for art, for himself or to give a message to people, without worrying about color and balance. The artist, who makes conceptual art, contains his own truth that hides all the elements, no matter where he conveys and expresses. This truth is hidden in icons. The purpose of this research is to convey the existence of this fact to the reader.