Confucius to Cummings


Book Description







Confucius to Cummings


Book Description

Nearly a hundred poets are represented, a number of them in Pound's translations, with emphasis on the Greek, Latin, Chinese, Troubadour, Renaissance, and Elizabethan poets.




Pound/Cummings


Book Description

Similarly, these letters should provoke a reevaluation of Cummings. Critics have treated Cummings's political views as either strictly private matters or merely incidental to his art. The letters, however, show that Cummings's radically conservative political opinions are wholly consistent with his poetics, and raise the question of the relation between Cummings's political principles and his enthusiasm for particular forms (and particular stars) of mass entertainment. In addition to their political revelations, the letters are steeped in the literary climate - and literary gossip - of the times. Pound comments often and candidly on Cummings's poetry and prose; both Pound and Cummings send light verse to each other. And the poets exchange anecdotes about such figures as Henry James, Wyndham Lewis, T. S. Eliot, Edmund Grosse, Max Eastman, and Aldous Huxley, among other writers.




Selected Cantos of Ezra Pound


Book Description

This selection from the Cantos was made by Ezra Pound himself in 1965. It is intended to "indicate main elements" in the long poem -- his personal epic -- with which he was engaged for more than fifty years. His choice includes, of course, a number of the Cantos most admired by critics and anthologists, such as Canto XIII ("Kung [Confucius] walked by the dynastic temple..."), Canto XLV ("With usura hath no man a house of good stone...") and the passage from The Pisan Cantos (LXXXI) beginning "What thou lovest well remains / the rest is dross," and so the book is an ideal introduction for newcomers to the great work. But it has, too, particular interest for the already initiated reader and the specialist, in its revelation, through Pound's own selection of "main elements," of the relative importance which he himself placed on various motifs as they figure in the architecture of the whole poem. Book jacket.




Cathay


Book Description

Cathay is a compilation of traditional Chinese poems translated into English by poet Ezra Pound. These fifteen poems are seen less as strict translations and more as new pieces in their own right.




Ezra Pound's Confucian Translations


Book Description

Provides bold insights into Pound's Fascism.




Provence and Pound


Book Description

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.




The Good Is One, Its Manifestations Many


Book Description

Building on his long-standing work in metaphysics and Asian philosophy, Robert Cummings Neville presents a series of essays that cumulatively articulate a contemporary, progressive Confucian position as a global philosophy. Through analysis of the metaphysical and moral traditions of Confucianism, Neville brings these traditions into the twenty-first century. According to Confucianism, rituals define most of our relations with other individuals, social institutions, and nature, and while rituals make possible the positive institutions of high human civilization, they may also lead to harmful behaviors, including racism, xenophobia, and sexism. Neville argues that the amendment of rituals that institutionalize oppression is a positive task, which should be undertaken from within a skillfully ritualized life rather than in the form of external criticism. Confucianism, in Neville's hands, is a left-wing, progressive, liberal political philosophy, one that can address institutionalized oppression and suggest a path for moving forward.




Ezra Pound and Music


Book Description

Included here are all of Pound's concert reviews and statements; the biweekly columns written under the pen name William Atheling for The New Age in London; articles from other periodicals; the complete text of the 1924 landmark volume Antheil and the Treatise on Harmony; extracts from books and letters, and the poet's additional writings on the subject of music. The pieces are organized chronologically, with illuminating commentary, thorough footnotes, and an index. Three appendixes complete this comprehensive volume; an analysis of Pound's theories of "absolute rhythm" and "Great Bass;" a glossary of important musical personalities mentioned in the text and the composer George Antheil's 1924 appreciation, "Why a Poet Quit the Muses."